The Greatest Works of P. G. Wodehouse. P. G. Wodehouse
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“Who is your little friend, Sidney the Sunbeam, Jeeves?”
“The young gentleman, sir?”
“It’s a loose way of describing him, but I know what you mean.”
“I trust I was not taking a liberty in entertaining him, sir?”
“Not a bit. If that’s your idea of a large afternoon, go ahead.”
“I happened to meet the young gentleman taking a walk with his father’s valet, sir, whom I used to know somewhat intimately in London, and I ventured to invite them both to join me here.”
“Well, never mind about him, Jeeves. Read this letter.” He gave it the up-and-down.
“Very disturbing, sir!” was all he could find to say.
“What are we going to do about it?”
“Time may provide a solution, sir.”
“On the other hand, it mayn’t, what?”
“Extremely true, sir.”
We’d got as far as this, when there was a ring at the door. Jeeves shimmered off, and Cyril blew in, full of good cheer and blitheringness.
“I say, Wooster, old thing,” he said, “I want your advice. You know this jolly old part of mine. How ought I to dress it? What I mean is, the first act scene is laid in an hotel of sorts, at about three in the afternoon. What ought I to wear, do you think?”
I wasn’t feeling fit for a discussion of gent’s suitings.
“You’d better consult Jeeves,” I said.
“A hot and by no means unripe idea! Where is he?”
“Gone back to the kitchen, I suppose.”
“I’ll smite the good old bell, shall I? Yes. No?”
“Right-o!”
Jeeves poured silently in.
“Oh, I say, Jeeves,” began Cyril, “I just wanted to have a syllable or two with you. It’s this way—Halloa, who’s this?”
I then perceived that the stout stripling had trickled into the room after Jeeves. He was standing near the door, looking at Cyril as if his worst fears had been realized. There was a bit of a silence. The child remained there, drinking Cyril in for about half a minute; then he gave his verdict:—
“Fish-face!”
“Eh? What?” said Cyril.
The child, who had evidently been taught at his mother’s knee to speak the truth, made his meaning a trifle clearer.
“You’ve a face like a fish!”
He spoke as if Cyril was more to be pitied than censured, which I’m bound to say I thought rather decent and broad-minded of him. I don’t mind admitting that, whenever I looked at Cyril’s face, I always had a feeling that he couldn’t have got that way without its being mostly his own fault. I found myself warming to this child. Absolutely, don’t you know. I liked his conversation.
It seemed to take Cyril a moment or two really to grasp the thing, and then you could hear the blood of the Bassington-Bassingtons begin to sizzle.
“Well, I’m dashed!” he said. “I’m dashed if I’m not!”
“I wouldn’t have a face like that,” proceeded the child, with a good deal of earnestness, “not if you gave me a million dollars.” He thought for a moment, then corrected himself. “Two million dollars!” he added.
Just what occurred then I couldn’t exactly say, but the next few minutes were a bit exciting. I take it that Cyril must have made a dive for the infant. Anyway, the air seemed pretty well congested with arms and legs and things. Something bumped into the Wooster waistcoat just around the third button, and I collapsed on to the settee and rather lost interest in things for the moment. When I had unscrambled myself, I found that Jeeves and the child had retired and Cyril was standing in the middle of the room snorting a bit.
“Who’s that frightful little brute, Wooster?”
“I don’t know. I never saw him before today.”
“I gave him a couple of tolerably juicy buffets before he legged it. I say, Wooster, that kid said a dashed odd thing. He yelled out something about Jeeves promising him a dollar if he called me—er—what he said.”
It sounded pretty unlikely to me.
“What would Jeeves do that for?”
“It struck me as rummy, too.”
“Where would be the sense of it?”
“That’s what I can’t see.”
“I mean to say, it’s nothing to Jeeves what sort of a face you have!”
“No!” said Cyril. He spoke a little coldly, I fancied. I don’t know why. “Well, I’ll be popping. Toodle-oo!”
“Pip-pip!”
It must have been about a week after this rummy little episode that George Caffyn called me up and asked me if I would care to go and see a run-through of his show. “Ask Dad,” it seemed, was to open out of town in Schenectady on the following Monday, and this was to be a sort of preliminary dress-rehearsal. A preliminary dress-rehearsal, old George explained, was the same as a regular dress-rehearsal inasmuch as it was apt to look like nothing on earth and last into the small hours, but more exciting because they wouldn’t be timing the piece and consequently all the blighters who on these occasions let their angry passions rise would have plenty of scope for interruptions, with the result that a pleasant time would be had by all.
The thing was billed to start at eight o’clock, so I rolled up at ten-fifteen, so as not to have too long to wait before they began. The dress-parade was still going on. George was on the stage, talking to a cove in shirt-sleeves and an absolutely round chappie with big spectacles and a practically hairless dome. I had seen George with the latter merchant once or twice at the club, and I knew that he was Blumenfield, the manager. I waved to George, and slid into a seat at the back of the house, so as to be out of the way when the fighting started. Presently George hopped down off the stage and came and joined me, and fairly soon after that the curtain went down. The chappie at the piano whacked out a well-meant bar or two, and the curtain went up again.
I can’t quite recall what the plot of “Ask Dad” was about, but I do know that it seemed able to jog along all right without much help from Cyril. I was rather puzzled at first. What I mean is, through brooding on Cyril and hearing him in his part and listening to his views on what ought and what ought not to be done, I suppose I had got a sort of impression rooted in the old bean that he was pretty well the backbone of the show, and that the rest of the company didn’t do much except go on and fill in when he happened to be off the stage. I sat there for nearly half an hour, waiting for him to make his entrance, until I suddenly discovered he had been on from the start. He was, in fact, the rummy-looking plug-ugly who was now leaning against a potted palm a couple of feet from the O.P. side, trying to appear intelligent while the heroine sang a song about Love being like something which for the moment has slipped my memory. After the second refrain he began to dance in company with a dozen other equally weird birds, the whole platoon giving rather the impression of a bevy of car-conductors from Akron, Ohio, dressed up in their Sunday clothes for a swift visit to the city. A painful spectacle for one who could see a vision of Aunt Agatha reaching for the hatchet and old Bassington-Bassington senior putting on his strongest pair of hob-nailed boots. Absolutely!
The dance had just finished, and Cyril and his pals had shuffled off into the wings when a voice spoke from the darkness on my right.
“Pop!”
Old Blumenfield clapped his hands, and the hero, who had just been about to get the next line off his diaphragm, cheesed it. I peered into the shadows. Who should it be but Jeeves’s