The Most Influential Works of Friedrich Nietzsche. Friedrich Nietzsche

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The Most Influential Works of Friedrich Nietzsche - Friedrich Nietzsche


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nostrils before his own self, and, like Pope Innocent the Third, makes a black list of his own horrors ("unclean generation, loathsome nutrition when in the maternal body, badness of the matter out of which man develops, awful stench, secretion of saliva, urine, and excrement"). Nowadays, when suffering is always trotted out as the first argument against existence, as its most sinister query, it is well to remember the times when men judged on converse principles because they could not dispense with the infliction of suffering, and saw therein a magic of the first order, a veritable bait of seduction to life.

      Perhaps in those days (this is to solace the weaklings) pain did not hurt so much as it does nowadays: any physician who has treated negroes (granted that these are taken as representative of the prehistoric man) suffering from severe internal inflammations which would bring a European, even though he had the soundest constitution, almost to despair, would be in a position to come to this conclusion. Pain has not the same effect with negroes. (The curve of human sensibilities to pain seems indeed to sink in an extraordinary and almost sudden fashion, as soon as one has passed the upper ten thousand or ten millions of over-civilised humanity, and I personally have no doubt that, by comparison with one painful night passed by one single hysterical chit of a cultured woman, the suffering of all the animals taken together who have been put to the question of the knife, so as to give scientific answers, are simply negligible.) We may perhaps be allowed to admit the possibility of the craving for cruelty not necessarily having become really extinct: it only requires, in view of the fact that pain hurts more nowadays, a certain sublimation and subtilisation, it must especially be translated to the imaginative and psychic plane, and be adorned with such smug euphemisms, that even the most fastidious and hypocritical conscience could never grow suspicious of their real nature ("Tragic pity" is one of these euphemisms: another is "les nostalgies de la croix"). What really raises one's indignation against suffering is not suffering intrinsically, but the senselessness of suffering; such a senselessness, however, existed neither in Christianity, which interpreted suffering into a whole mysterious salvation-apparatus, nor in the beliefs of the naive ancient man, who only knew how to find a meaning in suffering from the standpoint of the spectator, or the inflictor of the suffering. In order to get the secret, undiscovered, and unwitnessed suffering out of the world it was almost compulsory to invent gods and a hierarchy of intermediate beings, in short, something which wanders even among secret places, sees even in the dark, and makes a point of never missing an interesting and painful spectacle. It was with the help of such inventions that life got to learn the tour de force, which has become part of its stock-in-trade, the tour de force of self-justification, of the justification of evil; nowadays this would perhaps require other auxiliary devices (for instance, life as a riddle, life as a problem of knowledge). "Every evil is justified in the sight of which a god finds edification," so rang the logic of primitive sentiment—and, indeed, was it only of primitive? The gods conceived as friends of spectacles of cruelty—oh how far does this primeval conception extend even nowadays into our European civilisation! One would perhaps like in this context to consult Luther and Calvin. It is at any rate certain that even the Greeks knew no more piquant seasoning for the happiness of their gods than the joys of cruelty. What, do you think, was the mood with which Homer makes his gods look down upon the fates of men? What final meaning have at bottom the Trojan War and similar tragic horrors? It is impossible to entertain any doubt on the point: they were intended as festival games for the gods, and, in so far as the poet is of a more godlike breed than other men, as festival games also for the poets. It was in just this spirit and no other, that at a later date the moral philosophers of Greece conceived the eyes of God as still looking down on the moral struggle, the heroism, and the self-torture of the virtuous; the Heracles of duty was on a stage, and was conscious of the fact; virtue without witnesses was something quite unthinkable for this nation of actors. Must not that philosophic invention, so audacious and so fatal, which was then absolutely new to Europe, the invention of "free will," of the absolute spontaneity of man in good and evil, simply have been made for the specific purpose of justifying the idea, that the interest of the gods in humanity and human virtue was inexhaustible?

      There would never on the stage of this free-will world be a dearth of really new, really novel and exciting situations, plots, catastrophes. A world thought out on completely deterministic lines would be easily guessed by the gods, and would consequently soon bore them—sufficient reason for these friends of the gods, the philosophers, not to ascribe to their gods such a deterministic world. The whole of ancient humanity is full of delicate consideration for the spectator, being as it is a world of thorough publicity and theatricality, which could not conceive of happiness without spectacles and festivals.—And, as has already been said, even in great punishment there is so much which is festive.

      8.

      The feeling of "ought," of personal obligation (to take up again the train of our inquiry), has had, as we saw, its origin in the oldest and most original personal relationship that there is, the relationship between buyer and seller, creditor and ower: here it was that individual confronted individual, and that individual matched himself against individual. There has not yet been found a grade of civilisation so low, as not to manifest some trace of this relationship. Making prices, assessing values, thinking out equivalents, exchanging—all this preoccupied the primal thoughts of man to such an extent that in a certain sense it constituted thinking itself: it was here that was trained the oldest form of sagacity, it was here in this sphere that we can perhaps trace the first commencement of man's pride, of his feeling of superiority over other animals. Perhaps our word "Mensch" (manas) still expresses just something of this self-pride: man denoted himself as the being who measures values, who values and measures, as the "assessing" animal par excellence. Sale and purchase, together with their psychological concomitants, are older than the origins of any form of social organisation and union: it is rather from the most rudimentary form of individual right that the budding consciousness of exchange, commerce, debt, right, obligation, compensation was first transferred to the rudest and most elementary of the social complexes (in their relation to similar complexes), the habit of comparing force with force, together with that of measuring, of calculating. His eye was now focussed to this perspective; and with that ponderous consistency characteristic of ancient thought, which, though set in motion with difficulty, yet proceeds inflexibly along the line on which it has started, man soon arrived at the great generalisation, "everything has its price, all can be paid for," the oldest and most naive moral canon of justice, the beginning of all "kindness," of all "equity," of all "goodwill," of all "objectivity" in the world. Justice in this initial phase is the goodwill among people of about equal power to come to terms with each other, to come to an understanding again by means of a settlement, and with regard to the less powerful, to compel them to agree among themselves to a settlement.

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