Unleavened Bread. Grant Robert
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self-denial on the part of each. Wilbur had determined to become an architect. Pauline, early interested in the dogma that woman must no longer be barred from intellectual companionship with man, had sought to cultivate herself intelligently without sacrificing her brother's domestic comfort. She had succeeded. Their home in New York, despite its small dimensions and frugal hospitality, was already a favorite resort of a little group of professional people with busy brains and light purses. Wilbur was in the throes of early progress. He had no relatives or influential friends to give him business, and employment came slowly. He had been an architect on his own account for two years, but was still obliged to supplement his professional orders by work as a draughtsman for others. Yet his enthusiasm kept him buoyant. In respect to his own work he was scrupulous; indeed, a stern critic. He abhorred claptrap and specious effects, and aimed at high standards of artistic expression. This gave him position among his brother architects, but was incompatible with meteoric progress. His design for the church at Benham represented much thought and hope, and he felt happy at his success.
Littleton's familiarity with women, apart from his sister, had been slight, but his thoughts regarding them were in keeping with a poetic and aspiring nature. He hoped to marry some day, and he was fond of picturing to himself in moments of reverie the sort of woman to whom his heart would be given. In the shrine of his secret fancy she appeared primarily as an object of reverence, a white-souled angel of light clad in the graceful outlines of flesh, an Amazon and yet a winsome, tender spirit, and above all a being imbued with the stimulating intellectual independence he had been taught to associate with American womanhood. She would be the loving wife of his bosom and the intelligent sharer of his thoughts and aspirations—often their guide. So pure and exacting was his ideal that while alive to the value of coyness and coquetry as elements of feminine attraction for others, Wilbur had chosen to regard the maiden of his faith as too serious a spirit to condescend to such vanities; and from a similar vein of appreciation he was prone to think of her as unadorned, or rather untarnished, by the gewgaws of fashionable dressmaking and millinery. His first sight of Selma had made him conscious that here was a face not unlike what he had hoped to encounter some day, and he had instinctively felt her to be sympathetic. He was even conscious of disappointment when he heard her addressed as Mrs. Babcock. Evidently she was a free-born soul, unhampered by the social weaknesses of a large city, and illumined by the spiritual grace of native womanliness. So he thought of her, and Mrs. Taylor's diagnosis rather confirmed than impaired his impression, for in Mrs. Taylor Wilbur felt he discerned a trace of antagonism born of cosmopolitan prejudice—an inability to value at its true worth a nature not moulded on conventional lines. Rigorous as he was in his judgments, and eager to disown what was cheap or shallow, mere conventionalism, whether in art or daily life, was no less abhorrent to him. Here, he said to himself, was an original soul, ignorant and unenlightened perhaps, but endowed with swift perception and capable of noble development.
The appearance of Selma's scroll and glass bedizened house did not affect this impression. Wilbur was first of all appreciatively an American. That is he recognized that native energy had hitherto been expended on the things of the spirit to the neglect of things material. As an artist he was supremely interested in awakening and guiding the national taste in respect to art, but at the same time he was thoroughly aware that the peculiar vigor and independence of character which he knew as Americanism was often utterly indifferent to, or ignorant of, the value of æsthetics. After all, art was a secondary consideration, whereas the inward vision which absorbed the attention of the thoughtful among his countrymen and countrywomen was an absolute essential without which the soul must lose its fineness. He himself was seeking to show that beauty, in external material expression, was not merely consistent with strong ideals but requisite to their fit presentment. He recognized too that the various and variegated departures from the monotonous homely pattern of the every-day American house, which were evident in each live town, were but so many indicators that the nation was beginning to realize the truth of this. His battle was with the designers and builders who were guiding falsely and flamboyantly, not with the deceived victims, nor with those who were still satisfied merely to look inwardly, and ignored form and color. Hence he would have been able to behold the Babcocks' iron stag without rancor had the animal still occupied the grass-plot. Selma, when she saw the figure of her visitor in the door-way, congratulated herself that it had been removed. It would have pleased her to know that Mr. Littleton had already placed her in a niche above the level of mere grass-plot considerations. That was where she belonged of course; but she was fearful on the score of suspected shortcomings. So it was gratifying to be able to receive him in a smarter gown, to be wearing white cuffs, and to offer him tea with a touch of Mrs. Taylor's tormenting urbanity. Not so unreservedly as she. That would never do. It was and never would be in keeping with her own ideas of serious self-respect. Still a touch of it was grateful to herself. She felt that it was a grace and enhanced her effectiveness.
A few moments later Selma realized that for the first time since she had lived in Benham she was being understood and appreciated. She felt too that for the first time she was talking to a kindred spirit—to be sure, to one different, and more technically proficient in concrete knowledge, possibly more able, too, to express his thoughts in words, but eminently a comrade and sympathizer. She was not obliged to say much. Nor were, indeed, his actual words the source of her realization. The revelation came from what was left unsaid—from the silent recognition by him that she was worthy to share his best thoughts and was herself a serious worker in the struggle of life. No graceful but galling attitude of superiority, no polite indifference to her soul-hunger, no disposition to criticise. And yet he was no less voluble, clever, and spirited than Mrs. Taylor. She listened with wrapt interest to his easy talk, which was ever grave in tone, despite his pleasant sallies. He spoke of Benham with quick appreciation of its bustling energy, and let her see that he divined its capacity for greatness. This led him to refer with kindling eyes to the keen impulse toward education and culture which was animating the younger men and women of the country; to the new beginnings of art, literature, and scientific investigation. At scarcely a hint from her he told briefly of his past life and his hopes, and fondly mentioned his sister and her present absorption in some history courses for women.
"And you?" he said. "You are a student, too. Mrs. Taylor has told me, but I should have guessed it. Duties even more interesting claim you now, but it is easy to perceive that you have known that other happiness, 'To scorn delights and live laborious days.'"
His words sounded musical, though the quotation from Lycidas was unfamiliar to her ears. Her brain was thrilling with the import of all he had told her—with his allusions to the intellectual and ethical movements of Boston and New York, in which she felt herself by right and with his recognition a partner and peer.
"You were teaching school when you married, I believe?" he added.
"Yes."
"And before that, if I may ask?"
"I lived at Westfield with my father. It is a small country town, but we tried to be in earnest."
"I understand—I understand. You grew up among the trees, and the breezes and the brooks, those wonderful wordless teachers. I envy you, for they give one time to think—to expand. I have known only city life myself. It is stimulating, but one is so easily turned aside from one's direct purpose. Do you write at all?"
"Not yet. But I have wished to. Some day I shall. Just now I have too many domestic concerns to—"
She did not finish, for Babcock's heavy tread and whistle resounded in the hall and at the next moment he was calling "Selma!"
She felt annoyed at being interrupted, but she divined that it would never do to show it.
"My husband," she said, and she raised her voice to utter with a sugared dignity which would have done credit to Mrs. Taylor,
"I am in the parlor, Lewis."
"Enter your chief domestic concern," said Littleton blithely. "A happy home is preferable to all the poems and novels in the world."
Babcock, pushing open the door, which stood ajar, stopped short in his melody.
"This is Mr. Littleton, Lewis. The architect of our new church."
"Pleased