Chapter VII.

       Cree Queery and Mysy Drolly

       Table of Contents

      The children used to fling stones at Grinder Queery because he loved his mother. I never heard the Grinder's real name. He and his mother were Queery and Drolly, contemptuously so called, and they answered to these names. I remember Cree best as a battered old weaver, who bent forward as he walked, with his arms hanging limp as if ready to grasp the shafts of the barrow behind which it was his life to totter uphill and downhill, a rope of yarn suspended round his shaking neck, and fastened to the shafts, assisting him to bear the yoke and slowly strangling him. By and by there came a time when the barrow and the weaver seemed both palsy-stricken, and Cree, gasping for breath, would stop in the middle of a brae, unable to push his load over a stone. Then he laid himself down behind it to prevent the barrow's slipping back. On those occasions only the barefooted boys who jeered at the panting weaver could put new strength into his shrivelled arms. They did it by telling him that he and Mysy would have to go to the "poorshouse" after all, at which the grey old man would wince, as if "joukin" from a blow, and, shuddering, rise and, with a desperate effort, gain the top of the incline. Small blame perhaps attached to Cree if, as he neared his grave, he grew a little dottle. His loads of yarn frequently took him past the workhouse, and his eyelids quivered as he drew near. Boys used to gather round the gate in anticipation of his coming, and make a feint of driving him inside. Cree, when he observed them, sat down on his barrow-shafts terrified to approach, and I see them now pointing to the workhouse till he left his barrow on the road and hobbled away, his legs cracking as he ran.

      It is strange to know that there was once a time when Cree was young and straight, a callant who wore a flower in his buttonhole, and tried to be a hero for a maiden's sake.

      Before Cree settled down as a weaver, he was knife and scissor-grinder for three counties, and Mysy, his mother, accompanied him wherever he went. Mysy trudged alongside him till her eyes grew dim and her limbs failed her, and then Cree was told that she must be sent to the pauper's home. After that a pitiable and beautiful sight was to be seen. Grinder Queery, already a feeble man, would wheel his grindstone along the long high road, leaving Mysy behind. He took the stone on a few hundred yards, and then, hiding it by the roadside in a ditch or behind a paling, returned for his mother. Her he led—sometimes he almost carried her—to the place where the grindstone lay, and thus by double journeys kept her with him. Every one said that Mysy's death would be a merciful release—every one but Cree.

      Cree had been a grinder from his youth, having learned the trade from his father, but he gave it up when Mysy became almost blind. For a time he had to leave her in Thrums with Dan'l Wilkie's wife, and find employment himself in Tilliedrum. Mysy got me to write several letters for her to Cree, and she cried while telling me what to say. I never heard either of them use a term of endearment to the other, but all Mysy could tell me to put in writing was—"Oh, my son Cree; oh, my beloved son; oh, I have no one but you; oh, thou God watch over my Cree!" On one of these occasions Mysy put into my hands a paper, which, she said, would perhaps help me to write the letter. It had been drawn up by Cree many years before, when he and his mother had been compelled to part for a time, and I saw from it that he had been trying to teach Mysy to write. The paper consisted of phrases such as "Dear son Cree," "Loving mother," "I am takin' my food weel," "Yesterday," "Blankets," "The peats is near done," "Mr. Dishart," "Come home, Cree." The Grinder had left this paper with his mother, and she had written letters to him from it.

