The Greatest Works of Gustave Flaubert. Gustave Flaubert

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The Greatest Works of Gustave Flaubert - Gustave Flaubert


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as if the book amused her. But Charles, who was in bed, called to her to come too.

      “Come, now, Emma,” he said, “it is time.”

      “Yes, I am coming,” she answered.

      Then, as the candles dazzled him; he turned to the wall and fell asleep. She escaped, smiling, palpitating, undressed. Rodolphe had a large cloak; he wrapped her in it, and putting his arm round her waist, he drew her without a word to the end of the garden.

      It was in the arbour, on the same seat of old sticks where formerly Leon had looked at her so amorously on the summer evenings. She never thought of him now.

      The stars shone through the leafless jasmine branches. Behind them they heard the river flowing, and now and again on the bank the rustling of the dry reeds. Masses of shadow here and there loomed out in the darkness, and sometimes, vibrating with one movement, they rose up and swayed like immense black waves pressing forward to engulf them. The cold of the nights made them clasp closer; the sighs of their lips seemed to them deeper; their eyes that they could hardly see, larger; and in the midst of the silence low words were spoken that fell on their souls sonorous, crystalline, and that reverberated in multiplied vibrations.

      When the night was rainy, they took refuge in the consulting-room between the cart-shed and the stable. She lighted one of the kitchen candles that she had hidden behind the books. Rodolphe settled down there as if at home. The sight of the library, of the bureau, of the whole apartment, in fine, excited his merriment, and he could not refrain from making jokes about Charles, which rather embarrassed Emma. She would have liked to see him more serious, and even on occasions more dramatic; as, for example, when she thought she heard a noise of approaching steps in the alley.

      “Someone is coming!” she said.

      He blew out the light.

      “Have you your pistols?”

      “Why?”

      “Why, to defend yourself,” replied Emma.

      “From your husband? Oh, poor devil!” And Rodolphe finished his sentence with a gesture that said, “I could crush him with a flip of my finger.”

      She was wonder-stricken at his bravery, although she felt in it a sort of indecency and a naive coarseness that scandalised her.

      Rodolphe reflected a good deal on the affair of the pistols. If she had spoken seriously, it was very ridiculous, he thought, even odious; for he had no reason to hate the good Charles, not being what is called devoured by jealousy; and on this subject Emma had taken a great vow that he did not think in the best of taste.

      Besides, she was growing very sentimental. She had insisted on exchanging miniatures; they had cut off handfuls of hair, and now she was asking for a ring — a real wedding-ring, in sign of an eternal union. She often spoke to him of the evening chimes, of the voices of nature. Then she talked to him of her mother — hers! and of his mother — his! Rodolphe had lost his twenty years ago. Emma none the less consoled him with caressing words as one would have done a lost child, and she sometimes even said to him, gazing at the moon —

      “I am sure that above there together they approve of our love.”

      But she was so pretty. He had possessed so few women of such ingenuousness. This love without debauchery was a new experience for him, and, drawing him out of his lazy habits, caressed at once his pride and his sensuality. Emma’s enthusiasm, which his bourgeois good sense disdained, seemed to him in his heart of hearts charming, since it was lavished on him. Then, sure of being loved, he no longer kept up appearances, and insensibly his ways changed.

      He had no longer, as formerly, words so gentle that they made her cry, nor passionate caresses that made her mad, so that their great love, which engrossed her life, seemed to lessen beneath her like the water of a stream absorbed into its channel, and she could see the bed of it. She would not believe it; she redoubled in tenderness, and Rodolphe concealed his indifference less and less.

      She did not know if she regretted having yielded to him, or whether she did not wish, on the contrary, to enjoy him the more. The humiliation of feeling herself weak was turning to rancour, tempered by their voluptuous pleasures. It was not affection; it was like a continual seduction. He subjugated her; she almost feared him.

      Appearances, nevertheless, were calmer than ever, Rodolphe having succeeded in carrying out the adultery after his own fancy; and at the end of six months, when the springtime came, they were to one another like a married couple, tranquilly keeping up a domestic flame.

      It was the time of year when old Rouault sent his turkey in remembrance of the setting of his leg. The present always arrived with a letter. Emma cut the string that tied it to the basket, and read the following lines: —

      “My Dear Children — I hope this will find you well, and that this one will be as good as the others. For it seems to me a little more tender, if I may venture to say so, and heavier. But next time, for a change, I’ll give you a turkeycock, unless you have a preference for some dabs; and send me back the hamper, if you please, with the two old ones. I have had an accident with my cart-sheds, whose covering flew off one windy night among the trees. The harvest has not been overgood either. Finally, I don’t know when I shall come to see you. It is so difficult now to leave the house since I am alone, my poor Emma.”

      Here there was a break in the lines, as if the old fellow had dropped his pen to dream a little while.

      “For myself, I am very well, except for a cold I caught the other day at the fair at Yvetot, where I had gone to hire a shepherd, having turned away mine because he was too dainty. How we are to be pitied with such a lot of thieves! Besides, he was also rude. I heard from a pedlar, who, travelling through your part of the country this winter, had a tooth drawn, that Bovary was as usual working hard. That doesn’t surprise me; and he showed me his tooth; we had some coffee together. I asked him if he had seen you, and he said not, but that he had seen two horses in the stables, from which I conclude that business is looking up. So much the better, my dear children, and may God send you every imaginable happiness! It grieves me not yet to have seen my dear little granddaughter, Berthe Bovary. I have planted an Orleans plum-tree for her in the garden under your room, and I won’t have it touched unless it is to have jam made for her by and bye, that I will keep in the cupboard for her when she comes.

      “Goodbye, my dear children. I kiss you, my girl, you too, my son-in-law, and the little one on both cheeks. I am, with best compliments, your loving father.

      “Theodore Rouault.”

      She held the coarse paper in her fingers for some minutes. The spelling mistakes were interwoven one with the other, and Emma followed the kindly thought that cackled right through it like a hen half hidden in the hedge of thorns. The writing had been dried with ashes from the hearth, for a little grey powder slipped from the letter on to her dress, and she almost thought she saw her father bending over the hearth to take up the tongs. How long since she had been with him, sitting on the footstool in the chimney-corner, where she used to burn the end of a bit of wood in the great flame of the sea-sedges! She remembered the summer evenings all full of sunshine. The colts neighed when anyone passed by, and galloped, galloped. Under her window there was a beehive, and sometimes the bees wheeling round in the light struck against her window like rebounding balls of gold. What happiness there had been at that time, what freedom, what hope! What an abundance of illusions! Nothing was left of them now. She had got rid of them all in her soul’s life, in all her successive conditions of life, maidenhood, her marriage, and her love — thus constantly losing them all her life through, like a traveller who leaves something of his wealth at every inn along his road.

      But what then, made her so unhappy? What was the extraordinary catastrophe that had transformed her? And she raised her head, looking round as if to seek the cause of that which made her suffer.

      An April ray was dancing on the china of the whatnot; the fire burned; beneath her slippers she felt the softness of the carpet; the day was bright, the air warm, and she heard her child shouting with laughter.

      In fact, the little girl was just then rolling on the lawn


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