It Can't Happen Here. Sinclair Lewis
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seat in the upper balcony of some theater; and for two months he roomed with a fellow reporter who had actually had a short story in The Century and who could talk about authors and technique like the very dickens. But Doremus was not particularly beefy or enduring, and the noise, the traffic, the bustle of assignments, exhausted him, and in 1901, three years after his graduation from college, when his widowed father died and left him $2980.00 and his library, Doremus went home to Fort Beulah and bought a quarter interest in the Informer, then a weekly.
By 1936 it was a daily, and he owned all of it . . . with a perceptible mortgage.
He was an equable and sympathetic boss; an imaginative news detective; he was, even in this ironbound Republican state, independent in politics; and in his editorials against graft and injustice, though they were not fanatically chronic, he could slash like a dog whip.
He was a third cousin of Calvin Coolidge, who had considered him sound domestically but loose politically. Doremus considered himself just the opposite.
He had married his wife, Emma, out of Fort Beulah. She was the daughter of a wagon manufacturer, a placid, prettyish, broad-shouldered girl with whom he had gone to high school.
Now, in 1936, of their three children, Philip (Dartmouth, and Harvard Law School) was married and ambitiously practicing law in Worcester; Mary was the wife of Fowler Greenhill, M.D., of Fort Beulah, a gay and hustling medico, a choleric and red-headed young man, who was a wonder-worker in typhoid, acute appendicitis, obstetrics, compound fractures, and diets for anemic children. Fowler and Mary had one son, Doremus's only grandchild, the bonny David, who at eight was a timid, inventive, affectionate child with such mourning hound-dog eyes and such red-gold hair that his picture might well have been hung at a National Academy show or even been reproduced on the cover of a Women's Magazine with 2,500,000 circulation. The Greenhills' neighbors inevitably said of the boy, "My, Davy's got such an imagination, hasn't he! I guess he'll be a Writer, just like his Grampa!"
Third of Doremus's children was the gay, the pert, the dancing Cecilia, known as "Sissy," aged eighteen, where her brother Philip was thirty-two and Mary, Mrs. Greenhill, turned thirty. She rejoiced the heart of Doremus by consenting to stay home while she was finishing high school, though she talked vigorously of going off to study architecture and "simply make millions, my dear," by planning and erecting miraculous small homes.
Mrs. Jessup was lavishly (and quite erroneously) certain that her Philip was the spit and image of the Prince of Wales; Philip's wife, Merilla (the fair daughter of Worcester, Massachusetts), curiously like the Princess Marina; that Mary would by any stranger be taken for Katharine Hepburn; that Sissy was a dryad and David a medieval page; and that Doremus (though she knew him better than she did those changelings, her children) amazingly resembled that naval hero, Winfield Scott Schley, as he looked in 1898.
She was a loyal woman, Emma Jessup, warmly generous, a cordon bleu at making lemon-meringue pie, a parochial Tory, an orthodox Episcopalian, and completely innocent of any humor. Doremus was perpetually tickled by her kind solemnity, and it was to be chalked down to him as a singular act of grace that he refrained from pretending that he had become a working Communist and was thinking of leaving for Moscow immediately.
Doremus looked depressed, looked old, when he lifted himself, as from an invalid's chair, out of the Chrysler, in his hideous garage of cement and galvanized iron. (But it was a proud two-car garage; besides the four-year-old Chrysler, they had a new Ford convertible coupe, which Doremus hoped to drive some day when Sissy wasn't using it.)
He cursed competently as, on the cement walk from the garage to the kitchen, he barked his shins on the lawn-mower, left there by his hired man, one Oscar Ledue, known always as "Shad," a large and red-faced, a sulky and surly Irish-Canuck peasant. Shad always did things like leaving lawnmowers about to snap at the shins of decent people. He was entirely incompetent and vicious. He never edged-up the flower beds, he kept his stinking old cap on his head when he brought in logs for the fireplace, he did not scythe the dandelions in the meadow till they had gone to seed, he delighted in failing to tell cook that the peas were now ripe, and he was given to shooting cats, stray dogs, chipmunks, and honey-voiced blackbirds. At least twice a day, Doremus resolved to fire him, but—Perhaps he was telling himself the truth when he insisted that it was amusing to try to civilize this prize bull.
