The Sea-Kings of Crete. James Baikie
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Herodotus has preserved for us another echo of the story of Minos in the shape of the reasons which led the Cretans to refuse aid to the rest of the Greeks during the Persian invasion. The Delphian oracle, which they consulted at this crisis, suggested to them that they had known enough of the misery caused by foreign expeditions. 'Fools, you complain of all the woes that Minos in his anger sent you, for aiding Menelaus, because they would not assist you in avenging his death at Kamikos, and yet you assisted them in avenging a woman who was carried off from Sparta by a barbarian.' In commentary on this saying Herodotus gives the explanation which was given to him by the inhabitants of Præsos, in Crete. After the death of Minos, the Cretans, with a great armada, invaded Sicily, and besieged Kamikos ineffectually for five years; but finding themselves unable to continue the siege, and being driven ashore on the Italian coast during their retreat, they founded there the city of Hyria. Crete, being thus left desolate, was repeopled by other tribes, 'especially the Grecians'; and in the third generation after the death of Minos the new Cretan people sent a contingent to help Agamemnon in the Trojan War, as a punishment for which famine and pestilence fell on them, and the island was depopulated a second time, so that the Cretans of the time of the Persian invasion are the third race to inhabit the island. In this tradition we may see a distorted reflection of the various vicissitudes which, as we shall see later, appear to have befallen the Minoan kingdom, and of the incursions which, after the fall of Knossos, gradually changed the character of the island population.
Such, then, are the most familiar of the legends and traditions associated with prehistoric Crete. Some of these, touching on the personality of Minos and his relationship with Zeus, have their own significance in connection with the little that is known of the Minoan religion, and will fall to be discussed later from that point of view. The famous story of Theseus and the Minotaur, though it, too, may have its connection with the religious conceptions which gather round the name of Minos, seems at first sight to move entirely in the realm of pure romance. Yet the conviction of its reality was very strong with the Athenians, and was indeed expressed in a ceremony which held its own to a late stage in Athenian history. The ship in which Theseus was said to pave made his voyage was preserved with the utmost care till at least the beginning of the third century B.C., her timbers being constantly 'so pieced and new-framed with strong plank that it afforded an example to the philosophers in their disputations concerning the identity of things that are changed by growth, some contending that it was the same, and others that it was not.' It was this galley, or the vessel which tradition affirmed to be the galley of Theseus, which was sent every year from Athens to Delos with solemn sacrifices and specially nominated envoys. One of her voyages has become for ever memorable owing to the fact that the death of Socrates was postponed for thirty days because of the galley's absence; for so great was the reverence in which this annual ceremony was held that during the time of her voyage the city was obliged to abstain from all acts carrying with them public impurity, so that it was not lawful to put a condemned man to death until the galley returned. The mere fact of such a tradition as that of the galley is at least presumptive evidence that some historic ground lay behind a belief so persistent, however the story may have been added to and adorned with supernatural details by later imagination; and it is difficult to see how Grote, on the very threshold of recounting the Athenians' conviction about the ship, and their solemn sacrificial use of her, should pause to reaffirm his unbelief in the existence of any historic ground for the main feature of the legend—the tribute of human victims paid by Athens to Crete.
WALL OF SIXTH CITY, TROY (p. 41)
Later Athenian writers of a rationalizing turn endeavoured to bring down the noble old legend to the level of the commonplace by transforming the Minotaur into a mere general or famous athlete named Taurus, whom Theseus vanquished in Crete. But the rationalistic version never found much favour, and the Athenian potter was always sure of a market for his vases with pictures of the bull-headed Minotaur falling to the sword of the national hero. No more fortunate has been the German attempt to resolve the story of Minos and the Minotaur, the Labyrinth and Pasiphae, into a clumsy solar myth. The whole legend of the Minotaur, on this theory, was connected with the worship of the heavenly host. The Minotaur was the Sun; Pasiphae, 'the very bright one,' wife of Minos, was the Moon; and the Labyrinth was the tower on whose walls the astronomers of the day traced the wanderings of the heavenly bodies, 'an image of the starry heaven, with its infinitely winding paths, in which, nevertheless, the sun and moon so surely move about.' Among rationalizing explanations this must surely hold the palm for cumbrousness and complexity, and we may be thankful that the explorer's spade has demolished it along with other theories, and given back to us, as we shall see, at least the elements of a romance such as that which was so dear to the Athenian public.
CHAPTER II
THE HOMERIC CIVILIZATION
Between the Greece of such legends as those which we have been considering and the Greece of the earliest historic period there has always been a great gulf of darkness. On the one side a land of seemingly fabulous Kings and heroes and monsters, of fabulous palaces and cities; on the other side. Greece as we know it in the infant stages of its development, with a totally different state of society, a totally different organization and culture; and in the interval no one could say how many generations, concerning which, and their conditions and developments, there was nothing but blank ignorance. So that it seemed as though the marvellous fabric of Greek civilization as we know it were indeed something unexampled, rising almost at once out of nothing to its height of splendour, as the walls of Ilium were fabled to have risen beneath the hands of their divine builders. Indeed, a certain section of students seemed rather to glory in the fact of this seeming isolation of Greek culture, and to deem it little short of profanity to seek any pre-existing sources for it. 'The fathering of the Greek on the pre-existing profane cultures has been scouted by perfervid Hellenists in terms which implied that they hold it little else than impiety. Allowing no causation more earthly than vague local influences of air and light, mountain and sea, they would have Hellenism born into the world by a miracle of generation, like its own Athena from the head of Zeus.'[*] But a great civilization can never be accounted for in this miraculous fashion. The origins of even Egyptian culture have begun to yield themselves to patient research, and it is not permissible to believe that the Greek nation was born in a day into its great inheritance, or that it derived nothing from earlier ages and races.
[Footnote *: D. G. Hogarth, 'Ionia and the East,' p. 21.]
Indeed, the supreme monument of the matchless literature of Hellas bore witness to the fact that, prior to the beginnings of Greek history, there had existed on Greek soil a civilization of a very high type, differing from, in some respects even superior to, that which succeeded it, but manifestly refusing to be left out of consideration in any attempt to describe the beginnings of Greek culture. The Homeric poems shone like a beacon light across the dark gulf which separated the Hellas of myth from the Hellas of history, testifying to a splendour that had been before the darkness, and prophesying of a splendour that should be when the darkness had passed. But the very brilliance of their pictures and the magnificence of the society with which they dealt only added to the complication of the question, and emphasized the difficulty of deriving the culture of historic Greece by legitimate filiation from a past which seemed to have no connection and no community of character with it. For the Homeric civilization was not a different stage of development of that same civilization which appears when the first beginnings of what we are accustomed to call Hellenism are presented to us; it was totally diverse, and in many respects more complex and more splendid.
From the eighth century onwards we are on moderately safe ground when dealing with the history of Hellas and its culture. We know something of the actual facts of its history, literary and political. The chronicles of the more important cities are known with a definiteness fairly comparable