Aurora Leigh. Elizabeth Barrett Browning
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sad; My soul was singing at a work apart Behind the wall of sense, as safe from harm As sings the lark when sucked up out of sight, In vortices of glory and blue air.
And so, through forced work and spontaneous work, The inner life informed the outer life, Reduced the irregular blood to settled rhythms, Made cool the forehead with fresh-sprinkling dreams, And, rounding to the spheric soul the thin Pined body, struck a colour up the cheeks, Though somewhat faint. I clenched my brows across My blue eyes greatening in the looking-glass, And said, ‘We’ll live, Aurora! we’ll be strong. The dogs are on us—but we will not die.’
Whoever lives true life, will love true love. I learnt to love that England. Very oft, Before the day was born, or otherwise Through secret windings of the afternoons, I threw my hunters off and plunged myself Among the deep hills, as a hunted stag Will take the waters, shivering with the fear And passion of the course. And when, at last Escaped—so many a green slope built on slope Betwixt me and the enemy’s house behind, I dared to rest, or wander—like a rest Made sweeter for the step upon the grass— And view the ground’s most gentle dimplement, (As if God’s finger touched but did not press In making England!) such an up and down Of verdure—nothing too much up or down, A ripple of land; such little hills, the sky Can stoop to tenderly and the wheatfields climb; Such nooks of valleys, lined with orchises, Fed full of noises by invisible streams; And open pastures, where you scarcely tell White daisies from white dew—at intervals The mythic oaks and elm-trees standing out Self-poised upon their prodigy of shade— I thought my father’s land was worthy too Of being my Shakspeare’s. Very oft alone, Unlicensed; not unfrequently with leave To walk the third with Romney and his friend The rising painter, Vincent Carrington, Whom men judge hardly, as bee-bonnetted, Because he holds that, paint a body well, You paint a soul by implication, like The grand first Master. Pleasant walks! for if He said … ‘When I was last in Italy’ … It sounded as an instrument that’s played Too far off for the tune—and yet it’s fine To listen. Ofter we walked only two, If cousin Romney pleased to walk with me. We read, or talked, or quarrelled, as it chanced: We were not lovers, nor even friends well-matched— Say rather, scholars upon different tracks, And thinkers disagreed; he, overfull Of what is, and I, haply, overbold For what might be. But then the thrushes sang, And shook my pulses and the elms’ new leaves— And then I turned, and held my finger up, And bade him mark that, howsoe’er the world Went ill, as he related, certainly The thrushes still sang in it.—At which word His brow would soften—and he bore with me In melancholy patience, not unkind, While, breaking into voluble ecstacy, I flattered all the beauteous country round, As poets use … the skies, the clouds, the fields, The happy violets hiding from the roads The primroses run down to, carrying gold— The tangled hedgerows, where the cows push out Impatient horns and tolerant churning mouths ’Twixt dripping ash-boughs—hedgerows all alive With birds and gnats and large white butterflies Which look as if the May-flower had caught life And palpitated forth upon the wind— Hills, vales, woods, netted in a silver mist, Farms, granges, doubled up among the hills, And cattle grazing in the watered vales, And cottage-chimneys smoking from the woods, And cottage-gardens smelling everywhere, Confused with smell of orchards. ‘See,’ I said, ‘And see! is God not with us on the earth? And shall we put Him down by aught we do? Who says there’s nothing for the poor and vile Save poverty and wickedness? behold!’ And ankle-deep in English grass I leaped, And clapped my hands, and called all very fair.
In the beginning when God called all good, Even then, was evil near us, it is writ. But we, indeed, who call things good and fair, The evil is upon us while we speak; Deliver us from evil, let us pray.
SECOND BOOK.
