BEL-AMI: THE HISTORY OF A SCOUNDREL. Guy de Maupassant
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pushed the door open, saying, “Come in.” Duroy entered, ascended an ornate yet dirty staircase, visible from the street, passed through an anteroom where two messengers bowed to his companion, and reached a kind of waiting-room, shabby and dusty, upholstered in dirty green Utrecht velvet, covered with spots and stains, and worn in places as if mice had been gnawing it.
“Sit down,” said Forestier. “I will be back in five minutes.”
And he disappeared through one of the three doors opening into the room.
A strange, special, indescribable odor, the odor of a newspaper office, floated in the air of the room. Duroy remained motionless, slightly intimidated, above all surprised. From time to time folk passed hurriedly before him, coming in at one door and going out at another before he had time to look at them.
They were now young lads, with an appearance of haste, holding in their hand a sheet of paper which fluttered from the hurry of their progress; now compositors, whose white blouses, spotted with ink, revealed a clean shirt collar and cloth trousers like those of men of fashion, and who carefully carried strips of printed paper, fresh proofs damp from the press. Sometimes a gentleman entered rather too elegantly attired, his waist too tightly pinched by his frock-coat, his leg too well set off by the cut of his trousers, his foot squeezed into a shoe too pointed at the toe, some fashionable reporter bringing in the echoes of the evening.
Others, too, arrived, serious, important-looking men, wearing tall hats with flat brims, as if this shape distinguished them from the rest of mankind.
Forestier reappeared holding the arm of a tall, thin fellow, between thirty and forty years of age, in evening dress, very dark, with his moustache ends stiffened in sharp points, and an insolent and self-satisfied bearing.
Forestier said to him: “Good night, dear master.”
The other shook hands with him, saying: “Good night, my dear fellow,” and went downstairs whistling, with his cane under his arm.
Duroy asked: “Who is that?”
“Jacques Rival, you know, the celebrated descriptive writer, the duellist. He has just been correcting his proofs. Garin, Montel, and he are the three best descriptive writers, for facts and points, we have in Paris. He gets thirty thousand francs a year here for two articles a week.”
As they were leaving they met a short, stout man, with long hair and untidy appearance, who was puffing as he came up the stairs.
Forestier bowed low to him. “Norbert de Varenne,” said he, “the poet; the author of ‘Les Soleils Morts’; another who gets long prices. Every tale he writes for us costs three hundred francs, and the longest do not run to two hundred lines. But let us turn into the Neapolitan café, I am beginning to choke with thirst.”
As soon as they were seated at a table in the café, Forestier called for two bocks, and drank off his own at a single draught, while Duroy sipped his beer in slow mouthfuls, tasting it and relishing it like something rare and precious.
His companion was silent, and seemed to be reflecting. Suddenly he exclaimed: “Why don’t you try journalism?”
The other looked at him in surprise, and then said: “But, you know, I have never written anything.”
“Bah! everyone must begin. I could give you a job to hunt up information for me — to make calls and inquiries. You would have to start with two hundred and fifty francs a month and your cab hire. Shall I speak to the manager about it?”
“Certainly!”
“Very well, then, come and dine with me tomorrow. I shall only have five or six people — the governor, Monsieur Walter and his wife, Jacques Rival, and Norbert de Varenne, whom you have just seen, and a lady, a friend of my wife. Is it settled?”
Duroy hesitated, blushing and perplexed. At length he murmured: “You see, I have no clothes.”
Forestier was astounded. “You have no dress clothes? Hang it all, they are indispensable, though. In Paris one would be better off without a bed than without a dress suit.”
Then, suddenly feeling in his waistcoat pocket, he drew out some gold, took two louis, placed them in front of his old comrade, and said in a cordial and familiar tone: “You will pay me back when you can. Hire or arrange to pay by installments for the clothes you want, whichever you like, but come and dine with me tomorrow, halfpast seven, number seventeen Rue Fontaine.”
Duroy, confused, picked up the money, stammering: “You are too good; I am very much obliged to you; you may be sure I shall not forget.”
The other interrupted him. “All right. Another bock, eh? Waiter, two bocks.”
Then, when they had drunk them, the journalist said: “Will you stroll about a bit for an hour?”
“Certainly.”
And they set out again in the direction of the Madeleine.
“What shall we, do?” said Forestier. “They say that in Paris a lounger can always find something to amuse him, but it is not true. I, when I want to lounge about of an evening, never know where to go. A drive round the Bois de Boulogne is only amusing with a woman, and one has not always one to hand; the café concerts may please my chemist and his wife, but not me. Then what is there to do? Nothing. There ought to be a summer garden like the Parc Monceau, open at night, where one would hear very good music while sipping cool drinks under the trees. It should not be a pleasure resort, but a lounging place, with a high price for entrance in order to attract the fine ladies. One ought to be able to stroll along well-graveled walks lit up by electric light, and to sit down when one wished to hear the music near or at a distance. We had about the sort of thing formerly at Musard’s, but with a smack of the low-class dancing-room, and too much dance music, not enough space, not enough shade, not enough gloom. It would want a very fine garden and a very extensive one. It would be delightful. Where shall we go?”
Duroy, rather perplexed, did not know what to say; at length he made up his mind. “I have never been in the Folies Bergère. I should not mind taking a look round there,” he said.
“The Folies Bergère,” exclaimed his companion, “the deuce; we shall roast there as in an oven. But, very well, then, it is always funny there.”
And they turned on their heels to make their way to the Rue du Faubourg Montmartre.
The lit-up front of the establishment threw a bright light into the four streets which met in front of it. A string of cabs were waiting for the close of the performance.
Forestier was walking in when Duroy checked him.
“You are passing the pay-box,” said he.
“I never pay,” was the reply, in a tone of importance.
When he approached the check-takers they bowed, and one of them held out his hand. The journalist asked: “Have you a good box?”
“Certainly, Monsieur Forestier.”
He took the ticket held out to him, pushed the padded door with its leather borders, and they found themselves in the auditorium.
Tobacco smoke slightly veiled like a faint mist the stage and the further side of the theater. Rising incessantly in thin white spirals from the cigars and pipes, this light fog ascended to the ceiling, and there, accumulating, formed under the dome above the crowded gallery a cloudy sky.
In the broad corridor leading to the circular promenade a group of women were awaiting newcomers in front of one of the bars, at which sat enthroned three painted and faded vendors of love and liquor.
The tall mirrors behind them reflected their backs and the faces of passersby.
Forestier pushed his way through the groups, advancing quickly with the air of a man entitled to consideration.
He went up to a box-keeper. “Box seventeen,” said he.
“This way, sir.”
And they