CHAPTER VI. — SOME OF THE "SIGHTS" OF LONDON.

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      In the course of time we came to anchor in the stream; skiffs from the shore pulled alongside, and after some little quarrelling, we were safely deposited in one, with a party who desired to be landed at the Tower Stairs. The dark walls frowned above us as we mounted from the water and passed into an open square on the outside of the moat. The laborers were about commencing work, the fashionable day having just closed, but there was still noise and bustle enough in the streets, particularly when we reached Whitechapel, part of the great thoroughfare, extending through the heart of London to Westminster Abbey and the Parliament buildings. Further on, through Leadenhall street and Fleet street—what a world! Here come the ever-thronging, ever-rolling waves of life, pressing and whirling on in their tumultuous career. Here day and night pours the stream of human beings, seeming amid the roar and din and clatter of the passing vehicles, like the tide of some great combat. How lonely it makes one to stand still and feel that of all the mighty throng which divides itself around him, not a being knows or cares for him! What knows he too of the thousands who pass him by? How many who bear the impress of godlike virtue, or hide beneath a goodly countenance a heart black with crime? How many fiery spirits, all glowing with hope for the yet unclouded future, or brooding over a darkened and desolate past in the agony of despair? There is a sublimity in this human Niagara that makes one look on his own race with something of awe.

      We walked down the Thames, through the narrow streets of Wapping, Over the mouth of the Tunnel is a large circular building, with a dome to light the entrance below. Paying the fee of a penny, we descended by a winding staircase to the bottom, which is seventy-three feet below the surface. The carriage-way, still unfinished, will extend further into the city. From the bottom the view of the two arches of the Tunnel, brilliantly lighted with gas, is very fine; it has a much less heavy and gloomy appearance than I expected. As we walked along under the bed of the river, two or three girls at one end began playing on the French horn and bugle, and the echoes, when not too deep to confuse the melody, were remarkably beautiful. Between the arches of the division separating the two passages, are shops, occupied by venders of fancy articles, views of the Tunnel, engravings, &c. In the middle is a small printing press, where, a sheet containing a description of the whole work is printed for those who desire it. As I was no stranger to this art, I requested the boy to let me print one myself, but he had such a bad roller I did not succeed in getting a good impression. The air within is somewhat damp, but fresh and agreeably cool, and one can scarcely realize in walking along the light passage, that a river is rolling above his head. The immense solidity and compactness of the structure precludes the danger of accident, each of the sides being arched outwards, so that the heaviest pressure only strengthens the whole. It will long remain a noble monument of human daring and ingenuity.

      St. Paul's is on a scale of grandeur excelling every thing I have yet seen. The dome seems to stand in the sky, as you look up to it; the distance from which you view it, combined with the atmosphere of London, give it a dim, shadowy appearance, that perfectly startles one with its immensity. The roof from which the dome springs is itself as high as the spires of most other churches—blackened for two hundred years with the coal-smoke of London, it stands like a relic of the giant architecture of the early world. The interior is what one would expect to behold, after viewing the outside. A maze of grand arches on every side, encompasses the dome, which you gaze up at, as at the sky; and from every pillar and wall look down the marble forms of the dead. There is scarcely a vacant niche left in all this mighty hall, so many are the statues that meet one on every side. With the exceptions of John Howard, Sir Astley Cooper and Wren, whose monument is the church itself, they are all to military men. I thought if they had all been removed except Howard's, it would better have suited such a temple, and the great soul it commemorated.

      I never was more impressed with the grandeur of human invention, than when ascending the dome. I could with difficulty conceive the means by which such a mighty edifice had been lifted into the air. That small frame of Sir Christopher Wren must have contained a mind capable of vast conceptions. The dome is like the summit of a mountain; so wide is the prospect, and so great the pile upon which you stand. London lay beneath us, like an ant-hill, with the black insects swarming to and fro in their long avenues, the sound of their employments coming up like the roar of the sea. A cloud of coal-smoke hung over it, through which many a pointed spire was thrust up; sometimes the wind would blow it aside for a moment, and the thousands of red roofs would shine out clearer. The bridged Thames, covered with craft of all sizes, wound beneath us like a ringed and spotted serpent. The scene was like an immense circular picture in the blue frame of the hills around.

      Continuing our way up Fleet street, which, notwithstanding the gaiety of its shops and its constant bustle, has an antique appearance, we came to the Temple Bar, the western boundary of the ancient city. In the inside of the middle arch, the old gates are still standing. From this point we entered the new portion of the city, which wore an air of increasing splendor as we advanced. The appearance of the Strand and Trafalgar Square is truly magnificent. Fancy every house in Broadway a store, all built of light granite, the Park stripped of all its trees and paved with granite, and a lofty column in the centre, double the crowd and the tumult of business, and you will have some idea of the view.

      It was a relief to get into St. James's Park, among the trees and flowers again. Here, beautiful winding walks led around little lakes, in which were hundreds of water-fowl, swimming. Groups of merry children were sporting on the green lawn, enjoying their privilege of roaming every where at will, while the older bipeds were confined to the regular walks. At the western end stood Buckingham Palace, looking over the trees towards St. Paul's; through the grove on the eminence above, the towers of St. James's could be seen. But there was a dim building, with two lofty square towers, decorated with a profusion of pointed Gothic pinnacles, that I looked at with more interest than these appendages of royalty. I could not linger long in its vicinity, but going back again by the Horse Guards, took the road to Westminster Abbey.

      We approached by the general entrance, Poet's Corner. I hardly stopped to look at the elaborate exterior of Henry VIIth's Chapel, but passed on to the door. On entering, the first thing that met my eyes were the words, "OH RARE BEN JONSON," under his bust. Near by stood the monuments of Spenser and Gay, and a few paces further looked down the sublime countenance of Milton. Never was a spot so full of intense interest. The light was just dim enough to give it a solemn, religious appearance, making the marble forms of poets and philosophers so shadowy and impressive, that I felt as if standing in their living presence. Every step called up some mind linked with the associations of my childhood. There was the gentle feminine countenance of Thompson, and the majestic head of Dryden; Addison with his classic features, and Gray, full of the fire of lofty thought. In another chamber, I paused long before the ashes of Shakspeare; and while looking at the monument of Garrick, started to find that I stood upon his grave. What a glorious galaxy of genius is here collected—what a constellation of stars whose light is immortal! The mind is completely fettered by their spirit. Everything is forgotten but the mighty dead, who still "rule us from their urns."

      The Chapel of Henry VII., which we next entered, is one of the most elaborate specimens of Gothic workmanship in the world. If the first idea of the Gothic arch sprung from observing the forms of trees, this chapel must resemble the first conceptions of that order, for the fluted columns rise up like tall trees, branching out at the top into spreading capitals covered with leaves, and supporting arches of the ceiling resembling a leafy roof.

      The side-chapels are filled with tombs of knightly families, the husband and wife lying on their backs on the tombs, with their hands clasped, while their children, about the size of dolls, are kneeling around. Numberless