The Letters of a Post-Impressionist. Vincent Van Gogh
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to the narrowness of Gauguin’s forehead, which he held to be a proof of imbecility; in the end he had to yield, and was, as Gauguin declares: “forcé de me reconnaitre une grande’ intelligence.”[13]
“Quand je suis arrivé à Arles,” says Gauguin, “Vincent se cherchait, tandis que moi, beaucoup plus vieux, j’étais un homme fait. … Van Gogh sans perdre un pouce de son originalité, a trouvé de moi un enseignement fécond.”[14]
And Van Gogh was as ready to admit this as we are compelled to recognize its truth. Writing to Albert Aurier, he once said: “Je dois beaucoup à’ Paul Gauguin.” But his latest and best work, as also the ideals and aims of his last years constitute the most convincing evidence we have of the great influence Gauguin exercised over him, and although the older man was ready to acknowledge that the seeds he sowed in Van Gogh fell upon “un terrain riche et fécond,” it is impossible to overlook the great value of these seeds.
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