      When Dan'l Wilkie objected to keeping a cranky old body like Mysy in his house Cree came back to Thrums and took a single room with a hand-loom in it. The flooring was only lumpy earth, with sacks spread over it to protect Mysy's feet. The room contained two dilapidated old coffin-beds, a dresser, a high-backed arm-chair, several three-legged stools, and two tables, of which one could be packed away beneath the other. In one corner stood the wheel at which Cree had to fill his own pirns. There was a plate-rack on one wall, and near the chimney-piece hung the wag-at-the-wall clock, the timepiece that was commonest in Thrums at that time, and that got this name because its exposed pendulum swung along the wall. The two windows in the room faced each other on opposite walls, and were so small that even a child might have stuck in trying to crawl through them. They opened on hinges, like a door. In the wall of the dark passage leading from the outer door into the room was a recess where a pan and pitcher of water always stood wedded, as it were, and a little hole, known as the "bole," in the wall opposite the fireplace contained Cree's library. It consisted of Baxter's "Saints' Rest," Harvey's "Meditations," the "Pilgrim's Progress," a work on folk-lore, and several Bibles. The saut-backet, or salt-bucket, stood at the end of the fender, which was half of an old cart-wheel. Here Cree worked, whistling "Ower the watter for Chairlie" to make Mysy think that he was as gay as a mavis. Mysy grew querulous in her old age, and up to the end she thought of poor, done Cree as a handsome gallant. Only by weaving far on into the night could Cree earn as much as six shillings a week. He began at six o'clock in the morning, and worked until midnight by the light of his cruizey. The cruizey was all the lamp Thrums had in those days, though it is only to be seen in use now in a few old-world houses in the glens. It is an ungainly thing in iron, the size of a man's palm, and shaped not unlike the palm when contracted, and deepened to hold a liquid. Whale-oil, lying open in the mould, was used, and the wick was a rash with the green skin peeled off. These rashes were sold by herd-boys at a halfpenny the bundle, but Cree gathered his own wicks. The rashes skin readily when you know how to do it. The iron mould was placed inside another of the same shape, but slightly larger, for in time the oil dripped through the iron, and the whole was then hung by a deck or hook close to the person using it. Even with three wicks it gave but a stime of light, and never allowed the weaver to see more than the half of his loom at a time. Sometimes Cree used threads for wicks. He was too dull a man to have many visitors, but Mr. Dishart called occasionally and reproved him for telling his mother lies. The lies Cree told Mysy were that he was sharing the meals he won for her, and that he wore the overcoat which he had exchanged years before for a blanket to keep her warm.

      There was a terrible want of spirit about Grinder Queery. Boys used to climb on to his stone roof with clods of damp earth in their hands, which they dropped down the chimney. Mysy was bed-ridden by this time, and the smoke threatened to choke her; so Cree, instead of chasing his persecutors, bargained with them. He gave them fly-hooks which he had busked himself, and when he had nothing left to give he tried to flatter them into dealing gently with Mysy by talking to them as men. One night it went through the town that Mysy now lay in bed all day listening for her summons to depart. According to her ideas this would come in the form of a tapping at the window, and their intention was to forestall the spirit. Dite Gow's boy, who is now a grown man, was hoisted up to one of the little windows, and he has always thought of Mysy since as he saw her then for the last time. She lay sleeping, so far as he could see, and Cree sat by the fireside looking at her.

      Every one knew that there was seldom a fire in that house unless Mysy was cold. Cree seemed to think that the fire was getting low. In the little closet, which, with the kitchen, made up his house, was a corner shut off from the rest of the room by a few boards, and behind this he kept his peats. There was a similar receptacle for potatoes in the kitchen. Cree wanted to get another peat for the fire without disturbing Mysy. First he took off his boots, and made for the peats on tiptoe. His shadow was cast on the bed, however, so he next got down on his knees and crawled softly into the closet. With the peat in his hands, he returned in the same way, glancing every moment at the bed where Mysy lay. Though Tammy Gow's face was pressed against a broken window he did not hear Cree putting that peat on the fire. Some say that Mysy heard, but pretended not to do so for her son's sake, that she realized the deception he played on her, and had not the heart to undeceive him. But it would be too sad to believe that. The boys left Cree alone that night.

      The old weaver lived on alone in that solitary house after Mysy left him, and by and by the story went abroad that he was saving money. At first no one believed this except the man who told it, but there seemed after all to be something in it. You had only to hit Cree's trouser pocket to hear the money chinking,