Arrowsmith (Unabridged). Sinclair Lewis
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“I’ll make all the damn’ racket I damn’ please!” Clif asserted, and a feud was on.
Clif was so noisy thereafter that he almost became tired of his own noise. He was noisy in the living-room, he was noisy in the bath, and with some sacrifice he lay awake pretending to snore. If Duer was quiet and book-wrapped, he was not in the least timid; he faced Clif with the eye of a magistrate, and cowed him. Privily Clif complained to Martin, “Darn him, he acts like I was a worm. Either he or me has got to get out of Digam, that’s a cinch, and it won’t be me!”
He was ferocious and very noisy about it, and it was he who got out. He said that the Digams were a “bunch of bum sports; don’t even have a decent game of poker,” but he was fleeing from the hard eyes of Angus Duer. And Martin resigned from the fraternity with him, planned to room with him the coming autumn.
Clif’s blustering rubbed Martin as it did Duer. Clif had no reticences; when he was not telling slimy stories he was demanding, “How much chuh pay for those shoes — must think you’re a Vanderbilt!” or “D’I see you walking with that Madeline Fox femme — what chuh tryin’ to do?” But Martin was alienated from the civilized, industrious, nice young men of Digamma Pi, in whose faces he could already see prescriptions, glossy white sterilizers, smart enclosed motors, and glass office-signs in the best gilt lettering. He preferred a barbarian loneliness, for next year he would be working with Max Gottlieb, and he could not be bothered.
That summer he spent with a crew installing telephones in Montana.
He was a lineman in the wire-gang. It was his job to climb the poles, digging the spurs of his leg-irons into the soft and silvery pine, to carry up the wire, lash it to the glass insulators, then down and to another pole.
They made perhaps five miles a day; at night they drove into little rickety wooden towns. Their retiring was simple — they removed their shoes and rolled up in a horse-blanket. Martin wore overalls and a flannel shirt. He looked like a farm-hand. Climbing all day long, he breathed deep, his eyes cleared of worry, and one day he experienced a miracle.
He was atop a pole and suddenly, for no clear cause, his eyes opened and he saw; as though he had just awakened he saw that the prairie was vast, that the sun was kindly on rough pasture and ripening wheat, on the old horses, the easy, broad-beamed, friendly horses, and on his red-faced jocose companions; he saw that the meadow larks were jubilant, and blackbirds shining by little pools, and with the living sun all life was living. Suppose the Angus Duers and Irving Watterses were tight tradesmen. What of it? “I’m here!” he gloated.
The wire-gang were as healthy and as simple as the west wind; they had no pretentiousness; though they handled electrical equipment they did not, like medics, learn a confusion of scientific terms and pretend to the farmers that they were scientists. They laughed easily and were content to be themselves, and with them Martin was content to forget how noble he was. He had for them an affection such as he had for no one at the University save Max Gottlieb.
He carried in his bag one book, Gottlieb’s “Immunology.” He could often get through half a page of it before he bogged down in chemical formulae. Occasionally, on Sundays or rainy days, he tried to read it, and longed for the laboratory; occasionally he thought of Madeline Fox, and became certain that he was devastatingly lonely for her. But week slipped into careless and robust week, and when he awoke in a stable, smelling the sweet hay and the horses and the lark-ringing prairie that crept near to the heart of these shanty towns, he cared only for the day’s work, the day’s hiking, westward toward the sunset.
So they straggled through the Montana wheatland, whole duchies of wheat in one shining field, through the cattle-country and the sagebrush desert, and suddenly, staring at a persistent cloud, Martin realized that he beheld the mountains.
Then he was on a train; the wire-gang were already forgotten; and he was thinking only of Madeline Fox, Clif Clawson, Angus Duer, and Max Gottlieb.
Chapter 4
Professor Max Gottlieb was about to assassinate a guinea pig with anthrax germs, and the bacteriology class were nervous.
They had studied the forms of bacteria, they had handled Petri dishes and platinum loops, they had proudly grown on potato slices the harmless red cultures of Bacillus prodigiosus, and they had come now to pathogenic germs and the inoculation of a living animal with swift disease. These two beady-eyed guinea pigs, chittering in a battery jar, would in two days be stiff and dead.
Martin had an excitement not free from anxiety. He laughed at it, he remembered with professional scorn how foolish were the lay visitors to the laboratory, who believed that sanguinary microbes would leap upon them from the mysterious centrifuge, from the benches, from the air itself. But he was conscious that in the cotton-plugged test-tube between the instrument-bath and the bichloride jar on the demonstrator’s desk were millions of fatal anthrax germs.
The class looked respectful and did not stand too close. With the flair of technique, the sure rapidity which dignified the slightest movement of his hands, Dr. Gottlieb clipped the hair on the belly of a guinea pig held by the assistant. He soaped the belly with one flicker of a hand-brush, he shaved it and painted it with iodine.
(And all the while Max Gottlieb was recalling the eagerness of his first students, when he had just returned from working with Koch and Pasteur, when he was fresh from enormous beer seidels and Korpsbrüder and ferocious arguments. Passionate, beautiful days! Die goldene Zeit! His first classes in America, at Queen City College, had been awed by the sensational discoveries in bacteriology; they had crowded about him reverently; they had longed to know. Now the class was a mob. He looked at them — Fatty Pfaff in the front row, his face vacant as a doorknob; the co-eds emotional and frightened; only Martin Arrowsmith and Angus Duer visibly intelligent. His memory fumbled for a pale blue twilight in Munich, a bridge and a waiting girl, and the sound of music.)
He dipped his hands in the bichloride solution and shook them — a quick shake, fingers down, like the fingers of a pianist above the keys. He took a hypodermic needle from the instrument-bath and lifted the test-tube. His voice flowed indolently, with German vowels and blurred W’s:
“This, gentlemen, iss a twenty-four-hour culture of Bacillus anthracis. You will note, I am sure you will have noted already, that in the bottom of the tumbler there was cotton to keep the tube from being broken. I cannot advise breaking tubes of anthrax germs and afterwards getting the hands into the culture. You might merely get anthrax boils — ”
The class shuddered.
Gottlieb twitched out the cotton plug with his little finger, so neatly that the medical students who had complained, “Bacteriology is junk; urinalysis and blood tests are all the lab stuff we need to know,” now gave him something of the respect they had for a man who could do card tricks or remove an appendix in seven minutes. He agitated the mouth of the tube in the Bunsen burner, droning, “Every time you take the plug from a tube, flame the mouth of the tube. Make that a rule. It is a necessity of the technique, and technique, gentlemen, iss the beginning of all science. It iss also the least-known thing in science.”
The class was impatient. Why didn’t he get on with it, on to the entertainingly dreadful moment of inoculating the pig?
(And Max Gottlieb, glancing at the other guinea pig in the prison of its battery jar, meditated, “Wretched innocent! Why should I murder him, to teach Dummköpfe? It would be better to experiment on that fat young man.”)
He thrust the syringe into the tube, he withdrew the piston dextrously with his index finger, and lectured:
“Take one half c.c. of the culture. There are two kinds of M.D.’s — those to whom c.c. means cubic centimeter and those to whom it means compound cathartic. The second kind are more prosperous.”
(But one cannot convey the quality of it: the thin drawl, the sardonic amiability, the hiss of the S’s, the D’s