Anne Shirley (Complete 14 Book Collection). Люси Мод Монтгомери
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of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it.
Chapter XXXVII.
The Reaper Whose Name Is Death
“Matthew — Matthew — what is the matter? Matthew, are you sick?”
It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus, — it was long before Anne could love the sight or odor of white narcissus again, — in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold.
“He’s fainted,” gasped Marilla. “Anne, run for Martin — quick, quick! He’s at the barn.”
Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness.
Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes.
“Oh, Marilla,” she said gravely. “I don’t think — we can do anything for him.”
“Mrs. Lynde, you don’t think — you can’t think Matthew is — is—” Anne could not say the dreadful word; she turned sick and pallid.
“Child, yes, I’m afraid of it. Look at his face. When you’ve seen that look as often as I have you’ll know what it means.”
Anne looked at the still face and there beheld the seal of the Great Presence.
When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank.
The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned.
When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him — sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him.
The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently:
“Anne dear, would you like to have me sleep with you tonight?”
“Thank you, Diana.” Anne looked earnestly into her friend’s face. “I think you won’t misunderstand me when I say I want to be alone. I’m not afraid. I haven’t been alone one minute since it happened — and I want to be. I want to be quite silent and quiet and try to realize it. I can’t realize it. Half the time it seems to me that Matthew can’t be dead; and the other half it seems as if he must have been dead for a long time and I’ve had this horrible dull ache ever since.”
Diana did not quite understand. Marilla’s impassioned grief, breaking all the bounds of natural reserve and lifelong habit in its stormy rush, she could comprehend better than Anne’s tearless agony. But she went away kindly, leaving Anne alone to keep her first vigil with sorrow.
Anne hoped that the tears would come in solitude. It seemed to her a terrible thing that she could not shed a tear for Matthew, whom she had loved so much and who had been so kind to her, Matthew who had walked with her last evening at sunset and was now lying in the dim room below with that awful peace on his brow. But no tears came at first, even when she knelt by her window in the darkness and prayed, looking up to the stars beyond the hills — no tears, only the same horrible dull ache of misery that kept on aching until she fell asleep, worn out with the day’s pain and excitement.
In the night she awakened, with the stillness and the darkness about her, and the recollection of the day came over her like a wave of sorrow. She could see Matthew’s face smiling at her as he had smiled when they parted at the gate that last evening — she could hear his voice saying, “My girl — my girl that I’m proud of.” Then the tears came and Anne wept her heart out. Marilla heard her and crept in to comfort her.
“There — there — don’t cry so, dearie. It can’t bring him back. It — it — isn’t right to cry so. I knew that today, but I couldn’t help it then. He’d always been such a good, kind brother to me — but God knows best.”
“Oh, just let me cry, Marilla,” sobbed Anne. “The tears don’t hurt me like that ache did. Stay here for a little while with me and keep your arm round me — so. I couldn’t have Diana stay, she’s good and kind and sweet — but it’s not her sorrow — she’s outside of it and she couldn’t come close enough to my heart to help me. It’s our sorrow — yours and mine. Oh, Marilla, what will we do without him?”
“We’ve got each other, Anne. I don’t know what I’d do if you weren’t here — if you’d never come. Oh, Anne, I know I’ve been kind of strict and harsh with you maybe — but you mustn’t think I didn’t love you as well as Matthew did, for all that. I want to tell you now when I can. It’s never been easy for me to say things out of my heart, but at times like this it’s easier. I love you as dear as if you were my own flesh and blood and you’ve been my joy and comfort ever since you came to Green Gables.”
Two days afterwards they carried Matthew Cuthbert over his homestead threshold and away from the fields he had tilled and the orchards he had loved and the trees he had planted; and then Avonlea settled back to its usual placidity and even at Green Gables affairs slipped into their old groove and work was done and duties fulfilled with regularity as before, although always with the aching sense of “loss in all familiar things.” Anne, new to grief, thought it almost sad that it could be so — that they COULD go on in the old way without Matthew. She felt something like shame and remorse when she discovered that the sunrises behind the firs and the pale pink buds opening in the garden gave her the old inrush of gladness when she saw them — that Diana’s visits were pleasant to her and that Diana’s merry words and ways moved her to laughter and smiles — that, in brief, the beautiful world of blossom and love and friendship had lost none of its power to please her fancy and thrill her heart, that life still called to her with many insistent voices.
“It seems like disloyalty to Matthew, somehow, to find pleasure in these things now that he has gone,” she said wistfully to Mrs. Allan one evening when they were together in the manse garden. “I miss him so much — all the time — and yet, Mrs. Allan, the world and life seem very beautiful and interesting to me for all. Today Diana said something funny and I found myself laughing. I thought when it happened I could never laugh again. And it somehow seems as if I oughtn’t to.”
“When Matthew was here he liked to hear you laugh and he liked to know that you found pleasure in the pleasant things around you,” said Mrs. Allan gently.