Night was still heavy in the sky. On open plains, from hill-tops, and from the decks of solitary ships at sea, a distant lowlying line, that promised by-and-by to change to light, was visible in the dim horizon; but its promise was remote and doubtful, and the moon was striving with the night-clouds busily.

      The shadows upon Redlaw’s mind succeeded thick and fast to one another, and obscured its light as the night-clouds hovered between the moon and earth, and kept the latter veiled in darkness. Fitful and uncertain as the shadows which the night-clouds cast, were their concealments from him, and imperfect revelations to him; and, like the night-clouds still, if the clear light broke forth for a moment, it was only that they might sweep over it, and make the darkness deeper than before.

      Without, there was a profound and solemn hush upon the ancient pile of building, and its buttresses and angles made dark shapes of mystery upon the ground, which now seemed to retire into the smooth white snow and now seemed to come out of it, as the moon’s path was more or less beset. Within, the Chemist’s room was indistinct and murky, by the light of the expiring lamp; a ghostly silence had succeeded to the knocking and the voice outside; nothing was audible but, now and then, a low sound among the whitened ashes of the fire, as of its yielding up its last breath. Before it on the ground the boy lay fast asleep. In his chair, the Chemist sat, as he had sat there since the calling at his door had ceased—like a man turned to stone.

      At such a time, the Christmas music he had heard before, began to play. He listened to it at first, as he had listened in the churchyard; but presently—it playing still, and being borne towards him on the night-air, in a low, sweet, melancholy strain—he rose, and stood stretching his hands about him, as if there were some friend approaching within his reach, on whom his desolate touch might rest, yet do no harm. As he did this, his face became less fixed and wondering; a gentle trembling came upon him; and at last his eyes filled with tears, and he put his hands before them, and bowed down his head.

      His memory of sorrow, wrong, and trouble, had not come back to him; he knew that it was not restored; he had no passing belief or hope that it was. But some dumb stir within him made him capable, again, of being moved by what was hidden, afar off, in the music. If it were only that it told him sorrowfully the value of what he had lost, he thanked Heaven for it with a fervent gratitude.

      As the last chord died upon his ear, he raised his head to listen to its lingering vibration. Beyond the boy, so that his sleeping figure lay at its feet, the Phantom stood, immovable and silent, with its eyes upon him.

      Ghastly it was, as it had ever been, but not so cruel and relentless in its aspect—or he thought or hoped so, as he looked upon it trembling. It was not alone, but in its shadowy hand it held another hand.

      And whose was that? Was the form that stood beside it indeed Milly’s, or but her shade and picture? The quiet head was bent a little, as her manner was, and her eyes were looking down, as if in pity, on the sleeping child. A radiant light fell on her face, but did not touch the Phantom; for, though close beside her, it was dark and colourless as ever.

      “Spectre!” said the Chemist, newly troubled as he looked, “I have not been stubborn or presumptuous in respect of her. Oh, do not bring her here. Spare me that!”

      “This is but a shadow,” said the Phantom; “when the morning shines seek out the reality whose image I present before you.”

      “Is it my inexorable doom to do so?” cried the Chemist.

      “It is,” replied the Phantom.

      “To destroy her peace, her goodness; to make her what I am myself, and what I have made of others!”

      “I have said ‘seek her out,’” returned the Phantom. “I have said no more.”

      “Oh, tell me,” exclaimed Redlaw, catching at the hope which he fancied might lie hidden in the words. “Can I undo what I have done?”

      “No,” returned the Phantom.

      “I do not ask for restoration to myself,” said Redlaw. “What I abandoned, I abandoned of my own free will, and have justly lost. But for those to whom I have transferred the fatal gift; who never sought it; who unknowingly received a curse of which they had no warning, and which they had no power to shun; can I do nothing?”

      “Nothing,” said the Phantom.

      “If I cannot, can any one?”

      The Phantom, standing like a statue, kept its gaze upon him for a while; then turned its head suddenly, and looked upon the shadow at its side.

      “Ah! Can she?” cried Redlaw, still looking upon the shade.

      The Phantom released the hand it had retained till now, and softly raised its own with a gesture of dismissal. Upon that, her shadow, still preserving the same attitude, began to move or melt away.

      “Stay,” cried Redlaw with an earnestness to which he could not give enough expression. “For a moment! As an act of mercy! I know that some change fell upon me, when those sounds were in the air just now. Tell me, have I lost the power of harming her? May I go near her without dread? Oh, let her give me any sign of hope!”

      The Phantom looked upon the shade as he did—not at him—and gave no answer.

      “At least, say this—has she, henceforth, the consciousness of any power to set right what I have done?”

      “She has not,” the Phantom answered.

      “Has she the power bestowed on her without the consciousness?”

      The Phantom answered: “Seek her out.” And her shadow slowly vanished.

      They were face to face again, and looking on each other, as intently and awfully as at the time of the bestowal of the gift, across the boy who still lay on the ground between them, at the Phantom’s feet.

      “Terrible instructor,” said the Chemist, sinking on his knee before it, in an attitude of supplication, “by whom I was renounced, but by whom I am revisited (in which, and in whose milder aspect, I would fain believe I have a gleam of hope), I will obey without inquiry, praying that the cry I have sent up in the anguish of my soul has been, or will be, heard, in behalf of those whom I have injured beyond human reparation. But there is one thing—”

      “You speak to me of what is lying here,” the Phantom interposed, and pointed with its finger to the boy.

      “I do,” returned the Chemist. “You know what I would ask. Why has this child alone been proof against my influence, and why, why, have I detected in its thoughts a terrible companionship with mine?”

      “This,” said the Phantom, pointing to the boy, “is the last, completest illustration of a human creature, utterly bereft of such remembrances as you have yielded up. No softening memory of sorrow, wrong, or trouble enters here, because this wretched mortal from his birth has been abandoned to a worse condition