Times followed one another. Came a morn I stood upon the brink of twenty years, And looked before and after, as I stood Woman and artist—either incomplete, Both credulous of completion. There I held The whole creation in my little cup, And smiled with thirsty lips before I drank, ‘Good health to you and me, sweet neighbour mine, And all these peoples.’ I was glad, that day; The June was in me, with its multitudes Of nightingales all singing in the dark, And rosebuds reddening where the calyx split. I felt so young, so strong, so sure of God! So glad, I could not choose be very wise! And, old at twenty, was inclined to pull My childhood backward in a childish jest To see the face of’t once more, and farewell! In which fantastic mood I bounded forth At early morning—would not wait so long As even to snatch my bonnet by the strings, But, brushing a green trail across the lawn With my gown in the dew, took will and way Among the acacias of the shrubberies, To fly my fancies in the open air And keep my birthday, till my aunt awoke To stop good dreams. Meanwhile I murmured on, As honeyed bees keep humming to themselves; ‘The worthiest poets have remained uncrowned Till death has bleached their foreheads to the bone, And so with me it must be, unless I prove Unworthy of the grand adversity— And certainly I would not fail so much. What, therefore, if I crown myself to-day In sport, not pride, to learn the feel of it, Before my brows be numb as Dante’s own To all the tender pricking of such leaves? Such leaves! what leaves?’ I pulled the branches down, To choose from. ‘Not the bay! I choose no bay; The fates deny us if we are overbold: Nor myrtle—which means chiefly love; and love Is something awful which one dares not touch So early o’ mornings. This verbena strains The point of passionate fragrance; and hard by, This guelder-rose, at far too slight a beck Of the wind, will toss about her flower-apples. Ah—there’s my choice—that ivy on the wall, That headlong ivy! not a leaf will grow But thinking of a wreath. Large leaves, smooth leaves, Serrated like my vines, and half as green. I like such ivy; bold to leap a height ’Twas strong to climb! as good to grow on graves As twist about a thyrsus; pretty too, (And that’s not ill) when twisted round a comb,’
Thus speaking to myself, half singing it, Because some thoughts are fashioned like a bell To ring with once being touched, I drew a wreath Drenched, blinding me with dew, across my brow, And fastening it behind so, … turning faced … My public!—cousin Romney—with a mouth Twice graver than his eyes. I stood there fixed— My arms up, like the caryatid, sole Of some abolished temple, helplessly Persistent in a gesture which derides A former purpose. Yet my blush was flame, As if from flax, not stone. ‘Aurora Leigh, The earliest of Auroras!’ Hand stretched out I clasped, as shipwrecked men will clasp a hand, Indifferent to the sort of palm. The tide Had caught me at my pastime, writing down My foolish name too near upon the sea Which drowned me with a blush as foolish. ‘You, My cousin!’ The smile died out in his eyes And dropped upon his lips, a cold dead weight, For just a moment. … ‘Here’s a book, I found! No name writ on it—poems, by the form; Some Greek upon the margin—lady’s Greek, Without the accents. Read it? Not a word. I saw at once the thing had witchcraft in’t Whereof the reading calls up dangerous spirits; I rather bring it to the witch.’ ‘My book! You found it‘. … ‘In the hollow by the stream, That beech leans down into—of which you said, The Oread in it has a Naiad’s heart And pines for waters.’ ‘Thank you.’ ‘Rather you, My cousin! that I have seen you not too much A witch, a poet, scholar, and the rest, To be a woman also.’ With a glance The smile rose in his eyes again, and touched The ivy on my forehead, light as air. I answered gravely, ‘Poets needs must be Or men or women—more’s the pity.’ ‘Ah, But men, and still less women, happily, Scarce need be poets. Keep to the green wreath, Since even dreaming of the stone and bronze Brings headaches, pretty cousin, and defiles The clean white morning dresses.’ ‘So you judge! Because I love the beautiful, I must Love pleasure chiefly, and be overcharged For ease and whiteness! Well—you know the world, And only miss your cousin; ’tis not much!— But learn this: I would rather take my part With God’s Dead, who afford to walk in white Yet spread His glory, than keep quiet here, And gather up my feet from even a step, For fear to soil my gown in so much dust. I choose to walk at all risks.—Here, if heads That hold a rhythmic thought, must ache perforce, For my part, I choose headaches—and today’s My birthday.’ ‘Dear Aurora, choose instead To cure such. You have balsams.’ ‘I perceive!— The headache is too noble for my sex. You think the heartache would sound decenter, Since that’s the woman’s special, proper ache, And altogether tolerable, except To a woman.’ Saying which, I loosed my wreath, And, swinging it