The Trail of the Serpent (Detective Mystery). Мэри Элизабет Брэддон
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large space shut in from the lane in which the school stands by a wall of considerable height. About half the height of this room are some posts erected for gymnastics; they are about ten feet from the wall of the house, and the usher looks at them dubiously. He lowers the rope out of the window and attaches one end of it to an iron hook in the wall—a very convenient hook, and very secure apparently, for it looks as if it had been only driven in that very day.
He surveys the distance beneath him, takes another dubious look at the posts in the playground, and is about to step out of the window, when a feeble voice from the little bed cries out—not in any delirious ramblings this time—“What are you doing with that rope? Who are you? What are you doing with that rope?”
Jabez looks round, and although so good a young man, mutters something very much resembling an oath.
“Silly boy, don’t you know me? I’m Jabez, your old friend——”
“Ah, kind old Jabez; you won’t send me back in Virgil, because I’ve been ill; eh, Mr. North?”
“No, no! See, you want to know what I am doing with this rope; why, making a swing, to be sure.”
“A swing? Oh, that’s capital. Such a jolly thick rope too! When shall I be well enough to swing, I wonder? It’s so dull up here. I’ll try and go to sleep; but I dream such bad dreams.”
“There, there, go to sleep,” says the usher, in a soothing voice. This time, before he goes to the window, he puts out his tallow candle; the rushlight on the hearth he extinguishes also; feels for something in his bosom, clutches this something tightly; takes a firm grasp of the rope, and gets out of the window.
A curious way to make a swing! He lets himself down foot by foot, with wonderful caution and wonderful courage. When he gets on a level with the posts of the gymnasium he gives himself a sudden jerk, and swinging over against them, catches hold of the highest post, and his descent is then an easy one for the post is notched for the purpose of climbing, and Jabez, always good at gymnastics, descends it almost as easily as another man would an ordinary staircase. He leaves the rope still hanging from his bedroom window, scales the playground wall, and when the Slopperton clocks strike twelve is out upon the highroad. He skirts the town of Slopperton by a circuitous route, and in another half hour is on the other side of it, bearing towards the Black Mill. A curious manner of making a swing this midnight ramble. Altogether a curious ramble for this good young usher; but even good men have sometimes strange fancies, and this may be one of them.
One o’clock from the Slopperton steeples: two o’clock: three o’clock. The sick little boy does not go to sleep, but wanders, oh, how wearily, through past scenes in his young life. Midsummer rambles, Christmas holidays, and merry games; the pretty speeches of the little sister who died three years ago; unfinished tasks and puzzling exercises, all pass through his wandering mind; and when the clocks chime the quarter after three, he is still talking, still rambling on in feeble accents, still tossing wearily on his pillow.
As the clocks chime the quarter, the rope is at work again, and five minutes afterwards the usher clambers into the room.
Not very good to look upon, either in costume or countenance; bad to look upon, with his clothes mud-bespattered and torn; wet to the skin; his hair in matted locks streaming over his forehead; worse to look upon, with his light blue eyes, bright with a dangerous and wicked fire—the eyes of a wild beast baulked of his prey; dreadful to look upon, with his hands clenched in fury, and his tongue busy with half-suppressed but terrible imprecations.
“All for nothing!” he mutters. “All the toil, the scheming, and the danger for nothing—all the work of the brain and the hands wasted—nothing gained, nothing gained!”
He hides away the rope in his trunk, and begins to unbutton his mud-stained gaiters. The little boy cries out in a feeble voice for his medicine.
The usher pours a tablespoonful of the mixture into a wine-glass with a steady hand, and carries it to the bedside.
The boy is about to take it from him, when he utters a sudden cry.
“What’s the matter?” asks Jabez, angrily.
“Your hand!—your hand! What’s that upon your hand?”
A dark stain scarcely dry—a dark stain, at the sight of which the boy trembles from head to foot.
“Nothing, nothing!” answers the tutor. “Take your medicine, and go to sleep.”
No, the boy cries hysterically, he won’t take his medicine; he will never take anything again from that dreadful hand. “I know what that horrid stain is. What have you been doing? Why did you climb out of the window with a rope? It wasn’t to make a swing; it must have been for something dreadful! Why did you stay away three hours in the middle of the night? I counted the hours by the church clocks. Why have you got those strange clothes on? What does it all mean? I’ll ask the Doctor to take me out of this room! I’ll go to him this moment, for I’m afraid of you.”
The boy tries to get out of bed as he speaks; but the usher holds him down with one powerful hand, which he places upon the boy’s mouth, at the same time keeping him from stirring and preventing him from crying out.
With his free right hand he searches among the bottles on the table by the bedside.
He throws the medicine out of the glass, and pours from another bottle a few spoonfuls of a dark liquid labelled, “Opium—Poison!”
“Now, sir, take your medicine, or I’ll report you to the principal to-morrow morning.”
The boy tries to remonstrate, but in vain; the powerful hand throws back his head, and Jabez pours the liquid down his throat.
For a little time the boy, quite delirious now, goes on talking of the summer rambles and the Christmas games, and then falls into a deep slumber.
Then Jabez North sets to work to wash his hands. A curious young man, with curious fashions for doing things—above all, a curious fashion of washing his hands.
He washes them very carefully in a small quantity of water, and when they are quite clean, and the water has become a dark and ghastly colour, he drinks it, and doesn’t make even one wry face at the horrible draught.
“Well, well,” he mutters, “if nothing is gained by to-night’s work, I have at least tried my strength, and I now know what I’m made of.”
Very strange stuff he must have been made of—very strange and perhaps not very good stuff, to be able to look at the bed on which the innocent and helpless boy lay in a deep slumber, and say,—
“At any rate, he will tell no tales.”
No! he will tell no tales, nor ever talk again of summer rambles, or of Christmas holidays, or of his dead sister’s pretty words. Perhaps he will join that wept-for little sister in a better world, where there are no such good young men as Jabez North.
That worthy gentleman goes down aghast, with a white face, next morning, to tell Dr. Tappenden that his poor little charge is dead, and that perhaps he had better break the news to Allecompain Major, who is sick after that supper, which, in his boyish thoughtlessness, and his certainty of his little brother’s recovery, he had given last night.
“Do, yes, by all means, break the sad news to the poor boy; for I know, North, you’ll do it tenderly.”
Chapter IV
Richard Marwood Lights His Pipe
Daredevil Dick hears the alarum at five o’clock, and leaves his couch very cautiously. He would like, before he leaves the house, to go to his mother’s door, if it were only to breathe a prayer upon the threshold. He would like to go to his uncle’s bedside, to give one farewell look at the kind face; but he has promised to be very cautious, and to awaken no one; so