Wisdom & Empowerment: The Orison Swett Marden Edition (18 Books in One Volume). Orison Swett Marden
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necessary, absolutely necessary, that you should become a fair-dealing, honorable, useful man, radiating goodness and cheerfulness wherever you go, and making your life a blessing."
"When a man does not find repose in himself," says a French proverb, "it is vain for him to seek it elsewhere." Happy is he who has no sense of discord with the harmony of the universe, who is open to the voices of nature and of the spiritual realm, and who sees the light that never was on sea or land. Such a life can but give expression to its inward harmony. Every pure and healthy thought, every noble aspiration for the good and the true, every longing of the heart for a higher and better life, every lofty purpose and unselfish endeavor, makes the human spirit stronger, more harmonious, and more beautiful. It is this alone that gives a self-centered confidence in one's heaven-aided powers, and a high-minded cheerfulness, like that of a celestial spirit. It is this which an old writer has called the paradise of a good conscience.
"I count this thing to be grandly true,
That a noble deed is a step toward God;
Lifting the soul from the common clod
To a purer air and a broader view.
"We rise by the things that are under our feet;
By what we have mastered of good or gain;
By the pride deposed and the passion slain,
And the vanquished ills that we hourly meet."
"My body must walk the earth," said an ancient poet, "but I can put wings on my soul, and plumes to my hardest thought." The splendors and symphonies and the ecstacies of a higher world are with us now in the rudimentary organs of eye and ear and heart. Much we have to do, much we have to love, much we have to hope for; and our "joy is the grace we say to God." "When I think upon God," said Haydn to Carpani, "my heart is so full of joy that the notes leap from my pen."
Says Gibbons:—
"Our lives are songs:
God writes the words,
And we set them to music at leisure;
And the song is sad, or the song is glad,
As we choose to fashion the measure.
"We must write the song
Whatever the words,
Whatever its rhyme or meter;
And if it is sad, we must make it glad,
And if sweet, we must make it sweeter."
VI. "Looking Pleasant"—Something To Be Worked From The Inside.
Acting on a sudden impulse, an elderly woman, the widow of a soldier who had been killed in the Civil War, went into a photographer's to have her picture taken. She was seated before the camera wearing the same stern, hard, forbidding look that had made her an object of fear to the children living in the neighborhood, when the photographer, thrusting his head out from the black cloth, said suddenly, "Brighten the eyes a little."
She tried, but the dull and heavy look still lingered.
"Look a little pleasanter," said the photographer, in an unimpassioned but confident and commanding voice.
"See here," the woman retorted sharply, "if you think that an old woman who is dull can look bright, that one who feels cross can become pleasant every time she is told to, you don't know anything about human nature. It takes something from the outside to brighten the eye and illuminate the face."
"Oh, no, it doesn't! It's something to be worked from the inside. Try it again," said the photographer good-naturedly.
Something in his manner inspired faith, and she tried again, this time with better success.
"That's good! That's fine! You look twenty years younger," exclaimed the artist, as he caught the transient glow that illuminated the faded face.
She went home with a queer feeling in her heart. It was the first compliment she had received since her husband had passed away, and it left a pleasant memory behind. When she reached her little cottage, she looked long in the glass and said, "There may be something in it. But I'll wait and see the picture."
When the picture came, it was like a resurrection. The face seemed alive with the lost fires of youth. She gazed long and earnestly, then said in a clear, firm voice, "If I could do it once, I can do it again."
Approaching the little mirror above her bureau, she said, "Brighten up, Catherine," and the old light flashed up once more.
"Look a little pleasanter!" she commanded; and a calm and radiant smile diffused itself over the face.
Her neighbors, as the writer of this story has said, soon remarked the change that had come over her face: "Why, Mrs. A., you are getting young. How do you manage it?"
"It is almost all done from the inside. You just brighten up inside and feel pleasant."
"Fate served me meanly, but I looked at her and laughed,
That none might know how bitter was the cup I quaffed.
Along came Joy and paused beside me where I sat,
Saying, 'I came to see what you were laughing at.'"
Every emotion tends to sculpture the body into beauty or into ugliness. Worrying, fretting, unbridled passions, petulance, discontent, every dishonest act, every falsehood, every feeling of envy, jealousy, fear,—each has its effect on the system, and acts deleteriously like a poison or a deformer of the body. Professor James of Harvard, an expert in the mental sciences, says, "Every small stroke of virtue or vice leaves its ever so little scar. Nothing we ever do is, in strict literalness, wiped out." The way to be beautiful without is to be beautiful within.
WORTH FIVE HUNDRED DOLLARS.
It is related that Dwight L. Moody once offered to his Northfield pupils a prize of five hundred dollars for the best thought. This took the prize: "Men grumble because God put thorns with roses; wouldn't it be better to thank God that he put roses with thorns?"
We win half the battle when we make up our minds to take the world as we find it, including the thorns. "It is," says Fontenelle, "a great obstacle to happiness to expect too much." This is what happens in real life. Watch Edison. He makes the most expensive experiments throughout a long period of time, and he expects to make them, and he never worries because he does not succeed the first time.
"I cannot but think," says Sir John Lubbock, "that the world would be better and brighter if our teachers would dwell on the duty of happiness as well as on the happiness of duty."
Oliver Wendell Holmes, in advanced years, acknowledged his debt of gratitude to the nurse of his childhood, who studiously taught him to ignore unpleasant incidents. If he stubbed his toe, or skinned his knee, or bumped his nose, his nurse would never permit his mind to dwell upon the temporary pain, but claimed his attention for some pretty object, or charming story, or happy reminiscence. To her, he said, he was largely indebted for the sunshine of a long life. It is a lesson which is easily mastered in childhood, but seldom to be learned in middle life, and never in old age.
"When I was a boy," says another author, "I was consoled for cutting my finger by having my attention called to the fact that I had not broken my arm; and when I got a cinder in my eye, I was expected to feel more comfortable because my cousin had lost his eye by an accident."
"We should brave trouble," says Beecher, "as the New England boy braves winter. The school is a mile away over the hill, yet he lingers not by the fire; but, with his books slung over his shoulder, he sets out to face the storm. When he reaches the topmost ridge, where the snow lies in drifts, and the north wind comes keen and biting, does he shrink and cower down by the fences, or run into the nearest house to warm himself? No; he buttons up his coat, and rejoices to defy the blast, and tosses the snow-wreaths