The Wandering Jew (Vol.1-11). Эжен Сю
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to several of the mariners, to beg them to save her boy, perceiving the young man with the copper-colored complexion, threw herself on her knees before him, and lifted her child towards him with a burst of inexpressible agony. The young man took it, mournfully shook his head, and pointed to the furious waves—but, with a meaning gesture, he appeared to promise that he would at least try to save it. Then the young mother, in a mad transport of hope, seized the hand of the youth, and bathed it with her tears.
Further on, another passenger of the "Black Eagle," seemed animated by sentiments of the most active pity. One would hardly have given him five-and-twenty years of age. His long, fair locks fell in curls on either side of his angelic countenance. He wore a black cassock and white neck-band. Applying himself to comfort the most desponding, he went from one to the other, and spoke to them pious words of hope and resignation; to hear him console some, and encourage others, in language full of unction, tenderness, and ineffable charity, one would have supposed him unaware or indifferent to the perils that he shared.
On his fine, mild features, was impressed a calm and sacred intrepidity, a religious abstraction from every terrestrial thought; from time to time, he raised to heaven his large blue eyes, beaming with gratitude, love, and serenity, as if to thank God for having called him to one of those formidable trials in which the man of humanity and courage may devote himself for his brethren, and, if not able to rescue them at all, at least die with them, pointing to the sky. One might almost have taken him for an angel, sent down to render less cruel the strokes of inexorable fate.
Strange contrast! not far from this young man's angelic beauty, there was another being, who resembled an evil spirit!
Boldly mounted on what was left of the bowsprit, to which he held on by means of some remaining cordage, this man looked down upon the terrible scene that was passing on the deck. A grim, wild joy lighted up his countenance of a dead yellow, that tint peculiar to those who spring from the union of the white race with the East. He wore only a shirt and linen drawers; from his neck was suspended, by a cord, a cylindrical tin box, similar to that in which soldiers carry their leave of absence.
The more the danger augmented, the nearer the ship came to the breakers, or to a collision with the steamer, which she was now rapidly approaching—a terrible collision, which would probably cause the two vessels to founder before even they touched the rocks—the more did the infernal joy of this passenger reveal itself in frightful transports. He seemed to long, with ferocious impatience, for the moment when the work of destruction should be accomplished. To see him thus feasting with avidity on all the agony, the terror, and the despair of those around him, one might have taken him for the apostle of one of those sanguinary deities, who, in barbarous countries, preside over murder and carnage.
By this time the "Black Eagle," driven by the wind and waves, came so near the "William Tell" that the passengers on the deck of the nearly dismantled steamer were visible from the first-named vessel.
These passengers were no longer numerous. The heavy sea, which stove in the paddle-box and broke one of the paddles, had also carried away nearly the whole of the bulwarks on that side; the waves, entering every instant by this large opening, swept the decks with irresistible violence, and every time bore away with them some fresh victims.
Amongst the passengers, who seemed only to have escaped this danger to be hurled against the rocks, or crushed in the encounter of the two vessels, one group was especially worthy of the most tender and painful interest. Taking refuge abaft, a tall old man, with bald forehead and gray moustache, had lashed himself to a stanchion, by winding a piece of rope round his body, whilst he clasped in his arms, and held fast to his breast, two girls of fifteen or sixteen, half enveloped in a pelisse of reindeer-skin. A large, fallow, Siberian dog, dripping with water, and barking furiously at the waves, stood close to their feet.
These girls, clasped in the arms of the old man, also pressed close to each other; but, far from being lost in terror, they raised their eyes to heaven, full of confidence and ingenuous hope, as though they expected to be saved by the intervention of some supernatural power.
A frightful shriek of horror and despair, raised by the passengers of both vessels, was heard suddenly above the roar of the tempest. At the moment when, plunging deeply between two waves, the broadside of the steamer was turned towards the bows of the ship, the latter, lifted to a prodigious height on a mountain of water, remained, as it were, suspended over the "William Tell," during the second which preceded the shock of the two vessels.
There are sights of so sublime a horror, that it is impossible to describe them. Yet, in the midst of these catastrophes, swift as thought, one catches sometimes a momentary glimpse of a picture, rapid and fleeting, as if illumined by a flash of lightning.
Thus, when the "Black Eagle," poised aloft by the flood, was about to crash down upon the "William Tell," the young man with the angelic countenance and fair, waving locks bent over the prow of the ship, ready to cast himself into the sea to save some victim. Suddenly, he perceived on board the steamer, on which he looked down from the summit of the immense wave, the two girls extending their arms towards him in supplication. They appeared to recognize him, and gazed on him with a sort of ecstacy and religious homage!
For a second, in spite of the horrors of the tempest, in spite of the approaching shipwreck, the looks of those three beings met. The features of the young man were expressive of sudden and profound pity; for the maidens with their hands clasped in prayer, seemed to invoke him as their expected Saviour. The old man, struck down by the fall of a plank, lay helpless on the deck. Soon all disappeared together.
A fearful mass of water dashed the "Black Eagle" down upon the "William Tell," in the midst of a cloud of boiling foam. To the dreadful crash of the two great bodies of wood and iron, which splintering against one another, instantly foundered, one loud cry was added—a cry of agony and death—the cry of a hundred human creatures swallowed up at once by the waves!
And then—nothing more was visible!
A few moments after, the fragments of the two vessels appeared in the trough of the sea, and on the caps of the waves—with here and there the contracted arms, the livid and despairing faces of some unhappy wretches, striving to make their way to the reefs along the shore, at the risk of being crushed to death by the shock of the furious breakers.
CHAPTER XXV.
THE SHIPWRECK.
While the bailiff was gone to the sea-shore, to render help to those of the passengers who might escape from the inevitable shipwreck, M. Rodin, conducted by Catherine to the Green Chamber, had there found the articles that he was to take with him to Paris.
After passing two hours in this apartment, very indifferent to the fate of the shipwrecked persons, which alone absorbed the attention of the inhabitants of the Castle, Rodin returned to the chamber commonly occupied by the bailiff, a room which opened upon a long gallery. When he entered it he found nobody there. Under his arm he held a casket, with silver fastenings, almost black from age, whilst one end of a large red morocco portfolio projected from the breast-pocket of his half buttoned great coat.
Had the cold and livid countenance of the Abbe d'Aigrigny's secretary been able to express joy otherwise than by a sarcastic smile, his features would have been radiant with delight; for, just then, he was under the influence of the most agreeable thoughts. Having placed the casket upon a table, it was with marked satisfaction that he thus communed with himself:
"All goes well. It was prudent to keep these papers here till this moment, for one must always be on guard against the diabolical spirit of that Adrienne de Cardoville, who appears to guess instinctively what it is impossible she should know. Fortunately, the time approaches when we shall have no more need to fear her. Her fate will be a cruel one; it must be so. Those proud, independent characters are at all times our natural enemies—they are so by their very essence—how much more when they show themselves peculiarly hurtful and dangerous! As for La Sainte Colombe, the bailiff is sure to act for us; between what the fool calls