Emile, Confessions & The Social Contract (3 Books in One Edition). Jean-Jacques Rousseau
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upon us, and returning to my old chimeras, behold me once more building castles in the air to relieve this dear friend from the cruel extremities into which I saw her ready to fall. I did not believe myself wise enough to shine in the republic of letters, or to stand any chance of making a fortune by that means; a new idea, therefore, inspired me with that confidence, which the mediocrity of my talents could not impart.
In ceasing to teach music I had not abandoned the thoughts of it; on the contrary, I had studied the theory sufficiently to consider myself well informed on the subject. When reflecting on the trouble it had cost me to read music, and the great difficulty I yet experienced in singing at sight, I began to think the fault might as well arise from the manner of noting as from my own dulness, being sensible it was an art which most people find difficult to understand. By examining the formation of the signs, I was convinced they were frequently very ill devised. I had before thought of marking the gamut by figures, to prevent the trouble of having lines to draw, on noting the plainest air; but had been stopped by the difficulty of the octaves, and by the distinction of measure and quantity: this idea returned again to my mind, and on a careful revision of it, I found the difficulties by no means insurmountable. I pursued it successfully, and was at length able to note any music whatever by figures, with the greatest exactitude and simplicity. From this moment I supposed my fortune made, and in the ardor of sharing it with her to whom I owed everything, thought only of going to Paris, not doubting that on presenting my project to the Academy, it would be adopted with rapture. I had brought some money from Lyons; I augmented this stock by the sale of my books, and in the course of a fortnight my resolution was both formed and executed: in short, full of the magnificent ideas it had inspired, and which were common to me on every occasion, I departed from Savoy with my new system of music, as I had formerly done from Turin with my heron-fountain.
Such have been the errors and faults of my youth; I have related the history of them with a fidelity which my heart approves; if my riper years were dignified with some virtues, I should have related them with the same frankness; it was my intention to have done this, but I must forego this pleasing task and stop here. Time, which renders justice to the characters of most men, may withdraw the veil; and should my memory reach posterity, they may one day discover what I had to say--they will then understand why I am now silent.
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