.
Читать онлайн книгу.
Vervain began to look at the sketch through her tubed hand; the painter made a grimace. "But you've made her too proud, Mr. Ferris. She doesn't look like that."
"Yes she does—to those unworthy of her kindness. I have taken Miss Vervain in the act of scorning the rococo, and its humble admirer, me, with it."
"I'm sure I don't know what you mean, Mr. Ferris; but I can't think that this proud look is habitual with Florida; and I've heard people say—very good judges—that an artist oughtn't to perpetuate a temporary expression. Something like that."
"It can't be helped now, Mrs. Vervain: the sketch is irretrievably immortal. I'm sorry, but it's too late."
"Oh, stuff! As if you couldn't turn up the corners of the mouth a little. Or something."
"And give her the appearance of laughing at me? Never!"
"Don Ippolito," said Mrs. Vervain, turning to the priest, who had been listening intently to all this trivial talk, "what do you think of this sketch?"
He took the book with an eager hand, and perused the sketch as if trying to read some secret there. After a minute he handed it back with a light sigh, apparently of relief, but said nothing.
"Well?" asked Mrs. Vervain.
"Oh! I ask pardon. No, it isn't my idea of madamigella. It seems to me that her likeness must be sketched in color. Those lines are true, but they need color to subdue them; they go too far, they are more than true."
"You're quite right, Don Ippolito," said Ferris.
"Then you don't think she always has this proud look?" pursued Mrs. Vervain. The painter fancied that Florida quelled in herself a movement of impatience; he looked at her with an amused smile.
"Not always, no," answered Don Ippolito.
"Sometimes her face expresses the greatest meekness in the world."
"But not at the present moment," thought Ferris, fascinated by the stare of angry pride which the girl bent upon the unconscious priest.
"Though I confess that I should hardly know how to characterize her habitual expression," added Don Ippolito.
"Thanks," said Florida, peremptorily. "I'm tired of the subject; it isn't an important one."
"Oh yes it is, my dear," said Mrs. Vervain. "At least it's important to me, if it isn't to you; for I'm your mother, and really, if I thought you looked like this, as a general thing, to a casual observer, I should consider it a reflection upon myself." Ferris gave a provoking laugh, as she continued sweetly, "I must insist, Don Ippolito: now did you ever see Florida look so?"
The girl leaned back, and began to wave her fan slowly to and fro before her face.
"I never saw her look so with you, dear madama," said the priest with an anxious glance at Florida, who let her fan fall folded into her lap, and sat still. He went on with priestly smoothness, and a touch of something like invoked authority, such as a man might show who could dispense indulgences and inflict penances. "No one could help seeing her devotedness to you, and I have admired from the first an obedience and tenderness that I have never known equaled. In all her relations to you, madamigella has seemed to me"—
Florida started forward. "You are not asked to comment on my behavior to my mother; you are not invited to speak of my conduct at all!" she burst out with sudden violence, her visage flaming, and her blue eyes burning upon Don Ippolito, who shrank from the astonishing rudeness as from a blow in the face. "What is it to you how I treat my mother?"
She sank back again upon the cushions, and opening the fan with a clash swept it swiftly before her.
"Florida!" said her mother gravely.
Ferris turned away in cold disgust, like one who has witnessed a cruelty done to some helpless thing. Don Ippolito's speech was not fortunate at the best, but it might have come from a foreigner's misapprehension, and at the worst it was good-natured and well-meant. "The girl is a perfect brute, as I thought in the beginning," the painter said to himself. "How could I have ever thought differently? I shall have to tell Don Ippolito that I'm ashamed of her, and disclaim all responsibility. Pah! I wish I was out of this."
The pleasure of the day was dead. It could not rally from that stroke. They went on to Strà, as they had planned, but the glory of the Villa Pisani was eclipsed for Don Ippolito. He plainly did not know what to do. He did not address Florida again, whose savagery he would not probably have known how to resent if he had wished to resent it. Mrs. Vervain prattled away to him with unrelenting kindness; Ferris kept near him, and with affectionate zeal tried to make him talk of the villa, but neither the frescoes, nor the orangeries, nor the green-houses, nor the stables, nor the gardens could rouse him from the listless daze in which he moved, though Ferris found them all as wonderful as he had said. Amidst this heavy embarrassment no one seemed at ease but the author of it. She did not, to be sure, speak to Don Ippolito, but she followed her mother as usual with her assiduous cares, and she appeared tranquilly unconscious of the sarcastic civility with which Ferris rendered her any service. It was late in the afternoon when they got back to their boat and began to descend the canal towards Venice, and long before they reached Fusina the day had passed. A sunset of melancholy red, streaked with level lines of murky cloud, stretched across the flats behind them, and faintly tinged with its reflected light the eastern horizon which the towers and domes of Venice had not yet begun to break. The twilight came, and then through the overcast heavens the moon shone dim; a light blossomed here and there in the villas, distant voices called musically; a cow lowed, a dog barked; the rich, sweet breath of the vernal land mingled its odors with the sultry air of the neighboring lagoon. The wayfarers spoke little; the time hung heavy on all, no doubt; to Ferris it was a burden almost intolerable to hear the creak of the oars and the breathing of the gondoliers keeping time together. At last the boat stopped in front of the police-station in Fusina; a soldier with a sword at his side and a lantern in his hand came out and briefly parleyed with the gondoliers; they stepped ashore, and he marched them into the station before him.
"We have nothing left to wish for now," said Ferris, breaking into an ironical laugh.
"What does it all mean?" asked Mrs. Vervain.
"I think I had better go see."
"We will go with you," said Mrs. Vervain.
"Pazienza!" replied Ferris.
The ladies rose; but Don Ippolito remained seated. "Aren't you going too, Don Ippolito?" asked Mrs. Vervain.
"Thanks, madama; but I prefer to stay here."
Lamentable cries and shrieks, as if the prisoners had immediately been put to the torture, came from the station as Ferris opened the door. A lamp of petroleum lighted the scene, and shone upon the figures of two fishermen, who bewailed themselves unintelligibly in the vibrant accents of Chiozza, and from time to time advanced upon the gondoliers, and shook their heads and beat their breasts at them, A few police-guards reclined upon benches about the room, and surveyed the spectacle with mild impassibility.
Ferris politely asked one of them the cause of the detention.
"Why, you see, signore," answered the guard amiably, "these honest men accuse your gondoliers of having stolen a rope out of their boat at Dolo."
"It was my blood, you know!" howled the elder of the fishermen, tossing his arms wildly abroad, "it was my own heart," he cried, letting the last vowel die away and rise again in mournful refrain, while he stared tragically into Ferris's face.
"What is the matter?" asked Mrs. Vervain, putting up her glasses, and trying with graceful futility to focus the melodrama.
"Nothing," said Ferris; "our gondoliers have had the heart's blood of this respectable Dervish; that is to say, they have stolen a rope belonging to him."
"Our gondoliers! I don't believe it. They've no right to keep us here all night. Tell them you're the American consul."
"I'd rather not try