Anton Chekhov - The Man Behind the Books: Letters, Diary, Memoirs & Biography. Anton Chekhov
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blood, and decided to take some money from the Literary Fund and go abroad for my health. I am a little better now, but I still think that I shall have to go away. And whenever I go abroad, or to the Crimea, or to the Caucasus, I will go through Taganrog.
… I am sorry I cannot join you in being of service to my native Taganrog…. I am sure that if my work had been there I should have been calmer, more cheerful, in better health, but evidently it is my fate to remain in Moscow. My home and my career are here. I have work of two sorts. As a doctor I should have grown slack in Taganrog and forgotten my medicine, but in Moscow a doctor has no time to go to the club and play cards. As a writer I am no use except in Moscow or Petersburg.
My medical work is progressing little by little. I go on steadily treating patients. Every day I have to spend more than a rouble on cabs. I have a lot of friends and therefore many patients. Half of them I have to treat for nothing, but the other half pay me three or five roubles a visit…. I need hardly say I have not made a fortune yet, and it will be a long time before I do, but I live tolerably and need nothing. So long as I am alive and well the position of the family is secure. I have bought new furniture, hired a good piano, keep two servants, give little evening parties with music and singing. I have no debts and do not want to borrow. Till quite recently we used to run an account at the butcher’s and grocer’s, but now I have stopped even that, and we pay cash for everything. What will come later, there is no knowing; as it is we have nothing to complain of….
TO N. A. LEIKIN.
MOSCOW,
October, 1885.
… You advise me to go to Petersburg, and say that Petersburg is not China. I know it is not, and as you are aware, I have long realized the necessity of going there; but what am I to do? Owing to the fact that we are a large family, I never have a ten-rouble note to spare, and to go there, even if I did it in the most uncomfortable and beggarly way, would cost at least fifty roubles. How am I to get the money? I can’t squeeze it out of my family and don’t think I ought to. If I were to cut down our two courses at dinner to one, I should begin to pine away from pangs of conscience…. Allah only knows how difficult it is for me to keep my balance, and how easy it would be for me to slip and lose my equilibrium. I fancy that if next month I should earn twenty or thirty roubles less, my balance would be gone, and I should be in difficulties. I am awfully apprehensive about money matters and, owing to this quite uncommercial cowardice in pecuniary affairs, I avoid loans and payments on account. I am not difficult to move. If I had money I should fly from one city to another endlessly.
TO A. S. SUVORIN.
MOSCOW,
February 21, 1886.
… Thank you for the flattering things you say about my work and for having published my story so soon. You can judge yourself how refreshing, even inspiring, the kind attention of an experienced and gifted writer like yourself has been to me.
I agree with what you say about the end of my story which you have cut out; thank you for the helpful advice. I have been writing for the last six years, but you are the first person who has taken the trouble to advise and explain.
… I do not write very much — not more than two or three short stories weekly.
TO D. V. GRIGOROVITCH.
MOSCOW,
March 28, 1886.
Your letter, my kind, fervently beloved bringer of good tidings, struck me like a flash of lightning. I almost burst into tears, I was overwhelmed, and now I feel it has left a deep trace in my soul! May God show the same tender kindness to you in your age as you have shown me in my youth! I can find neither words nor deeds to thank you. You know with what eyes ordinary people look at the elect such as you, and so you can judge what your letter means for my self-esteem. It is better than any diploma, and for a writer who is just beginning it is payment both for the present and the future. I am almost dazed. I have no power to judge whether I deserve this high reward. I only repeat that it has overwhelmed me.
If I have a gift which one ought to respect, I confess before the pure candour of your heart that hitherto I have not respected it. I felt that I had a gift, but I had got into the habit of thinking that it was insignificant. Purely external causes are sufficient to make one unjust to oneself, suspicious, and morbidly sensitive. And as I realize now I have always had plenty of such causes. All my friends and relatives have always taken a condescending tone to my writing, and never ceased urging me in a friendly way not to give up real work for the sake of scribbling. I have hundreds of friends in Moscow, and among them a dozen or two writers, but I cannot recall a single one who reads me or considers me an artist. In Moscow there is a so-called Literary Circle: talented people and mediocrities of all ages and colours gather once a week in a private room of a restaurant and exercise their tongues. If I went there and read them a single passage of your letter, they would laugh in my face. In the course of the five years that I have been knocking about from one newspaper office to another I have had time to assimilate the general view of my literary insignificance. I soon got used to looking down upon my work, and so it has gone from bad to worse. That is the first reason. The second is that I am a doctor, and am up to my ears in medical work, so that the proverb about trying to catch two hares has given to no one more sleepless nights than me.
I am writing all this to you in order to excuse this grievous sin a little before you. Hitherto my attitude to my literary work has been frivolous, heedless, casual. I don’t remember a single story over which I have spent more than twenty-four hours, and “The Huntsman,” which you liked, I wrote in the bathing-shed! I wrote my stories as reporters write their notes about fires, mechanically, half-unconsciously, taking no thought of the reader or myself…. I wrote and did all I could not to waste upon the story the scenes and images dear to me which — God knows why — I have treasured and kept carefully hidden.
The first impulse to self-criticism was given me by a very kind and, to the best of my belief, sincere letter from Suvorin. I began to think of writing something decent, but I still had no faith in my being any good as a writer. And then, unexpected and undreamed of, came your letter. Forgive the comparison: it had on me the effect of a Governor’s order to clear out of the town within twenty-four hours — i.e., I suddenly felt an imperative need to hurry, to make haste and get out of where I have stuck….
I agree with you in everything. When I saw “The Witch” in print I felt myself the cynicism of the points to which you call my attention. They would not have been there had I written this story in three or four days instead of in one.
I shall put an end to working against time, but cannot do so just yet…. It is impossible to get out of the rut I have got into. I have nothing against going hungry, as I have done in the past, but it is not a question of myself…. I give to literature my spare time, two or three hours a day and a bit of the night, that is, time which is of no use except for short things. In the summer, when I have more time and have fewer expenses, I will start on some serious work.
I cannot put my real name on the book because it is too late: the design for the cover is ready and the book printed. [Footnote: “Motley Tales” is meant.] Many of my Petersburg friends advised me, even before you did, not to spoil the book by a pseudonym, but I did not listen to them, probably out of vanity. I dislike my book very much. It’s a hotchpotch, a disorderly medley of the poor stuff I wrote as a student, plucked by the censor and by the editors of comic papers. I am sure that many people will be disappointed when they