Rudyard Kipling: 440+ Short Stories in One Edition (Illustrated). Редьярд Джозеф Киплинг
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they knew of poor little Bisesa. At night, when all the City was still, came the walk under the evil-smelling boorka, the patrol through Jitha Megji's bustee, the quick turn into Amir Nath's Gully between the sleeping cattle and the dead walls, and then, last of all, Bisesa, and the deep, even breathing of the old woman who slept outside the door of the bare little room that Durga Charan allotted to his sister's daughter. Who or what Durga Charan was, Trejago never inquired; and why in the world he was not discovered and knifed never occurred to him till his madness was over, and Bisesa... But this comes later.
Bisesa was an endless delight to Trejago. She was as ignorant as a bird; and her distorted versions of the rumors from the outside world that had reached her in her room, amused Trejago almost as much as her lisping attempts to pronounce his name—"Christopher." The first syllable was always more than she could manage, and she made funny little gestures with her rose-leaf hands, as one throwing the name away, and then, kneeling before Trejago, asked him, exactly as an Englishwoman would do, if he were sure he loved her. Trejago swore that he loved her more than any one else in the world. Which was true.
After a month of this folly, the exigencies of his other life compelled Trejago to be especially attentive to a lady of his acquaintance. You may take it for a fact that anything of this kind is not only noticed and discussed by a man's own race, but by some hundred and fifty natives as well. Trejago had to walk with this lady and talk to her at the Band-stand, and once or twice to drive with her; never for an instant dreaming that this would affect his dearer out-of-the-way life. But the news flew, in the usual mysterious fashion, from mouth to mouth, till Bisesa's duenna heard of it and told Bisesa. The child was so troubled that she did the household work evilly, and was beaten by Durga Charan's wife in consequence.
A week later, Bisesa taxed Trejago with the flirtation. She understood no gradations and spoke openly. Trejago laughed and Bisesa stamped her little feet—little feet, light as marigold flowers, that could lie in the palm of a man's one hand.
Much that is written about "Oriental passion and impulsiveness" is exaggerated and compiled at second-hand, but a little of it is true; and when an Englishman finds that little, it is quite as startling as any passion in his own proper life. Bisesa raged and stormed, and finally threatened to kill herself if Trejago did not at once drop the alien Memsahib who had come between them. Trejago tried to explain, and to show her that she did not understand these things from a Western standpoint. Bisesa drew herself up, and said simply:
"I do not. I know only this—it is not good that I should have made you dearer than my own heart to me, Sahib. You are an Englishman. I am only a black girl"—she was fairer than bar-gold in the Mint—and the widow of a black man.
Then she sobbed and said: "But on my soul and my Mother's soul, I love you. There shall no harm come to you, whatever happens to me."
Trejago argued with the child, and tried to soothe her, but she seemed quite unreasonably disturbed. Nothing would satisfy her save that all relations between them should end. He was to go away at once. And he went. As he dropped out at the window, she kissed his forehead twice, and he walked away wondering.
A week, and then three weeks, passed without a sign from Bisesa.
Trejago, thinking that the rupture had lasted quite long enough, went down to Amir Nath's Gully for the fifth time in the three weeks, hoping that his rap at the sill of the shifting grating would be answered. He was not disappointed.
There was a young moon, and one stream of light fell down into Amir Nath's Gully, and struck the grating, which was drawn away as he knocked. From the black dark, Bisesa held out her arms into the moonlight. Both hands had been cut off at the wrists, and the stumps were nearly healed.
Then, as Bisesa bowed her head between her arms and sobbed, some one in the room grunted like a wild beast, and something sharp—knife, sword or spear—thrust at Trejago in his boorka. The stroke missed his body, but cut into one of the muscles of the groin, and he limped slightly from the wound for the rest of his days.
The grating went into its place. There was no sign whatever from inside the house—nothing but the moonlight strip on the high wall, and the blackness of Amir Nath's Gully behind.
The next thing Trejago remembers, after raging and shouting like a madman between those pitiless walls, is that he found himself near the river as the dawn was breaking, threw away his boorka and went home bareheaded.
What the tragedy was—whether Bisesa had, in a fit of causeless despair, told everything, or the intrigue had been discovered and she tortured to tell, whether Durga Charan knew his name, and what became of Bisesa—Trejago does not know to this day. Something horrible had happened, and the thought of what it must have been comes upon Trejago in the night now and again, and keeps him company till the morning. One special feature of the case is that he does not know where lies the front of Durga Charan's house. It may open on to a courtyard common to two or more houses, or it may lie behind any one of the gates of Jitha Megji's bustee. Trejago cannot tell.
He cannot get Bisesa—poor little Bisesa—back again. He has lost her in the City, where each man's house is as guarded and as unknowable as the grave; and the grating that opens into Amir Nath's Gully has been walled up.
But Trejago pays his calls regularly, and is reckoned a very decent sort of man.
There is nothing peculiar about him, except a slight stiffness, caused by a riding-strain, in the right leg.
In Error
They burnt a corpse upon the sand—
The light shone out afar;
It guided home the plunging boats
That beat from Zanzibar.
Spirit of Fire, where'er Thy altars rise.
Thou art Light of Guidance to our eyes!
——Salsette Boat-Song.
There is hope for a man who gets publicly and riotously drunk more often that he ought to do; but there is no hope for the man who drinks secretly and alone in his own house—the man who is never seen to drink.
This is a rule; so there must be an exception to prove it.
Moriarty's case was that exception.
He was a Civil Engineer, and the Government, very kindly, put him quite by himself in an out-district, with nobody but natives to talk to and a great deal of work to do. He did his work well in the four years he was utterly alone; but he picked up the vice of secret and solitary drinking, and came up out of the wilderness more old and worn and haggard than the dead-alive life had any right to make him.
You know the saying that a man who has been alone in the jungle for more than a year is never quite sane all his life after. People credited Moriarty's queerness of manner and moody ways to the solitude, and said it showed how Government spoilt the futures of its best men. Moriarty had built himself the plinth of a very god reputation in the bridge-dam-girder line. But he knew, every night of the week, that he was taking steps to undermine that reputation with L. L. L. and "Christopher" and little nips of liqueurs, and filth of that kind. He had a sound constitution and a great brain, or else he would have broken down and died like a sick camel in the district, as better men have done before him.
Government ordered him to Simla after he had come out of the desert; and he went up meaning to try for a post then vacant. That season, Mrs. Reiver—perhaps you will remember her—was in the height of her power, and many men lay under her yoke. Everything bad that could be said has already been said about Mrs. Reiver, in another tale.
Moriarty was heavily-built and handsome, very quiet and nervously anxious to please his neighbors when he wasn't sunk in a brown study. He started a good deal at sudden noises or if spoken to without warning; and, when you watched him drinking his glass of water at dinner, you could see the hand shake a little. But all this was put down to nervousness,