The Collected Works of Anton Chekhov: Plays, Novellas, Short Stories, Diary & Letters. Anton Chekhov
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Sit down, friends.
PAULINA. And bring the tea at once.
She lights the candles and takes her seat at the card-table. SHAMRAEFF leads TRIGORIN to the cupboard.
SHAMRAEFF. Here is the stuffed seagull I was telling you about. [He takes the seagull out of the cupboard] You told me to have it done.
TRIGORIN. [looking at the bird] I don’t remember a thing about it, not a thing. [A shot is heard. Every one jumps.]
ARKADINA. [Frightened] What was that?
DORN. Nothing at all; probably one of my medicine bottles has blown up. Don’t worry. [He goes out through the door on the right, and comes back in a few moments] It is as I thought, a flask of ether has exploded. [He sings]
“Spellbound once more I stand before thee.”
ARKADINA. [Sitting down at the table] Heavens! I was really frightened. That noise reminded me of — [She covers her face with her hands] Everything is black before my eyes.
DORN. [Looking through the pages of a magazine, to TRIGORIN] There was an article from America in this magazine about two months ago that I wanted to ask you about, among other things. [He leads TRIGORIN to the front of the stage] I am very much interested in this question. [He lowers his voice and whispers] You must take Madame Arkadina away from here; what I wanted to say was, that Constantine has shot himself.
Curtain.
A RELUCTANT HERO or, A Tragedian in Spite of Himself
CHARACTERS
IVAN IVANOVITCH TOLKACHOV, the father of a family
ALEXEY ALEXEYEVITCH MURASHKIN, his friend
The scene is laid in St. Petersburg, in MURASHKIN’S flat
A RELUCTANT HERO
[MURASHKIN’S study. Comfortable furniture. MURASHKIN is seated at his desk. Enter TOLKACHOV holding in his hands a glass globe for a lamp, a toy bicycle, three hat-boxes, a large parcel containing a dress, a bin-case of beer, and several little parcels. He looks round stupidly and lets himself down on the sofa in exhaustion.]
MURASHKIN. How do you do, Ivan Ivanovitch? Delighted to see you! What brings you here?
TOLKACHOV. [Breathing heavily] My dear good fellow… I want to ask you something…. I implore you lend me a revolver till tomorrow. Be a friend!
MURASHKIN. What do you want a revolver for?
TOLKACHOV. I must have it…. Oh, little fathers!… give me some water… water quickly!… I must have it… I’ve got to go through a dark wood tonight, so in case of accidents… do, please, lend it to me.
MURASHKIN. Oh, you liar, Ivan Ivanovitch! What the devil have you got to do in a dark wood? I expect you are up to something. I can see by your face that you are up to something. What’s the matter with you? Are you ill?
TOLKACHOV. Wait a moment, let me breathe…. Oh little mothers! I am dog-tired. I’ve got a feeling all over me, and in my head as well, as if I’ve been roasted on a spit. I can’t stand it any longer. Be a friend, and don’t ask me any questions or insist on details; just give me the revolver! I beseech you!
MURASHKIN. Well, really! Ivan Ivanovitch, what cowardice is this? The father of a family and a Civil Servant holding a responsible post! For shame!
TOLKACHOV. What sort of a father of a family am I! I am a martyr. I am a beast of burden, a nigger, a slave, a rascal who keeps on waiting here for something to happen instead of starting off for the next world. I am a rag, a fool, an idiot. Why am I alive? What’s the use? [Jumps up] Well now, tell me why am I alive? What’s the purpose of this uninterrupted series of mental and physical sufferings? I understand being a martyr to an idea, yes! But to be a martyr to the devil knows what, skirts and lamp-globes, no! I humbly decline! No, no, no! I’ve had enough! Enough!
MURASHKIN. Don’t shout, the neighbours will hear you!
TOLKACHOV. Let your neighbours hear; it’s all the same to me! If you don’t give me a revolver somebody else will, and there will be an end of me anyway! I’ve made up my mind!
MURASHKIN. Hold on, you’ve pulled off a button. Speak calmly. I still don’t understand what’s wrong with your life.
TOLKACHOV. What’s wrong? You ask me what’s wrong? Very well, I’ll tell you! Very well! I’ll tell you everything, and then perhaps my soul will be lighter. Let’s sit down. Now listen… Oh, little mothers, I am out of breath!… Just let’s take to-day as an instance. Let’s take to-day. As you know, I’ve got to work at the Treasury from ten to four. It’s hot, it’s stuffy, there are flies, and, my dear fellow, the very dickens of a chaos. The Secretary is on leave, Khrapov has gone to get married, and the smaller fry is mostly in the country, making love or occupied with amateur theatricals. Everybody is so sleepy, tired, and done up that you can’t get any sense out of them. The Secretary’s duties are in the hands of an individual who is deaf in the left ear and in love; the public has lost its memory; everybody is running about angry and raging, and there is such a hullabaloo that you can’t hear yourself speak. Confusion and smoke everywhere. And my work is deathly: always the same, always the same — first a correction, then a reference back, another correction, another reference back; it’s all as monotonous as the waves of the sea. One’s eyes, you understand, simply crawl out of one’s head. Give me some water…. You come out a broken, exhausted man. You would like to dine and fall asleep, but you don’t! — You remember that you live in the country — that is, you are a slave, a rag, a bit of string, a bit of limp flesh, and you’ve got to run round and do errands. Where we live a pleasant custom has grown up: when a man goes to town every wretched female inhabitant, not to mention one’s own wife, has the power and the right to give him a crowd of commissions. The wife orders you to run into the modiste’s and curse her for making a bodice too wide across the chest and too narrow across the shoulders; little Sonya wants a new pair of shoes; your sister-in-law wants some scarlet silk like the pattern at twenty copecks and three arshins long…. Just wait; I’ll read you. [Takes a note out of his pocket and reads] A globe for the lamp; one pound of pork sausages; five copecks’ worth of cloves and cinnamon; castor-oil for Misha; ten pounds of granulated sugar. To bring with you from home: a copper jar for the sugar; carbolic acid; insect powder, ten copecks’ worth; twenty bottles of beer; vinegar; and corsets for Mlle. Shanceau at No. 82…. Ouf! And to bring home Misha’s winter coat and goloshes. That is the order of my wife and family. Then there are the commissions of our dear friends and neighbours — devil take them! Tomorrow is the nameday of Volodia Vlasin; I have to buy a bicycle for him. The wife of Lieutenant-Colonel Virkhin is in an interesting condition, and I am therefore bound to call in at the midwife’s every day and invite her to come. And so on, and so on. There are five notes in my pocket and my handkerchief is all knots. And so, my dear fellow, you spend the time between your office and your train, running about the town like a dog with your tongue hanging out, running and running and cursing life. From the clothier’s to the chemist’s, from the chemist’s to the modiste’s, from the modiste’s to the pork butcher’s, and then back again to the chemist’s. In one place you stumble, in a second you lose your money, in a third you forget to pay and they raise a hue and cry after you, in a fourth you tread on the train of a lady’s dress…. Tfoo! You get so shaken up from all this that your bones ache all night and you dream of crocodiles. Well, you’ve made all your purchases, but how are you to pack all these things? For instance, how are you to put a heavy copper jar together with the lamp-globe or the carbolic acid with the tea? How are you to make a combination of beer-bottles and this bicycle? It’s the labours of Hercules, a puzzle, a rebus! Whatever tricks you think of, in the long run you’re bound to smash or scatter something, and at the station and in the train you have to stand with your arms apart, holding up