The Most Influential Works of Friedrich Nietzsche. Friedrich Nietzsche

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The Most Influential Works of Friedrich Nietzsche - Friedrich Nietzsche


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is recognised by the fact that he shuns three brilliant and noisy things—fame, princes, and women: which is not to say that they do not come to him. He shuns every glaring light: therefore he shuns his time and its "daylight." Therein he is as a shadow; the deeper sinks the sun, the greater grows the shadow. As for his humility, he endures, as he endures darkness, a certain dependence and obscurity: further, he is afraid of the shock of lightning, he shudders at the insecurity of a tree which is too isolated and too exposed, on which every storm vents its temper, every temper its storm. His "maternal" instinct, his secret love for that which grows in him, guides him into states where he is relieved from the necessity of taking care of himself, in the same way in which the "mother" instinct in woman has thoroughly maintained up to the present woman's dependent position. After all, they demand little enough, do these philosophers, their favourite motto is, "He who possesses is possessed." All this is not, as I must say again and again, to be attributed to a virtue, to a meritorious wish for moderation and simplicity; but because their supreme lord so demands of them, demands wisely and inexorably; their lord who is eager only for one thing, for which alone he musters, and for which alone he hoards everything—time, strength, love, interest. This kind of man likes not to be disturbed by enmity, he likes not to be disturbed by friendship, it is a type which forgets or despises easily. It strikes him as bad form to play the martyr, "to suffer for truth"—he leaves all that to the ambitious and to the stage-heroes of the intellect, and to all those, in fact, who have time enough for such luxuries (they themselves, the philosophers, have something to do for truth). They make a sparing use of big words; they are said to be adverse to the word "truth" itself: it has a "high falutin'" ring. Finally, as far as the chastity of philosophers is concerned, the fruitfulness of this type of mind is manifestly in another sphere than that of children; perchance in some other sphere, too, they have the survival of their name, their little immortality (philosophers in ancient India would express themselves with still greater boldness: "Of what use is posterity to him whose soul is the world?"). In this attitude there is not a trace of chastity, by reason of any ascetic scruple or hatred of the flesh, any more than it is chastity for an athlete or a jockey to abstain from women; it is rather the will of the dominant instinct, at any rate, during the period of their advanced philosophic pregnancy. Every artist knows the harm done by sexual intercourse on occasions of great mental strain and preparation; as far as the strongest artists and those with the surest instincts are concerned, this is not necessarily a case of experience—hard experience—but it is simply their "maternal" instinct which, in order to benefit the growing work, disposes recklessly (beyond all its normal stocks and supplies) of the vigour of its animal life; the greater power then absorbs the lesser. Let us now apply this interpretation to gauge correctly the case of Schopenhauer, which we have already mentioned: in his case, the sight of the beautiful acted manifestly like a resolving irritant on the chief power of his nature (the power of contemplation and of intense penetration); so that this strength exploded and became suddenly master of his consciousness. But this by no means excludes the possibility of that particular sweetness and fulness, which is peculiar to the æsthetic state, springing directly from the ingredient of sensuality (just as that "idealism" which is peculiar to girls at puberty originates in the same source)—it may be, consequently, that sensuality is not removed by the approach of the æsthetic state, as Schopenhauer believed, but merely becomes transfigured, and ceases to enter into the consciousness as sexual excitement. (I shall return once again to this point in connection with the more delicate problems of the physiology of the æsthetic, a subject which up to the present has been singularly untouched and unelucidated.)

      9.

      ... All good things were once bad things; from every original sin has grown an original virtue. Marriage, for example, seemed for a long time a sin against the rights of the community; a man formerly paid a fine for the insolence of claiming one woman to himself (to this phase belongs, for instance, the jus primæ noctis, to-day still in Cambodia the privilege of the priest, that guardian of the "good old customs").

      The soft, benevolent, yielding, sympathetic feelings—eventually valued so highly that they almost became "intrinsic values," were for a very long time actually despised by their possessors: gentleness was then a subject for shame, just as hardness is now (compare Beyond Good and Evil, Aph. 260). The submission to law: oh, with what qualms of conscience was it that the noble races throughout the world renounced the vendetta and gave the law power over themselves! Law was long a vetitum, a blasphemy, an innovation; it was introduced with force, like a force, to which men only submitted with a sense of personal shame. Every tiny step forward in the world was formerly made at the cost of mental and physical torture. Nowadays the whole of this point of view—"that not only stepping forward, nay, stepping at all, movement, change, all needed their countless martyrs," rings in our ears quite strangely. I have put it forward in the Dawn of Day, Aph. 18. "Nothing is purchased more dearly," says the same book a little later, "than the modicum of human reason and freedom which is now our pride. But that pride is the reason why it is now almost impossible for us to feel in sympathy with those immense periods of the 'Morality of Custom,' which lie at the beginning of the 'world's history,' constituting


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