The Greatest Adventures of Robert E. Howard (80+ Titles in One Edition). Robert E. Howard
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least. One, squatting on his haunches before the cringing boy, held a pipe-like thing in his hand. This he set to his lips, and apparently blew, though Conan heard no sound. But the Zingaran youth heard or felt, and cringed. He quivered and writhed as if in agony; a regularity became evident in the twitching of his limbs, which quickly became rhythmic. The twitching became a violent jerking, the jerking regular movements. The youth began to dance, as cobras dance by compulsion to the tune of the faquir's fife. There was naught of zest or joyful abandon in that dance. There was, indeed, abandon that was awful to see, but it was not joyful. It was as if the mute tune of the pipes grasped the boy's inmost soul with salacious fingers and with brutal torture wrung from it every involuntary expression of secret passion. It was a convulsion of obscenity, a spasm of lasciviousness – an exudation of secret hungers framed by compulsion: desire without pleasure, pain mated awfully to lust. It was like watching a soul stripped naked, and all its dark and unmentionable secrets laid bare.
Conan glared frozen with repulsion and shaken with nausea. Himself as cleanly elemental as a timber wolf, he was yet not ignorant of the perverse secrets of rotting civilizations. He had roamed the cities of Zamora, and known the women of Shadizar the Wicked. But he sensed here a cosmic vileness transcending mere human degeneracy—a perverse branch on the tree of Life, developed along lines outside human comprehension. It was not at the agonized contortions and posturing of the wretched boy that he was shocked, but at the cosmic obscenity of these beings which could drag to light the abysmal secrets that sleep in the unfathomed darkness of the human soul, and find pleasure in the brazen flaunting of such things as should not be hinted at, even in restless nightmares.
Suddenly the black torturer laid down the pipes and rose, towering over the writhing white figure. Brutally grasping the boy by neck and haunch, the giant up-ended him and thrust him head-first into the green pool. Conan saw the white glimmer of his naked body amid the green water, as the black giant held his captive deep under the surface. Then there was a restless movement among the other blacks, and Conan ducked quickly below the balcony wall, not daring to raise his head lest he be seen.
After a while his curiosity got the better of him, and he cautiously peered out again. The blacks were filing out of an archway into another court. One of them was just placing something on a ledge of the further wall, and Conan saw it was the one who had tortured the boy. He was taller than the others, and wore a jeweled head-band. Of the Zingaran boy there was no trace. The giant followed his fellows, and presently Conan saw them emerge from the archway by which he had gained access to that castle of horror, and file away across the green slopes, in the direction from which he had come. They bore no arms, yet he felt that they planned further aggression against the Freebooters.
But before he went to warn the unsuspecting buccaneers, he wished to investigate the fate of the boy. No sound disturbed the quiet. The pirate believed that the towers and courts were deserted save for himself.
He went swiftly down the stair, crossed the court and passed through an arch into the court the blacks had just quitted. Now he saw the nature of the striated wall. It was banded by narrow ledges, apparently cut out of the solid stone, and ranged along these ledges or shelves were thousands of tiny figures, mostly grayish in color. These figures, not much longer than a man's hand, represented men, and so cleverly were they made that Conan recognized various racial characteristics in the different idols, features typical of Zingarans, Argoseans, Ophireans and Kushite corsairs. These last were black in color, just as their models were black in reality. Conan was aware of a vague uneasiness as he stared at the dumb sightless figures. There was a mimicry of reality about them that was somehow disturbing. He felt of them gingerly and could not decide of what material they were made. It felt like petrified bone; but he could not imagine petrified substance being found in the locality in such abundance as to be used so lavishly.
He noticed that the images representing types with which he was familiar were all on the higher ledges. The lower ledges were occupied by figures the features of which were strange to him. They either embodied merely the artists' imagination, or typified racial types long vanished and forgotten.
Shaking his head impatiently, Conan turned toward the pool. The circular court offered no place of concealment; as the body of the boy was nowhere in sight, it must be lying at the bottom of the pool.
Approaching the placid green disk, he stared into the glimmering surface. It was like looking through a thick green glass, unclouded, yet strangely illusory. Of no great dimensions, the pool was round as a well, bordered by a rim of green jade. Looking down he could see the rounded bottom—how far below the surface he could not decide. But the pool seemed incredibly deep – he was aware of a dizziness as he looked down, much as if he were looking into an abyss. He was puzzled by his ability to see the bottom; but it lay beneath his gaze, impossibly remote, illusive, shadowy, yet visible. At times he thought a faint luminosity was apparent deep in the jade-colored depth, but he could not be sure. Yet he was sure that the pool was empty except for the shimmering water.
Then where in the name of Crom was the boy whom he had seen brutally drowned in that pool? Rising, Conan fingered his sword, and gazed around the court again. His gaze focused on a spot on one of the higher ledges. There he had seen the tall black place something—cold sweat broke suddenly out on Conan's brown hide.
Hesitantly, yet as if drawn by a magnet, the pirate approached the shimmering wall. Dazed by a suspicion too monstrous to voice, he glared up at the last figure on that ledge. A horrible familiarity made itself evident. Stony, immobile, dwarfish, yet unmistakable, the features of the Zingaran boy stared unseeingly at him. Conan recoiled, shaken to his soul's foundations. His sword trailed in his paralyzed hand as he glared, open-mouthed, stunned by the realization which was too abysmal and awful for the mind to grasp.
Yet the fact was indisputable; the secret of the dwarfish figures was revealed, though behind that secret lay the darker and more cryptic secret of their being.
CHAPTER III
HOW long Conan stood drowned in dizzy cogitation, he never knew. A voice shook him out of his gaze, a feminine voice that shrieked more and more loudly, as if the owner of the voice were being borne nearer. Conan recognized that voice, and his paralysis vanished instantly.
A quick bound carried him high up on the narrow ledges, where he clung, kicking aside the clustering images to obtain room for his feet. Another spring and a scramble, and he was clinging to the rim of the wall, glaring over it. It was an outer wall; he was looking into the green meadow that surrounded the castle.
Across the grassy level a giant black was striding, carrying a squirming captive under one arm as a man might carry a rebellious child. It was Sancha, her black hair falling in disheveled rippling waves, her olive skin contrasting abruptly with the glossy ebony of her captor. He gave no heed to her wrigglings and cries as he made for the outer archway.
As he vanished within, Conan sprang recklessly down the wall and glided into the arch that opened into the further court. Crouching there, he saw the giant enter the court of the pool, carrying his writhing captive. Now he was able to make out the creature's details.
The superb symmetry of body and limbs was more impressive at close range. Under the ebon skin long, rounded muscles rippled, and Conan did not doubt that the monster could rend an ordinary man limb from limb. The nails of the fingers provided further weapons, for they were grown like the talons of a wild beast. The face was a carven ebony mask. The eyes' were tawny, a vibrant gold that glowed and glittered. But the face was inhuman; each line, each feature was stamped with evil—evil transcending the mere evil of humanity. The thing was not a human—it could not be; it was a growth of Life from the pits of blasphemous creation—a perversion of evolutionary development.
The giant cast Sancha down on the sward, where she grovelled, crying with pain and terror. He cast a glance about as if uncertain, and his tawny eyes narrowed as they rested on the images overturned and knocked from the wall. Then he stooped, grasped his captive by her neck and crotch, and strode purposefully toward the green pool. And Conan glided from his archway, and raced like a