Doremus trotted into the kitchen, decided that he did not want some cold chicken and a glass of milk from the ice-box, nor even a wedge of the celebrated cocoanut layer cake made by their cook-general, Mrs. Candy, and mounted to his "study," on the third, the attic floor.
His house was an ample, white, clapboarded structure of the vintage of 1880, a square bulk with a mansard roof and, in front, a long porch with insignificant square white pillars. Doremus declared that the house was ugly, "but ugly in a nice way."
His study, up there, was his one perfect refuge from annoyances and bustle. It was the only room in the house that Mrs. Candy (quiet, grimly competent, thoroughly literate, once a Vermont country schoolteacher) was never allowed to clean. It was an endearing mess of novels, copies of the Congressional Record, of the New Yorker, Time, Nation, New Republic, New Masses, and Speculum (cloistral organ of the Medieval Society), treatises on taxation and monetary systems, road maps, volumes on exploration in Abyssinia and the Antarctic, chewed stubs of pencils, a shaky portable typewriter, fishing tackle, rumpled carbon paper, two comfortable old leather chairs, a Windsor chair at his desk, the complete works of Thomas Jefferson, his chief hero, a microscope and a collection of Vermont butterflies, Indian arrowheads, exiguous volumes of Vermont village poetry printed in local newspaper offices, the Bible, the Koran, the Book of Mormon, Science and Health, Selections from the Mahabharata, the poetry of Sandburg, Frost, Masters, Jeffers, Ogden Nash, Edgar Guest, Omar Khayyam, and Milton, a shotgun and a .22 repeating rifle, an Isaiah College banner, faded, the complete Oxford Dictionary, five fountain pens of which two would work, a vase from Crete dating from 327 B.C.—very ugly—the World Almanac for year before last, with the cover suggesting that it had been chewed by a dog, odd pairs of horn-rimmed spectacles and of rimless eyeglasses, none of which now suited his eyes, a fine, reputedly Tudor oak cabinet from Devonshire, portraits of Ethan Allen and Thaddeus Stevens, rubber wading-boots, senile red morocco slippers, a poster issued by the Vermont Mercury at Woodstock, on September 2, 1840, announcing a glorious Whig victory, twenty-four boxes of safety matches one by one stolen from the kitchen, assorted yellow scratch pads, seven books on Russia and Bolshevism—extraordinarily pro or extraordinarily con—a signed photograph of Theodore Roosevelt, six cigarette cartons, all half empty (according to the tradition of journalistic eccentrics, Doremus should have smoked a Good Old Pipe, but he detested the slimy ooze of nicotine-soaked spittle), a rag carpet on the floor, a withered sprig of holly with a silver Christmas ribbon, a case of seven unused genuine Sheffield razors, dictionaries in French, German, Italian and Spanish—the first of which languages he really could read—a canary in a Bavarian gilded wicker cage, a worn linen-bound copy of Old Hearthside Songs for Home and Picnic whose selections he was wont to croon, holding the book on his knee, and an old cast-iron Franklin stove. Everything, indeed, that was proper for a hermit and improper for impious domestic hands.
Before switching on the light he squinted through a dormer window at the bulk of mountains cutting the welter of stars. In the center were the last lights of Fort Beulah, far below, and on the left, unseen, the soft meadows, the old farmhouses, the great dairy barns of the Ethan Mowing. It was a kind country, cool and clear as a shaft of light and, he meditated, he loved it more every quiet year of his freedom from city towers and city clamor.
One of the few times when Mrs. Candy, their housekeeper, was permitted to enter his hermit's cell was to leave there, on the long table, his mail. He picked it up and started to read briskly, standing by the table. (Time to go to bed! Too much chatter and bellyaching, this evening! Good Lord! Past midnight!) He sighed then, and sat in his Windsor chair, leaning his elbows on the table and studiously reading the first letter over again.
It was from Victor Loveland, one of the younger, more international-minded teachers in Doremus's old school, Isaiah College.
DEAR DR. JESSUP:
("Hm. 'Dr. Jessup.' Not me, m' lad. The only honorary degree