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      Emma Jane Perkins’s new winter dress was a blue and green Scotch plaid poplin, trimmed with narrow green velvet-ribbon and steel nail-heads. She had a gray jacket of thick furry cloth with large steel buttons up the front, a pair of green kid gloves, and a gray felt hat with an encircling band of bright green feathers. The band began in front with a bird’s head and ended behind with a bird’s tail, and angels could have desired no more beautiful toilette. That was her opinion, and it was shared to the full by Rebecca.

      But Emma Jane, as Rebecca had once described her to Mr. Adam Ladd, was a rich blacksmith’s daughter, and she, Rebecca, was a little half-orphan from a mortgaged farm “up Temperance way,” dependent upon her spinster aunts for board, clothes, and schooling. Scotch plaid poplins were manifestly not for her, but dark-colored woolen stuffs were, and mittens, and last winter’s coats and furs.

      And how about hats? Was there hope in store for her there? she wondered, as she walked home from the Perkins house, full of admiration for Emma Jane’s winter outfit, and loyally trying to keep that admiration free from wicked envy. Her red-winged black hat was her second best, and although it was shabby she still liked it, but it would never do for church, even in Aunt Miranda’s strange and never-to-be-comprehended views of suitable raiment.

      There was a brown felt turban in existence, if one could call it existence when it had been rained on, snowed on, and hailed on for two seasons; but the trimmings had at any rate perished quite off the face of the earth, that was one comfort!

      Emma Jane had said, rather indiscreetly, that at the village milliner’s at Milliken’s Mills there was a perfectly elegant pink breast to be had, a breast that began in a perfectly elegant solferino and terminated in a perfectly elegant magenta; two colors much in vogue at that time. If the old brown hat was to be her portion yet another winter, would Aunt Miranda conceal its deficiencies from a carping world beneath the shaded solferino breast? WOULD she, that was the question?

      Filled with these perplexing thoughts, Rebecca entered the brick house, hung up her hood in the entry, and went into the dining-room.

      Miss Jane was not there, but Aunt Miranda sat by the window with her lap full of sewing things, and a chair piled with pasteboard boxes by her side. In one hand was the ancient, battered, brown felt turban, and in the other were the orange and black porcupine quills from Rebecca’s last summer’s hat; from the hat of the summer before that, and the summer before that, and so on back to prehistoric ages of which her childish memory kept no specific record, though she was sure that Temperance and Riverboro society did. Truly a sight to chill the blood of any eager young dreamer who had been looking at gayer plumage!

      Miss Sawyer glanced up for a second with a satisfied expression and then bent her eyes again upon her work.

      “If I was going to buy a hat trimming,” she said, “I couldn’t select anything better or more economical than these quills! Your mother had them when she was married, and you wore them the day you come to the brick house from the farm; and I said to myself then that they looked kind of outlandish, but I’ve grown to like em now I’ve got used to em. You’ve been here for goin’ on two years and they’ve hardly be’n out o’wear, summer or winter, more’n a month to a time! I declare they do beat all for service! It don’t seem as if your mother could a’ chose em,—Aurelia was always such a poor buyer! The black spills are bout as good as new, but the orange ones are gittin’ a little mite faded and shabby. I wonder if I couldn’t dip all of em in shoe blackin’? It seems real queer to put a porcupine into hat trimmin’, though I declare I don’t know jest what the animiles are like, it’s be’n so long sence I looked at the pictures of em in a geography. I always thought their quills stood out straight and angry, but these kind o’ curls round some at the ends, and that makes em stand the wind better. How do you like em on the brown felt?” she asked, inclining her head in a discriminating attitude and poising them awkwardly on the hat with her work-stained hand.

      How did she like them on the brown felt indeed?

      Miss Sawyer had not been looking at Rebecca, but the child’s eyes were flashing, her bosom heaving, and her cheeks glowing with sudden rage and despair. All at once something happened. She forgot that she was speaking to an older person; forgot that she was dependent; forgot everything but her disappointment at losing the solferino breast, remembering nothing but the enchanting,