My Lady Nicotine. James Matthew Barrie
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table together. Sometimes I had knocked it over accidentally. I would fling a crumpled piece of paper into the waste-paper basket. It missed the basket but hit the smoking-table, which went down like a wooden soldier. When my fire went out, just because I had taken my eyes off it for a moment, I called it names and flung the tongs at it. There was a crash—the smoking-table again. In time I might have remedied this; but there is one weakness which I could not stand in any smoking-table. A smoking-table ought to be so constructed that from where you are sitting you can stretch out your feet, twist them round the stalk, and so lift the table to the spot where it will be handiest. This my smoking-table would never do. The moment I had it in the air it wanted to stand on its head.
Though I still admired smoking-tables as much as ever, I began to want very much to give this one away. The difficulty was not so much to know whom to give it to as how to tie it up. My brother was the very person, for I owed him a letter, and this, I thought, would do instead. For a month I meant to pack the table up and send it to him; but I always put off doing it, and at last I thought the best plan would be to give it to Scrymgeour, who liked elegant furniture. As a smoker, Scrymgeour seemed the very man to appreciate a pretty, useful little table. Besides, all I had to do was to send William John down with it. Scrymgeour was out at the time; but we left it at the side of his fireplace as a pleasant surprise. Next morning, to my indignation, it was back at the side of my fireplace, and in the evening Scrymgeour came and upbraided me for trying, as he most unworthily expressed it, "to palm the thing off on him." He was no sooner gone than I took the table to pieces to send it to my brother. I tied the stalk up in brown paper, meaning to get a box for the other parts. William John sent off the stalk, and for some days the other pieces littered the floor. My brother wrote me saying he had received something from me, for which his best thanks; but would I tell him what it was, as it puzzled everybody? This was his impatient way; but I made an effort, and sent off the other pieces to him in a hat-box.
That was a year ago, and since then I have only heard the history of the smoking-table in fragments. My brother liked it immensely; but he thought it was too luxurious for a married man, so he sent it to Reynolds, in Edinburgh. Not knowing Reynolds, I cannot say what his opinion was; but soon afterward I heard of its being in the possession of Grayson, who was charmed with it, but gave it to Pelle, because it was hardly in its place in a bachelor's establishment. Later a town man sent it to a country gentleman as just the thing for the country; and it was afterward in Liverpool as the very thing for a town.
There I thought it was lost, so far as I was concerned. One day, however, Boyd, a friend of mine who lives in Glasgow, came to me for a week, and about six hours afterward he said that he had a present for me. He brought it into my sitting-room—a bulky parcel—and while he was undoing the cords he told me it was something quite novel; he had bought it in Glasgow the day before. When I saw a walnut leg I started; in another two minutes I was trying to thank Boyd for my own smoking-table. I recognized it by the dents. I was too much the gentleman to insist on an explanation from Boyd; but, though it seems a harsh thing to say, my opinion is that these different persons gave the table away because they wanted to get rid of it. William John has it now.
Gilray
CHAPTER VII.
GILRAY.
Gilray is an actor, whose life I may be said to have strangely influenced, for it was I who brought him and the Arcadia Mixture together. After that his coming to live on our stair was only a matter of rooms being vacant.
We met first in the Merediths' house-boat, the Tawny Owl, which was then lying at Molesey. Gilray, as I soon saw, was a man trying to be miserable, and finding it the hardest task in life. It is strange that the philosophers have never hit upon this profound truth. No man ever tried harder to be unhappy than Gilray; but the luck was against him, and he was always forgetting himself. Mark Tapley succeeded in being jolly in adverse circumstances; Gilray failed, on the whole, in being miserable in a delightful house-boat. It is, however, so much more difficult to keep up misery than jollity that I like to think of his attempt as what the dramatic critics call a succès d'estime.
The Tawny Owl lay on the far side of the island. There were ladies in it; and Gilray's misery was meant to date from the moment when he asked one of them a question, and she said "No." Gilray was strangely unlucky during the whole of his time on board. His evil genius was there, though there was very little room for him, and played sad pranks. Up to the time of his asking the question referred to, Gilray meant to create a pleasant impression by being jolly, and he only succeeded in being as depressing as Jaques. Afterward he was to be unutterably miserable; and it was all he could do to keep himself at times from whirling about in waltz tune. But then the nearest boat had a piano on board, and some one was constantly playing dance music. Gilray had an idea that it would have been the proper thing to leave Molesey when she said "No"; and he would have done so had not the barbel fishing been so good. The barbel fishing was altogether unfortunate—at least Gilray's passion for it was. I have thought—and so sometimes has Gilray—that if it had not been for a barbel she might not have said "No." He was fishing from the house-boat when he asked the question. You know how you fish from a house-boat. The line is flung into the water and the rod laid down on deck. You keep an eye on it. Barbel fishing, in fact, reminds one of the independent sort of man who is quite willing to play host to you, but wishes you clearly to understand at the same time that he can do without you. "Glad to see you with us if you have nothing better to do; but please yourself," is what he says to his friends. This is also the form of invitation to barbel. Now it happened that she and Gilray were left alone in the house-boat. It was evening; some Chinese lanterns had been lighted, and Gilray, though you would not think it to look at him, is romantic. He cast his line, and, turning to his companion, asked her the question. From what he has told me he asked it very properly, and all seemed to be going well. She turned away her head (which is said not to be a bad sign) and had begun to reply, when a woful thing happened. The line stiffened, and there was a whirl of the reel. Who can withstand that music? You can ask a question at any time, but, even at Molesey, barbel are only to be got now and then. Gilray rushed to his rod and began playing the fish. He called to his companion to get the landing-net. She did so; and after playing his barbel for ten minutes Gilray landed it. Then he turned to her again, and she said, "No."
Gilray sees now that he made a mistake in not departing that night by the last train. He overestimated his strength. However, we had something to do with his staying on, and he persuaded himself that he remained just to show her that she had ruined his life. Once, I believe, he repeated his question; but in reply she only asked him if he had caught any more barbel. Considering the surprisingly fine weather, the barbel fishing, and the piano on the other boat, Gilray was perhaps as miserable as could reasonably have been expected. Where he ought to have scored best, however, he was most unlucky. She had a hammock swung between two trees, close to the boat, and there she lay, holding a novel in her hand. From the hammock she had a fine view of the deck, and this was Gilray's chance. As soon as he saw her comfortably settled, he pulled a long face and climbed on deck. There he walked up and down, trying to look the image of despair. When she made some remark to him, his plan was to show that, though he answered cordially, his cheerfulness was the result of a terrible inward struggle. He did contrive to accomplish this if he was waiting for her observation; but she sometimes took him unawares, starting a subject in which he was interested. Then, forgetting his character, he would talk eagerly or jest with her across the strip of water, until with a start he remembered what he had become. He would seek to recover himself after that; but of course it was too late to create a really lasting impression. Even when she left him alone, watching him, I fear, over the top of her novel, he disappointed himself. For five minutes or so everything would go well; he looked as dejected as possible; but as he fell he was succeeding he became so self-satisfied that he began to strut. A pleased expression crossed his face, and instead of allowing his head to hang dismally, he put it well back. Sometimes, when we wanted to please him, we said he looked as