The Collected Works. William Cowper

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The Collected Works - William Cowper


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depression of sorrow and the triumph of hope; the terrors inspired by the law and the confidence awakened by the Gospel; and, what may be considered as the genuine transcript of the poet's own mind, especially in the celebrated hymn, ("God moves in a mysterious way," &c.,) we see depicted, in impressive language, the struggles of a faith trying to penetrate into the dark and mysterious dispensations of God, and at length reposing on his unchangeable faithfulness and love. These sentiments and feelings, so descriptive of the exercises of the soul, find a response in every awakened heart; and the church of Christ will never cease to claim its property in effusions like these till the Christian warfare is ended, and the perceptions of erring reason and sense are exchanged for the bright visions of eternity.

      The undertaking commenced about the year 1771, though the collection was not finally completed and published till 1779. The total number contributed by Cowper was sixty-eight hymns. They are distinguished by the initial letter of his name. It was originally stipulated that each should bear their proportion in this joint labour, till the whole work was accomplished. With this understanding, the pious design was gradually proceeding in its auspicious course, when, by one of those solemn and mysterious dispensations from which neither rank, nor genius, nor moral excellence can claim exemption, it pleased Him whose "way is in the deep," and whose "footsteps are not known," and of whom it is emphatically said, "that clouds and darkness are round about him," though "righteousness and judgment are the habitation of his throne," to suspend the powers of this interesting sufferer, and once more to shroud them in darkness.

      In contemplating this event, in the peculiarity of its time, character, and consequences, well may we exclaim, "Lord, what is man!" and, while the consciousness of the infinite wisdom and mercy of God precludes us from saying, "What doest Thou?" we feel that it must be reserved for eternity to develop the mysterious design of these dispensations.

      It was in the year 1773 that this afflicting malady returned. Cowper sank into such severe paroxysms of religious despondency, that he required an attendant of the most gentle, vigilant, and inflexible spirit. Such an attendant he found in that faithful guardian, whom he had professed to love as a mother, and who watched over him during this long fit of a most depressing malady, extended through several years, with that perfect mixture of tenderness and fortitude which constitutes the characteristic feature of female services. I wish to pass rapidly over this calamitous period, and shall only observe that nothing could surpass the sufferings of the patient or excel the care of the nurse. Her unremitting attentions received the most delightful of rewards in seeing the pure and powerful mind, to whose restoration she had so greatly contributed, not only gradually restored to the common enjoyments of life, but successively endowed with new and marvellous funds of diversified talents, and a vigorous application of them.

      The spirit of Cowper emerged by slow degrees from its deep dejection; and, before his mind was sufficiently recovered to employ itself on literary composition, it sought and found much relief and amusement in domesticating a little group of hares. On his expressing a wish to divert himself by rearing a single leveret, the good-nature of his neighbours supplied him with three. The variety of their dispositions became a source of great entertainment to his compassionate and contemplative spirit. One of the trio he has celebrated in the Task, and a very animated and minute account of this singular family, humanized, and described most admirably by himself in prose, appeared first in the Gentleman's Magazine, and was subsequently inserted in the second volume of his poems. These interesting animals had not only the honour of being cherished and celebrated by a poet, but the pencil has also contributed to their renown.

      His three tame hares, Mrs. Unwin, and Mr. Newton, were, for a considerable time, the only companions of Cowper; but, as Mr. Newton was removed to a distance from his afflicted friend by preferment in London,[30] (to which he was presented by that liberal encourager of active piety, Mr. Thornton,) before he left Olney, in 1780, he humanely triumphed over the strong reluctance of Cowper to see a stranger, and kindly introduced him to the regard and good offices of the Rev. Mr. Bull of Newport-Pagnell. This excellent man, so distinguished by his piety and wit, and honoured by the friendship of John Thornton, from that time considered it to be his duty to visit the invalid once a fortnight, and acquired, by degrees, his cordial and confidential esteem.

      The affectionate temper of Cowper inclined him particularly to exert his talents at the request of his friends, even in seasons when such exertion could hardly have been made without a painful degree of self-command.

      At the suggestion of Mr. Newton, we have seen him writing a series of hymns: at the request of Mr. Bull, he translated several spiritual songs, from the poetry of Madame de la Mothe Guyon, the tender and mystical French writer, whose talents and misfortunes drew upon her a long series of persecution from many acrimonious bigots, and secured to her the friendship of the mild and pious Fenelon!

      We shall perceive, as we advance, that the more distinguished works of Cowper were also written at the express desire of persons whom he particularly regarded; and it may be remarked, to the honour of friendship, that he considered its influence as the happiest inspiration; or, to use his own expressive words,

      The poet's lyre, to fix his fame,

       Should be the poet's heart:

       Affection lights a brighter flame

       Than ever blazed by art.

      The poetry of Cowper is itself an admirable illustration of this maxim; and perhaps the maxim may point to the principal source of that uncommon force and felicity with which this most feeling poet commands the affection of his reader.

      In delineating the life of an author, it seems the duty of biography to indicate the degree of influence which the warmth of his heart produced on the fertility of his mind. But those mingled flames of friendship and poetry, which were to burst forth with the most powerful effect in the compositions of Cowper, were not yet kindled. His depressing malady had suspended the exercise of his genius for several years, and precluded him from renewing his correspondence with the relation whom he so cordially regarded in Hertfordshire, except by brief letters on pecuniary concerns.

      We insert the following as discovering symptoms of approaching convalescence.

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      Olney, Nov. 12, 1776.

      Dear Friend—One to whom fish is so welcome as it is to me, can have no great occasion to distinguish the sorts. In general, therefore, whatever fish are likely to think a jaunt into the country agreeable will be sure to find me ready to receive them.

      Having suffered so much by nervous fevers myself, I know how to congratulate Ashley upon his recovery. Other distempers only batter the walls; but they creep silently into the citadel and put the garrison to the sword.

      You perceive I have not made a squeamish use of your obliging offer. The remembrance of past years, and of the sentiments formerly exchanged in our evening walks, convinces me still that an unreserved acceptance of what is graciously offered is the handsomest way of dealing with one of your character.

      Believe me yours,

       W. C.

      As to the frequency, which you leave to my choice too, you have no need to exceed the number of your former remittances.

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      Olney, April—I fancy the 20th, 1777.

      My dear Friend—Thanks for a turbot, a lobster, and Captain Brydone;[32] a gentleman, who relates his travels so agreeably, that he deserves always to travel with an agreeable companion. I have been reading Gray's Works, and think him the only poet since Shakspeare entitled to the character of sublime. Perhaps you will remember that I once had a different opinion of him. I was prejudiced. He did not belong to our Thursday society, and was an Eton man, which


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