Bacon's Essays, and Wisdom of the Ancients. Francis Bacon

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Bacon's Essays, and Wisdom of the Ancients - Francis Bacon


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Nature in Men; 27. Of Custom and Education; 28. Of Fortune; 35. Of Praise; 36. Of Judicature; 37. of Vaine-Glory; 38. Of Greatnesse of Kingdomes; 39. Of the Publique; 40. Of Warre and Peace.

      These forty-one Essays were afterwards again augmented to fifty-eight, with the new title of The Essaies or Covnsels, Civill and Morall; they were likewise improved by corrections, additions, and illustrations. By the peculiarity of Bacon, already noticed, the later Essays rise in beauty and interest.

      Bacon considered his Essays but as “the recreations of his other studies.” He has entitled them, in the Latin translation, Sermones fideles, sive Interiora rerum. The idea of them, as has been already mentioned, was suggested by those of Montaigne; but there is but little resemblance between the two productions. Montaigne is natural, ingenuous, sportive. Bacon’s “Essays or Counsels, civil and moral,” “the fragments of his conceits,” as he styles them, are all study, art, and gravity; but the reflections in them are true and profound. Montaigne confessedly painted himself, declared that he was the matter of his own book,36 while with Bacon the man was merged in the author and the philosopher, who propounded like Seneca, and somewhat in Seneca’s style, the maxims of practical wisdom, that, to use Bacon’s own language, “come home to men’s business and bosoms,” and clothed them in a garb, new, elegant, and rich, hitherto unknown in England. But our author, if we may judge by the matter and even manner of his Essays, may have had in view, not so much Montaigne’s Essais as Seneca’s Letters to Lucilius. The Essay of Death is obviously founded on Seneca’s Epistles on this subject. That he was well acquainted with Seneca’s Letters, is incontrovertible. He alludes to them thus in the dedication to Prince Henry, in 1612: “The word (Essays),” says he, “is late, but the thing is ancient; for Seneca’s Epistles to Lucilius, if you mark them well, are but Essays, that is, dispersed meditations, though conveyed in the form of epistles.” Bacon justly foretold of his Essays that they “would live as long as books last.”

      The following is the opinion of Dugald Stewart, himself an eminent philosopher and elegant writer:

      “His Essays are the best known and most popular of all his works. It is also one of those where the superiority of his genius appears to the greatest advantage; the novelty and depth of his reflections often receiving a strong relief from triteness of the subject. It may be read from beginning to end in a few hours; and yet, after the twentieth perusal, one seldom fails to remark in it something unobserved before. This, indeed, is a characteristic of all Bacon’s writings, and only to be accounted for by the inexhaustible aliment they furnish to our own thoughts, and the sympathetic activity they impart to our torpid faculties.”37

      The reader will, perhaps, be rather gratified than wearied with another appreciation of this valuable production of our young moralist of twenty-six. It is of no incompetent judge—Mr. Hallam.

      “The transcendent strength of Bacon’s mind is visible in the whole tenor of these Essays, unequal as they must be from the very nature of such compositions. They are deeper and more discriminating than any earlier, or almost any later work in the English language, full of recondite observation, long matured and carefully sifted. It is true that we might wish for more vivacity and ease; Bacon, who had much wit, had little gayety; his Essays are consequently stiff and grave where the subject might have been touched with a lively hand; thus it is in those on Gardens and on Building. The sentences have sometimes too apophthegmatic a form and want coherence; the historical instances, though far less frequent than with Montaigne, have a little the look of pedantry to our eyes. But it is from this condensation, from this gravity, that the work derives its peculiar impressiveness. Few books are more quoted, and what is not always the case with such books, we may add that few are more generally read. In this respect they lead the van of our prose literature; for no gentleman is ashamed of owning that he has not read the Elizabethan writers; but it would be somewhat derogatory to a man of the slightest claim to polite letters, were he unacquainted with the Essays of Bacon. It is, indeed, little worth while to read this or any other book for reputation sake; but very few in our language so well repay the pains, or afford more nourishment to the thoughts. They might be judiciously introduced, with a small number more, into a sound method of education, one that should make wisdom, rather than mere knowledge, its object, and might become a text-book of examination in our schools.”38

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      The Advancement of Learning was published in 1605. It has usually been considered that the whole of Bacon’s philosophy is contained in this work, excepting, however, the second book of the Novum Organum. Of the Advancement of Learning he made a Latin translation, under the title of De Dignitate et Augmentis Scientiarum, which, however, contains about one third of new matter and some slight interpolations; a few omissions have been remarked in it.

      The Advancement of Learning is, as it were, to use his own language, “a small globe of the intellectual world, as truly and faithfully as I could discover with a note and description of those facts which seem to me not constantly occupate or not well converted by the labor of man. In which, if I have in any point receded from that which is commonly received, it hath been with a purpose of proceeding in melius and not in aliud, a mind of amendment and proficience, and not of change and difference. For I could not be true and constant to the argument I handle, if I were not willing to go beyond others, but yet not more willing than to have others go beyond me.”

      The Advancement of Learning is divided into two parts; the former of which is intended to remove prejudices against the search after truth, by pointing out the causes which obstruct it; in the second, learning is divided into history, poetry, and philosophy, according to the faculties of the mind from which they emanate—memory, imagination, and reason. Our author states the deficiencies he observes in each.

      All the peculiar qualities of his style are fully developed in this noble monument of genius, one of the finest in English, or perhaps any other language; it is full of deep thought, keen observation, rich imagery, Attic wit, and apt illustration. Dugald Stewart and Hallam have both expressed their just admiration of the short paragraph on poesy; but, with all due deference, we must consider that the beautiful passage on the dignity and excellency of knowledge is surpassed by none. Can aught excel the noble comparison of the ship? The reader shall judge for himself.

      “If the invention of the ship was thought so noble, which carrieth riches and commodities from place to place, and consociateth the most remote regions in participation of their fruits; how much more are letters to be magnified, which, as ships, pass through the vast seas of time, and make ages so distant to participate of the wisdom, illuminations, and inventions, the one of the other?”

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      The Wisdom of the Ancients, or rather, De sapientia veterum (for it was written in Latin), is a short treatise on the mythology of the ancients, by which Bacon endeavors to discover and to show the physical, moral, and political meanings it concealed. If the reader is not convinced that the ancients understood by these fables all that Bacon discovers in them, he must at least admit the probability of it, and be impressed with the penetration of the author and the variety and depth of his knowledge.

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      The Instauratio Magna was published in 1620, while Bacon was still chancellor.

      In his dedication of it to James the First, in 1620, in which he says he has been engaged in it nearly thirty years, he pathetically remarks: “The reason why I have published it now, specially being imperfect, is, to speak plainly, because I number my


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