William Dean Howells: 27 Novels in One Volume (Illustrated). William Dean Howells
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poor girl was reduced to playing in the hotel orchestra for the money it would give her, she had come down to the level of the head waiter, and they must meet as equals. But the thought was no less intolerable for that, and Gaites set out with the notion of walking away from it. At the station, however, which was in friendly proximity to the Inn, his steps were stayed by the sound of girlish voices, rising like sweetly varied pipes from beyond the freight-depot. Their youth invited his own to look them up, and he followed round to the back of the depot, where he came upon a sight which had, perhaps from the waning light, a heightened charm. Against the curtain of low pines which had been gradually creeping back upon the depot ever since the woods were cut away to make room for it, four girls were posed in attitudes instinctively dramatic and vividly eager, while as many men were employed in getting what Gaites at once saw to be Miss Phyllis Desmond's piano into the wagon backed up to the platform of the depot. Their work was nearly accomplished, but at every moment of what still remained to be done the girls emitted little shrieks, laughs, and moans of intense interest, and fluttered in their light summer dresses against the background of the dark evergreens like anxious birds.
At last the piano was got into the middle of the wagon, the inclined planks withdrawn and loaded into it, and the tail-board snapped to. Three of the men stepped aside, and one of them jumped into the front of the wagon and gathered up the reins from the horses' backs. He called with mocking challenge to the group of girls, "Nobody goin' to git up here and keep this piano from tippin' out?"
A wild clamor rose from the girls, settling at last into staccato cries.
"You've got to do it, Phyl!"
"Yes, Phyllis, you must get in!"
"It's your piano, Phyl. You've got to keep it from tipping out!"
"No, no! I won't! I can't! I'm not going to!" one voice answered to all, but apparently without a single reference to the event; for in the end the speaker gave her hand to the man in the wagon, and with many small laughs and squeaks was pulled up over the hub and tire of a front wheel, and then stood staying herself against the piano-case, with a final lamentation of "Oh, it's a shame! I'll never speak to any of you again! How perfectly mean! Oh!" The last exclamation signalized the start of the horses at a brisk mountain trot, which the driver presently sobered to a walk. The three remaining girls followed, mocking and cheering, and after them lounged the three remaining men, at a respectful distance, marking the social interval between them, which was to be bridged only in some such moment of supreme excitement as the present.
It was no question with Gaites whether he should bring up the end of the procession; he could not think of any consideration that would have stayed him. He scarcely troubled himself to keep at a fit remove from the rest; and as he followed in the deepening twilight he felt a sweet, unselfish gladness of heart that the poor girl whom he had seen so wan and sad in Boston should be the gay soul of this pretty triumph.
The wagon drove into the grounds of the Desmond cottage, and backed up to the edge of the veranda. Lights appeared, and voices came from within. One of the men, despatched to the barn for a hatchet, came flickering back with a lantern also; lamps brought out of the house were extinguished by the evening breeze (in spite of luminous hands held near the chimney to shelter them), amidst the joyful applause of all the girls and the laughter of the men. A sound of hammering rose, and then a sound of boards rending from the clutch of nails, and then a sound of pieces thrown loosely into a pile. There was a continual flutter of women's dresses and emotions, and this did not end even when the piano, disclosed from its casing and all its wraps, was pushed indoors, and placed against the parlor wall, where a flash of lamp-light revealed it to Gaites in final position.
He lingered still, in the shelter of some barberry-bushes at the cottage gate, and not till the last cry of gratitude had been answered by the unanimous disclaimer of the men rattling away in the wagon did he feel that his pursuit of the piano had ended.
VII
"Can you tell me, madam," asked Gaites of an obviously approachable tabby next the chimney-corner, "which of the musicians is Miss Desmond?"
He had hurried back to the Inn, and got himself early into a dress suit that proved wholly inessential, and was down among the first at the hop. This function, it seemed, was going on in the parlor, which summed in itself the character of ball-room as well as drawing-room. The hop had now begun, and two young girl couples were doing what they could to rebuke the sparse youth of Lower Merritt Inn for their lack of eagerness in the evening's pleasure by dancing alone. Gaites did not even notice them, he was so intent upon the ladies of the orchestra, concerning whom he was beginning to have a troubled mind, not to say a dark misgiving.
"Oh," the approachable tabby answered, "it's the one at the piano. The violinist is Miss Axewright, of South Newton. They were at the Conservatory together in Boston, and they are such friends! Miss Desmond would never have played here—intends to take pupils in Portland in the winter—if Miss Axewright hadn't come," and the pleasant old tabby purred on, with a velvety pat here, and a delicate scratch there. But Gaites heard with one ear only; the other was more devotedly given to the orchestra, which also claimed both his eyes. While he learned, as with the mind of some one else, that the Desmonds had been very much opposed to Phyllis's playing at the Inn, but had consented partly with their poverty, because they needed everything they could rake and scrape together, and partly with their will, because Miss Axewright was such a nice girl, he was painfully adjusting his consciousness to the fact that the girl at the piano was not the girl whom he had seen at Boston and whom he had so rashly and romantically decided to be Miss Phyllis Desmond. The pianist was indeed Miss Desmond, but to no purpose, if the violinist was some one else; it availed as little that the violinist was the illusion that had lured him to Lower Merritt in pursuit of Miss Desmond's piano, if she were really Miss Axewright of South Newton.
What remained for him to do was to arrange for his departure by the first train in the morning; and he was subjectively accounting to the landlord for his abrupt change of mind after he had engaged his room for a week, while he was intent with all his upper faculties upon the graceful poses and movements of Miss Axewright. There was something so appealing in the pressure of her soft chin as it held the violin in place against her round, girlish throat that Gaites felt a lump in his own larger than his Adam's-apple would account for to the spectator; the delicately arched wrist of the hand that held the bow, and the rhythmical curve and flow of her arm in playing, were means of the spell which wove itself about him, and left him, as it were, bound hand and foot. It was in this helpless condition that he rose at the urgence of a friendly young fellow who had chosen himself master of ceremonies, and took part in the dancing; and at the end of the first half of the programme, while the other dancers streamed out on the verandas and thronged the stairways, he was aware of dangling his chains as he lounged toward the ladies of the orchestra. The volunteer master of ceremonies had half shut himself across the piano in his eager talk with Miss Desmond, and he readily relinquished Miss Axewright to Gaites, who willingly devoted himself to her, after Miss Desmond had risen in acknowledgment of his bow. He had then perceived that she was not nearly so tall as she had seemed when seated; and a woman who sat tall and stood low was as much his aversion as if his own abnormally long legs did not render him guilty of the opposite offence.
Miss Desmond must have had other qualities and characteristics, but in his absorption with Miss Axewright's he did not notice them. He saw again the pretty, pathetic face, the gentle brown eyes, the ordinary brown hair, the sentient hands, the slight, graceful figure, the whole undistinguished, unpretentious presence, which had taken his fancy at Boston, and which he now perceived had kept it, under whatever erring impressions, ever since.
"I think we have met before, Miss Axewright," he said boldly, and he had the pleasure of seeing her pensive little visage light up with a responsive humor.
"I think we have," she replied; and Miss Desmond, whose habitual state seemed to be intense inattention to whatever directly addressed itself to her, cut in with the cry:
"You have met before!"