The Essential Writings of Jean-Jacques Rousseau. Jean-Jacques Rousseau
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if I had had one, it would perhaps have been even worse. I had to pass through the graveyard; I crossed it bravely, for as long as I was in the open air I was never afraid of the dark.
As I opened the door I heard a sort of echo in the roof; it sounded like voices and it began to shake my Roman courage. Having opened the door I tried to enter, but when I had gone a few steps I stopped. At the sight of the profound darkness in which the vast building lay I was seized with terror and my hair stood on end. I turned, I went out through the door, and took to my heels. In the yard I found a little dog, called Sultan, whose caresses reassured me. Ashamed of my fears, I retraced my steps, trying to take Sultan with me, but he refused to follow. Hurriedly I opened the door and entered the church. I was hardly inside when terror again got hold of me and so firmly that I lost my head, and though the pulpit was on the right, as I very well knew, I sought it on the left, and entangling myself among the benches I was completely lost. Unable to find either pulpit or door, I fell into an indescribable state of mind. At last I found the door and managed to get out of the church and run away as I had done before, quite determined never to enter the church again except in broad daylight.
I returned to the house; on the doorstep I heard M. Lambercier laughing, laughing, as I supposed, at me. Ashamed to face his laughter, I was hesitating to open the door, when I heard Miss Lambercier, who was anxious about me, tell the maid to get the lantern, and M. Lambercier got ready to come and look for me, escorted by my gallant cousin, who would have got all the credit for the expedition. All at once my fears departed, and left me merely surprised at my terror. I ran, I fairly flew, to the church; without losing my way, without groping about, I reached the pulpit, took the Bible, and ran down the steps. In three strides I was out of the church, leaving the door open. Breathless, I entered the room and threw the Bible on the table, frightened indeed, but throbbing with pride that I had done it without the proposed assistance.
You will ask if I am giving this anecdote as an example, and as an illustration, of the mirth which I say should accompany these games. Not so, but I give it as a proof that there is nothing so well calculated to reassure any one who is afraid in the dark as to hear sounds of laughter and talking in an adjoining room. Instead of playing alone with your pupil in the evening, I would have you get together a number of merry children; do not send them alone to begin with, but several together, and do not venture to send any one quite alone, until you are quite certain beforehand that he will not be too frightened.
I can picture nothing more amusing and more profitable than such games, considering how little skill is required to organise them. In a large room I should arrange a sort of labyrinth of tables, armchairs, chairs, and screens. In the inextricable windings of this labyrinth I should place some eight or ten sham boxes, and one real box almost exactly like them, but well filled with sweets. I should describe clearly and briefly the place where the right box would be found. I should give instructions sufficient to enable people more attentive and less excitable than children to find it.36 Then having made the little competitors draw lots, I should send first one and then another till the right box was found. I should increase the difficulty of the task in proportion to their skill.
Picture to yourself a youthful Hercules returning, box in hand, quite proud of his expedition. The box is placed on the table and opened with great ceremony. I can hear the bursts of laughter and the shouts of the merry party when, instead of the looked-for sweets, he finds, neatly arranged on moss or cotton-wool, a beetle, a snail, a bit of coal, a few acorns, a turnip, or some such thing. Another time in a newly whitewashed room, a toy or some small article of furniture would be hung on the wall and the children would have to fetch it without touching the wall. When the child who fetches it comes back, if he has failed ever so little to fulfil the conditions, a dab of white on the brim of his cap, the tip of his shoe, the flap of his coat or his sleeve, will betray his lack of skill.
This is enough, or more than enough, to show the spirit of these games. Do not read my book if you expect me to tell you everything.
What great advantages would be possessed by a man so educated, when compared with others. His feet are accustomed to tread firmly in the dark, and his hands to touch lightly; they will guide him safely in the thickest darkness. His imagination is busy with the evening games of his childhood, and will find it difficult to turn towards objects of alarm. If he thinks he hears laughter, it will be the laughter of his former playfellows, not of frenzied spirits; if he thinks there is a host of people, it will not be the witches' sabbath, but the party in his tutor's study. Night only recalls these cheerful memories, and it will never alarm him; it will inspire delight rather than fear. He will be ready for a military expedition at any hour, with or without his troop. He will enter the camp of Saul, he will find his way, he will reach the king's tent without waking any one, and he will return unobserved. Are the steeds of Rhesus to be stolen, you may trust him. You will scarcely find a Ulysses among men educated in any other fashion.
I have known people who tried to train the children not to fear the dark by startling them. This is a very bad plan; its effects are just the opposite of those desired, and it only makes children more timid. Neither reason nor habit can secure us from the fear of a present danger whose degree and kind are unknown, nor from the fear of surprises which we have often experienced. Yet how will you make sure that you can preserve your pupil from such accidents? I consider this the best advice to give him beforehand. I should say to Emile, "This is a matter of self-defence, for the aggressor does not let you know whether he means to hurt or frighten you, and as the advantage is on his side you cannot even take refuge in flight. Therefore seize boldly anything, whether man or beast, which takes you unawares in the dark. Grasp it, squeeze it with all your might; if it struggles, strike, and do not spare your blows; and whatever he may say or do, do not let him go till you know just who he is. The event will probably prove that you had little to be afraid of, but this way of treating practical jokers would naturally prevent their trying it again."
Although touch is the sense oftenest used, its discrimination remains, as I have already pointed out, coarser and more imperfect than that of any other sense, because we always use sight along with it; the eye perceives the thing first, and the mind almost always judges without the hand. On the other hand, discrimination by touch is the surest just because of its limitations; for extending only as far as our hands can reach, it corrects the hasty judgments of the other senses, which pounce upon objects scarcely perceived, while what we learn by touch is learnt thoroughly. Moreover, touch, when required, unites the force of our muscles to the action of the nerves; we associate by simultaneous sensations our ideas of temperature, size, and shape, to those of weight and density. Thus touch is the sense which best teaches us the action of foreign bodies upon ourselves, the sense which most directly supplies us with the knowledge required for self-preservation.
As the trained touch takes the place of sight, why should it not, to some extent, take the place of hearing, since sounds set up, in sonorous bodies, vibrations perceptible by touch? By placing the hand on the body of a 'cello one can distinguish without the use of eye or ear, merely by the way in which the wood vibrates and trembles, whether the sound given out is sharp or flat, whether it is drawn from the treble string or the bass. If our touch were trained to note these differences, no doubt we might in time become so sensitive as to hear a whole tune by means of our fingers. But if we admit this, it is clear that one could easily speak to the deaf by means of music; for tone and measure are no less capable of regular combination than voice and articulation, so that they might be used as the elements of speech.
There are exercises by which the sense of touch is blunted and deadened, and others which sharpen it and make it delicate and discriminating. The former, which employ much movement and force for the continued impression of hard bodies, make the skin hard and thick, and deprive it of its natural sensitiveness. The latter are those which give variety to this feeling, by slight and repeated contact, so that the mind is attentive to constantly recurring impressions, and readily learns to discern their variations. This difference is clear in the use of musical instruments. The harsh and painful touch of the 'cello, bass-viol, and even of the violin, hardens the finger-tips, although it gives flexibility to the fingers. The soft and smooth touch of the harpsichord makes the fingers both flexible and sensitive. In this respect the harpsichord is to be preferred.
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