The Confession of a Child of the Century. Alfred de Musset
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life had been wrapped up in that woman; to doubt her was to doubt all; to deny her, to curse all; to lose her, to renounce all. I no longer went out; the world seemed to be peopled with monsters, with horned deer and crocodiles. To all that was said to distract my mind I replied:
"Yes, that is all very well, but you may rest assured I shall do nothing of the kind."
I sat in my window and said:
"She will come, I am sure of it, she is coming, she is turning the corner at this moment, I can feel her approach. She can no more live without me than I without her. What shall I say? How shall I receive her?"
Then the thought of her perfidy recurred to me.
"Ah! let her come! I will kill her!"
Since my last letter I had heard nothing of her.
"What is she doing?" I asked myself. "She loves another? Then I will love another also. Whom shall I love?"
While casting about I heard a far distant voice crying:
"Thou, love another? Two beings who love, who embrace, and who are not thou and I! Is such a thing possible? Are you a fool?"
"Coward!" said Desgenais, "when will you forget that woman? Is she such a great loss? Take the first comer and console yourself."
"No," I replied, "it is not such a great loss. Have I not done what I ought? Have I not driven her away from here? What have you to say to that? The rest concerns me; the bull wounded in the arena is at liberty to go to sleep in a corner with the sword of the matador in his shoulder, and die in peace. What can I do, tell me? What do you mean by first comer? You will show me a cloudless sky, trees and houses, men who talk, drink, sing, women who dance and horses that gallop. All that is not life, it is the noise of life. Go, go, leave me in peace."
CHAPTER V
WHEN Desgenais saw that my despondency was incurable, that I would neither listen to any advice nor leave my room, he took the matter seriously. I saw him enter one evening with an expression of gravity on his face; he spoke of my mistress and continued in his tone of sadness, saying all manner of evil of women. While he was speaking I was leaning on my elbow, and, rising in my bed, I listened attentively.
It was one of those somber evenings when the sighing of the wind resembles the moans of a dying man; a storm was brewing, and between the splashes of rain on the windows there was the silence of death. All nature suffers in such moments; the trees writhe in pain and twist their heads; the birds of the fields cower under the bushes; the streets of cities are deserted. I was suffering from my wound. But a short time before I had a mistress and a friend. The mistress had deceived me and the friend had stretched me on a bed of pain. I could not clearly distinguish what was passing in my head; it seemed to me that I was under the influence of a horrible dream and that I had but to awake to find myself cured; at times it seemed that my entire life had been a dream, ridiculous and childish, the falseness of which had just been disclosed. Desgenais was seated near the lamp at my side; he was firm and serious, although a smile hovered about his lips. He was a man of heart, but as dry as a pumice-stone. An early experience had made him bald before his time; he knew life and had suffered; but his grief was a cuirass; he was a materialist and he waited for death.
"Octave," he said, "after what has happened to you I see that you believe in love such as the poets and romancers have represented; in a word, you believe in what is said here below and not in what is done. That is because you do not reason soundly and it may lead you into great misfortune.
"The poets represent love as the sculptors design beauty, as the musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature. There was, it is said, at Athens a great number of beautiful girls; Praxiteles designed them all, one after another; then from all these diverse types of beauty, each one of which had its defects, he formed a single faultless beauty and created Venus. The first man who created a musical instrument and who gave to that art its rules and its laws, had for a long time listened to the murmuring of reeds and the singing of birds. Thus the poets who understand life, after having known much of love, more or less transitory, after having felt that sublime exaltation which passion can for the moment inspire, deducting from human nature all elements which degrade it, created the mysterious names which through the ages are passed from lip to lip: Daphne and Chloe, Hero and Leander, Pyramus and Thisbe.
"To try to find in real life such love as this, eternal and absolute, is the same thing as to seek on the public squares such a woman as Venus or to expect nightingales to sing the symphonies of Beethoven.
"Perfection does not exist; to comprehend it is the triumph of human intelligence; to desire to possess it, the most dangerous of follies. Open your window, Octave; do you not see the infinite? You try to form some idea of a thing that has no limits, you who were born yesterday and who will die to-morrow? This spectacle of immensity in every country in the world, produces the wildest illusions. Religions are born of it; it was to possess the infinite that Cato cut his throat, that the Christians delivered themselves to lions, the Huguenots to the Catholics; all the people of the earth have stretched out their hands to that immensity and have longed to plunge into it. The fool wishes to possess heaven; the sage admires it, kneels before it, but does not desire it.
"Perfection, my friend, is no more made for us than infinity. We must seek for nothing in it, demand nothing of it, neither love nor beauty, happiness nor virtue; but we must love it if we would be virtuous, if we would attain the greatest happiness of which man is capable.
"Let us suppose you have in your study a picture by Raphael that you consider perfect; let us suppose that upon a close examination you discover in one of the figures a gross defect of design, a limb distorted, or a muscle that belies nature, such as has been discovered, they say, in one of the arms of an antique gladiator; you would experience a feeling of displeasure, but you would not throw that picture in the fire; you would merely say that it is not perfect but that it has qualities that are worthy of admiration.
"There are women whose natural singleness of heart and sincerity are such that they could not have two lovers at the same time. You believed your mistress such a one; that is best, I admit. You have discovered that she has deceived you; does that oblige you to despise and to abuse her, to believe her deserving of your hatred?
"Even if your mistress had never deceived you, even if at this moment she loved none other than you, think, Octave, how far her love would still be from perfection, how human it would be, how small, how restrained by the hypocrisies and conventionalities of the world; remember that another man possessed her before you, that many others will possess her after you.
"Reflect: what drives you at this moment to despair is the idea of perfection in your mistress, the idea that has been shattered. But when you understand that the first idea itself was human, small and restricted, you will see that it is little more than a round in the rotten ladder of human imperfection.
"I think you will readily admit that your mistress has had other admirers and that she will have still others in the future; you will doubtless reply that it matters little, so long as she loved you. But I ask you, since she has had others, what difference does it make whether it was yesterday or two years ago? Since she loves but one at a time what does it matter whether it is during an interval of two years or the course of a single night? Are you a man, Octave? Do you see the leaves falling from the trees, the sun rising and setting? Do you hear the ticking of the clock of time with each pulsation of your heart? Is there, then, such a difference between the love of a year and the love of an hour? I challenge you to answer that, you fool, as you sit there looking out at the infinite through a window not larger than your hand.
"You consider that woman faithful who loves you two years; you must have an almanac that will indicate just how long it takes for an honest man's kisses to dry on a woman's