An English Girl's First Impressions of Burmah. Ellis Beth
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that I would for the world deny the existence of scandal, but what I wish to emphasise is, that the Anglo-Indians (at least those of the female sex) do not invent or repeat scandalous stories from pure love of the thing, nor from any desire to injure the characters of their neighbours. They are forced to do so by circumstances.
For example, Mrs. A. arrives early at the Gymkhana, appropriates the newly arrived number of the "Gentlewoman," and seating herself comfortably in a good light, sets to work to read the paper from beginning to end.
But soon Mrs. B. appears upon the scene, and alas! Mrs. B. has also come to the Gymkhana with the intention of reading from beginning to end the newly arrived number of the "Gentlewoman"; and, being human, Mrs. B., on finding her favourite paper already appropriated, is filled with a distaste for all other papers, and a consuming desire to read "The Gentlewoman," and "The Gentlewoman" only. If she cannot procure the paper right speedily, life holds no more happiness for her.
But alas, Mrs. A. shows no intention of relinquishing her possession of the paper for many hours. In vain does Mrs. B. spread "Punch," "Graphic," or "Sketch," temptingly before Mrs. A's abstracted eyes, she is not to be influenced by honest means. Then Mrs. B. has only one course left to her, and adopts it.
First she seeks and obtains an assistant to the scheme, Mrs. C. The two ladies then draw near Mrs. A. (who tightens her hold on the paper as they approach) and seat themselves on either side of their victim.
Mrs. C., assuming an expression of sweet innocence, entirely disguising the craft of her intentions, pretends to be deeply interested in last week's "Gazette," hoping thereby to demonstrate her lack of interest in fashion papers; Mrs. B. entices Mrs. A. into conversation.
After a few desultory remarks, during which the aggressor still clings to her prey, Mrs. B., throwing a warning glance at Mrs. C. to prepare her, says in a voice fraught with deep mystery:
"Were you not astonished to hear of so and so's engagement last week?"
No, Mrs. A. was not particularly astonished.
But surely Mrs. A. had heard that strange story about so and so's behaviour towards somebody else?
Curious, Mrs. A. had not heard of it.
Of course Mrs. B. would not mention it to anyone else, but Mrs. A., as every one knows, can be trusted, and really it was so strange.
Then calling to her aid all her powers of imagination, Mrs. B. proceeds to relate some astounding invention concerning so and so. Gradually, as she becomes more interested in the recital, Mrs. A's. fingers relax their hold on the precious paper, and at last it is dropped, forgotten, upon the table.
Now it is Mrs. C's. turn. In the most careless manner she draws the "Gentlewoman" slowly towards her, until it is out of reach of Mrs. A., when she snatches it up eagerly, and retires to another table, where she is soon joined by the triumphant Mrs. B.
Then poor Mrs. A., deprived of her newspaper must needs seek another one, but alas? they are all in use. Nothing remains for her to do but to imitate Mrs. B's conduct, and attract Mrs. D's attention from the paper she is reading, by repeating to her the story she has just heard, adding whatever new details may appear to her as most likely to arouse Mrs. D's. interest. And so the snowball grows.
Thus it will be clear to all that the accusations are unfair, seeing that the gossip indulged in by the ladies at the Gymkhana is merely the outcome of circumstances, inventions being notoriously the children of necessity. It is obvious that were each lady in Burmah provided with every magazine and paper that her heart could desire, gossip would speedily cease to exist—in the Ladies' Clubs.
The most extraordinary vehicle that ever existed is the Rangoon "ticca gharry." For inconvenience, discomfort, and danger, it has never been surpassed. It has been excellently described as "a wooden packing case on wheels." I suppose it is a distant and unfashionable relation of the modern four wheeler, with wooden shutters in place of windows; very narrow, noisy, and uncomfortable. It is usually drawn by a long-tailed, ungroomed and brainless Burman pony, and is driven by one of the most extraordinary race of men that ever existed.
The "Gharry Wallah's" appearance—but it is scarce meet to describe his appearance to the gentle reader; we will say his appearance is unusual. His mind and character have gained him his well earned right to be counted among the eccentricities of the age. He is sublime in his utter indifference to the world at large, in the cheerful manner in which he will drive, through, into, or over anything he happens to meet.
But his most noted characteristic is utter indifference to the wishes of his "fare."
I have often wondered what are the secret workings of the "Gharry Wallah's" mind. He cannot imagine, (no man, intelligent or otherwise, could imagine) that a human being drives in a "gharry" for the pure enjoyment of the thing; and yet he never seems to consider that his "fare" may desire to go to any particular destination. 'Tis vain to explain at great length, and with many forcible gestures, where one wishes to go; "he hears but heeds it not." The instant one enters the vehicle he begins to drive at a great rate in whatever direction first comes into his mind. He continues to drive in that direction until stopped, when he cheerfully turns round and drives another way, any way but the right one.
No one has yet discovered where he would eventually drive to; many have had the curiosity but none the fortitude to undertake original research into the matter.
It is presumed that, unless stopped, he would drive straight on till he died of starvation.
Occasionally, by a judicious waving of umbrellas it may be possible to direct his course, but that only in the case of a very young driver. I have sometimes wondered whether perchance the pony may be the sinner, and the driver merely an innocent and unwilling accomplice. I cannot tell.
But this I can say, if you crave for danger, if you seek penance, drive in a "ticca gharry," but if you desire to reach any particular destination in this century, don't.
With the exception of a few leisure hours spent at the Gymkhana, the ladies of Rangoon devote their time and energy to writing "Chits."
At first I was filled with a great wonder as to what might be the nature of these mysterious "Chits." I would be sitting peacefully talking with my hostess in the morning, when suddenly, a look of supreme unrest and anxiety comes over her face: "Excuse me, a moment" she exclaims, "I must just go and write a chit."
She then hastens to her writing table, rapidly scribbles a few words, gives the paper to a servant, and then returns to me with an expression of relief and contentment.
But scarce five minutes have elapsed, ere the look of anxiety again returns; again she writes a "chit," and again becomes relieved and cheerful, and so on throughout the day.
And this, I discovered was the case with nearly every European lady in the country. I suppose it must be some malady engendered by the climate, only to be relieved by the incessant inditing of "chits." I myself never suffered from the ailment, but should doubtless have fallen a victim had I remained longer in the country.
The contents and destination of these "chits" seem to be of little or no importance; so long as notes be written and despatched at intervals of ten minutes or so during the day, that is sufficient. What finally becomes of these "chits" I cannot pretend to say; whether they are merely taken away and burnt, or whether they have some place in the scheme of creation, I never discovered.
Nor do I know whether the male population suffers from the same malady. Does the Indian Civilian, seated in his luxurious chamber in that awe-inspiring building of his, does he too spend his life in writing "chits"? Does the "Bombay Burman," in some far off jungle, "alone with nature undisturbed," does he too sit down 'neath the shade of the feathery bamboo, or the all embracing Peepul tree, and write and despatch "chits" to imaginary people, in imaginary houses, in an imaginary town?
I know not, it is futile to speculate further upon the matter. The mystery of "chit" writing is too deep for me.
I would gladly have remained longer in Rangoon, but it might not