The Sorcery Club. O'Donnell Elliott
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to touch it again. See if you can hold the beast by yourself, Matt! It seems to be less afraid of you than of either of us."
Kelson called out: "Puss!", and the cat at once came to him.
As it was now striking twelve, Hamar carefully shook three drops of Curtis's blood from the cup on to Satan's back, while he instructed Kelson to rub the animal's coat with the palm of the hand. Kelson cautiously obeyed. There was a loud crackling and a shower of sparks, of the same lurid red colour as the reflection in the mirror on the previous night, flew out into the enveloping darkness.
"That will do!" Hamar observed quietly. "Test two is satisfactorily accomplished. We must be riper for Hell than we imagined. There is no need for you fellows to stay any longer. I can manage the third test alone."
As soon as his colleagues had gone and he felt assured they were no longer within hearing, Hamar took a saucer from the mantelshelf, filled it half full of milk, and poured into it some colourless liquid out of a tiny phial labelled poison.
"Here pussy," he called out, softly. "Pretty pussy, come and have your supper! Pussy!"
And Satan, unable to resist the tempting sight of the milk, crept out of his hiding-place and quite unsuspiciously dipped his tongue into the saucer and lapped. Hamar, in the meanwhile went to a box at the foot of the bed and produced a sack. Then he slipped on his boots and coat, and opening the door of a cupboard near the head of the bed fetched out a small spade.
He was now ready; and—so was pussy.
"That paves the way for test six," Hamar observed; "no one can say I am a waster—I make use of everything—and every one;" and so saying he tumbled the cat into the sack and hurried out.
Some half-hour later he had returned to his room, and was busily engaged making preparations for test three. Letting a drop of Curtis's blood fall on the skull, he put the latter under his pillow, and retired to rest. He had slept for little over an hour, when he awoke with a start. The muffled sound of hammering—as of nails in a coffin—was going on all around him, and occasionally it seemed to him that something big and heavy stalked across the floor; but in spite of the fact that the room was illuminated with a red glow—the same lurid red as had appeared in tests one and two—nothing was to be seen. The phenomena lasted five or six minutes and then everything was again normal. Hamar was so terrified that he lay with his head under the bedclothes till morning, and vowed nothing on earth would persuade him to sleep in that room again. But sunlight soon restored his courage, and by the evening he was quite eager to go on with the next test. He had some difficulty in persuading any one to allow him the use of an oven for so pernicious a mixture as nightshade and hemlock; but at last he over-ruled the objections of some good-natured woman—the mother of one of the office boys at his former employer's—and test four proved as successful as the previous three. The preliminary part of test five was also successfully accomplished; but in carrying out the second part of it, Hamar all but met with disaster. He was walking along Kearney Street with the specially prepared hazel twig carefully concealed beneath his coat, when just opposite Saddler's jewelry store, he came across a child standing by itself. The nearest person being some fifty yards away, and no policeman within sight, Hamar concluded this was too good an opportunity to be lost. He whipped out the twig, and held it, in the manner prescribed, in front of the child. The effect was instantaneous. The child turned white as death, its eyes bulged with terror, and opening its mouth to its full extent it commenced to shriek and yell. Then it fell on the pavement; and clutching and clawing the air, and foaming at the mouth rolled over and over. People from every quarter flocked to the spot, and judging Hamar, from his proximity to the child, to be responsible for its condition, shouted for the police. The latter, however, arrived too late. Hamar, whose presence of mind had only left him for the moment seeing a bicycle leaning against a store door, jumped on it and soon put a respectable distance between himself and the crowd.
That night the trio met once more in Hamar's room for test six. There was a wood fire in the grate, and on it a tin vessel containing the prescribed ingredients. Somewhat unpleasantly conspicuous amongst these ingredients were the death's-head moth, and the soil from Satan's grave. As soon as the mixture had been heated three hours, the vessel was removed, the fire extinguished, and the room made absolutely dark. Then the three sat close together and waited.
On the stroke of two every article in the room began to rattle, whilst out of the tin vessel flew a blood red moth. After circling three times round each of the sitter's heads, the moth flew back again into the vessel, and the silence that ensued was followed by a soft tapping at the window, and the appearance of something, that resembled a big tube filled with a thick, pale blue fluid, made up of a mass of distinct veins. This tube floated into the room, and passing close to the three sitters, who involuntarily shrank away from it, disappeared in the wall, behind them. A loud crack as if the branch of a tree had broken, terminated the phenomena—the room again becoming pitch dark. But the three sitters, although they knew there would be no further manifestation that night, were too terrified to move. They remained huddled together in the same spot till the morning was well advanced.
CHAPTER V
THE INITIATION
San Francisco possesses one great advantage—you can easily get out of it. Leaving the pan-handle of the Park behind one, and following the turn of the cars, one passes through a pretty valley, green and fair as any garden, and dotted with small houses. An old cemetery lies to one side of it; where unconventional inscriptions and queer epitaphs can be traced on the half-buried stones, covered with a tangle of vines and weeds. Still moving forward one reaches Olympus, and climbing to its heights, one sees away below, in the far distance, the Coast Range—like a rampart of strength; the blue waters of the bay, sparkling and dancing in the sunlight—steamers flashing their path on its bosom; and tiny white specks scudding in the breeze. Below is the city, its houses, small, and closed in, like toy villages in Christmas boxes; whilst the slopes around are green with fresh grass; and here and there are thick clusters of eucalyptus and pines. The ocean is partly hidden from view by a peak, which rises directly to the west, and is separated from that on which one is standing by a deep and thickly wooded valley. Descending, by means of a narrow winding path, one passes through dense clumps of hickory, chestnut, mountain ash, and walnut trees, whose strong lateral branches afford ample protection from the sun, and at the same time furnish playgrounds to innumerable bright-eyed squirrels. Further down one comes upon gentle elms, succeeded by sassafras and locust—these, in their turn, succeeded by the softer linden, red bud, catalpa, and maple; and at the foot of the declivity, and in the bottom of the valley, wild shrubbery, interspersed with silver willows, and white poplars. Still following the path down the vale, in a southerly direction, one, at length, finds oneself in an amphitheatre, shut in on all sides by trees and bushes of a still greater variety; here and there, a gigantic and much begnarled oak; here, a triple-stemmed tulip tree of some eighty feet in height, its glossy, vivid green leaves and profuse blossoms presenting a picture of unsurpassed beauty and splendour; there, equally beautiful, though in marked contrast, a tall and slender silver birch. The floor of the amphitheatre is, for the most part, grass—soft, thick, velvety and miraculously green. The silence is such as makes it wholly inconceivable, that so vast a city as San Francisco can be little over six miles distant. Though one may strain one's ears to the utmost, nothing is to be heard but the occasional tinkling of a cow-bell, the lowing of cattle and the desultory note of birds. It is the perfect quiet which Nature alone can give; and it so impressed Hamar that he at once decided that this was the very spot essential for the ceremony of initiation into the Black Art.
The locality selected, the night had next to be chosen—and the conditions demanding that on the night of the initiation there must be a new moon, cusp of seventh house, and conjoined with Saturn, in opposition to Jupiter,[16]