II

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DEFEAT

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      She had been standing there on the pavement a quarter of an hour or so after her shilling's worth of concert. Women of her profession are not supposed to have redeeming points, especially when—like May Belinski, as she now preferred to dub herself—they are German; but this woman certainly had music in her soul. She often gave herself these "music baths" when the Promenade Concerts were on, and had just spent half her total wealth in listening to some Mozart and a Beethoven symphony.

      She was feeling almost elated, full of divine sound, and of the wonderful summer moonlight which was filling the whole dark town. Women "of a certain type" have, at all events, emotions—and what a comfort that is, even to themselves! To stand just there had become rather a habit of hers. One could seem to be waiting for somebody coming out of the concert, not yet over—which, of course, was precisely what she was doing. One need not forever be stealthily glancing and perpetually moving on in that peculiar way, which, while it satisfied the police and Mrs. Grundy, must not quite deceive others as to her business in life. She had only "been at it" long enough to have acquired a nervous dread of almost everything—not long enough to have passed through that dread to callousness. Some women take so much longer than others. And even for a woman "of a certain type" her position was exceptionally nerve-racking in war-time, going as she did by a false name. Indeed, in all England there could hardly be a greater pariah than was this German woman of the night.

      She idled outside a book-shop humming a little, pretending to read the titles of the books by moonlight, taking off and putting on one of her stained yellow gloves. Now and again she would move up as far as the posters outside the Hall, scrutinising them as if interested in the future, then stroll back again. In her worn and discreet dark dress, and her small hat, she had nothing about her to rouse suspicion, unless it were the trail of violet powder she left on the moonlight.

      For the moonlight this evening was almost solid, seeming with its cool still vibration to replace the very air; in it the war-time precautions against light seemed fantastic, like shading candles in a room still full of daylight. What lights there were had the effect of strokes and stipples of dim colour laid by a painter's brush on a background of ghostly whitish blue. The dreamlike quality of the town was perhaps enhanced for her eyes by the veil she was wearing—in daytime no longer white. As the music died out of her, elation also ebbed. Somebody had passed her, speaking German, and she was overwhelmed by a rush of nostalgia. On this moonlight night by the banks of the Rhine—whence she came—the orchards would be heavy with apples; there would be murmurs, and sweet scents; the old castle would stand out clear, high over the woods and the chalky-white river. There would be singing far away, and the churning of a distant steamer's screw; and perhaps on the water a log raft still drifting down in the blue light. There would be German voices talking. And suddenly tears oozed up in her eyes, and crept down through the powder on her cheeks. She raised her veil and dabbed at her face with a little, not-too-clean handkerchief, screwed up in her yellow-gloved hand. But the more she dabbed, the more those treacherous tears ran. Then she became aware that a tall young man in khaki was also standing before the shop-window, not looking at the titles of the books, but eyeing her askance. His face was fresh and open, with a sort of kindly eagerness in his blue eyes. Mechanically she drooped her wet lashes, raised them obliquely, drooped them again, and uttered a little sob. …

      This young man, Captain in a certain regiment, and discharged from hospital at six o'clock that evening, had entered Queen's Hall at half-past seven. Still rather brittle and sore from his wound, he had treated himself to a seat in the Grand Circle, and there had sat, very still and dreamy, the whole concert through. It had been like eating after a long fast—something of the sensation Polar explorers must experience when they return to their first full meal. For he was of the New Army, and before the war had actually believed in music, art, and all that sort of thing. With a month's leave before him, he could afford to feel that life was extraordinarily joyful, his own experiences particularly wonderful; and, coming out into the moonlight, he had taken what can only be described as a great gulp of it, for he was a young man with a sense of beauty. When one has been long in the trenches, lain out wounded in a shell-hole twenty-four hours, and spent three months in hospital, beauty has such an edge of novelty, such a sharp sweetness, that it almost gives pain. And London at night is very beautiful. He strolled slowly towards the Circus, still drawing the moonlight deep into his lungs, his cap tilted up a little on his forehead in that moment of unmilitary abandonment; and whether he stopped before the book-shop window because the girl's figure was in some sort a part of beauty, or because he saw that she was crying, he could not have made clear to any one.

      Then something—perhaps the scent of powder, perhaps the yellow glove, or the oblique flutter of the eyelids—told him that he was making what he would have called "a blooming error," unless he wished for company, which had not been in his thoughts. But her sob affected him, and he said:

      "What's the matter?"

      Again her eyelids fluttered sideways, and she stammered:

      "Not'ing. The beautiful evening—that's why!"

      That a woman of what he now clearly saw to be "a certain type" should perceive what he himself had just been perceiving, struck him forcibly, and he said:

      "Cheer up."

      She looked up again swiftly: "Cheer up! You are not lonelee like me."

      For one of that sort, she looked somehow honest; her tear-streaked face was rather pretty, and he murmured:

      "Well, let's walk a bit, and talk it over."

      They turned the corner, and walked east, along streets empty, and beautiful, with their dulled orange-glowing lamps, and here and there the glint of some blue or violet light. He found it queer and rather exciting—for an adventure of just this kind he had never had. And he said doubtfully:

      "How did you get into this? Isn't it an awfully hopeless sort of life?"

      "Ye-es, it ees—" her voice had a queer soft emphasis. "You are limping—haf you been wounded?"

      "Just out of hospital to-day."

      "The horrible war—all the misery is because of the war. When will it end?"

      He looked at her attentively, and said:

      "I say—what nationality are you?"

      "Rooshian."

      "Really! I never met a Russian girl."

      He was conscious that she looked at him, then very quickly down. And he said suddenly:

      "Is it as bad as they make out?"

      She slipped her yellow-gloved hand through his arm.

      "Not when I haf any one as nice as you; I never haf yet, though"; she smiled—and her smile was like her speech, slow, confiding—"you stopped because I was sad, others stop because I am gay. I am not fond of men at all. When you know, you are not fond of them."

      "Well! You hardly know them at their best, do you? You should see them at the front. By George! they're simply splendid—officers and men,