The Greatest Works of P. G. Wodehouse. P. G. Wodehouse

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The Greatest Works of P. G. Wodehouse - P. G. Wodehouse


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life. He remain planted there, not giving any damns, and sit regarding me like a cat watching a duck. He make faces against me and again he make faces against me, and the more I command that he should get to hell out of here, the more he do not get to hell out of here. He cry something towards me, and I demand what is his desire, but he do not explain. Oh, no, that arrives never. He does but shrug his head. What damn silliness! Is this amusing for me? You think I like it? I am not content with such folly. I think the poor mutt's loony. Je me fiche de ce type infect. C'est idiot de faire comme ça l'oiseau.... Allez-vous-en, louffier.... Tell the boob to go away. He is mad as some March hatters."

      I must say I thought he was making out a jolly good case, and evidently Aunt Dahlia felt the same. She laid a quivering hand on his shoulder.

      "I will, Monsieur Anatole, I will," she said, and I couldn't have believed that robust voice capable of sinking to such an absolute coo. More like a turtle dove calling to its mate than anything else. "It's quite all right."

      She had said the wrong thing. He did Exercise 3.

      "All right? Nom d'un nom d'un nom! The hell you say it's all right! Of what use to pull stuff like that? Wait one half-moment. Not yet quite so quick, my old sport. It is by no means all right. See yet again a little. It is some very different dishes of fish. I can take a few smooths with a rough, it is true, but I do not find it agreeable when one play larks against me on my windows. That cannot do. A nice thing, no. I am a serious man. I do not wish a few larks on my windows. I enjoy larks on my windows worse as any. It is very little all right. If such rannygazoo is to arrive, I do not remain any longer in this house no more. I buzz off and do not stay planted."

      Sinister words, I had to admit, and I was not surprised that Aunt Dahlia, hearing them, should have uttered a cry like the wail of a master of hounds seeing a fox shot. Anatole had begun to wave his fists again at Gussie, and she now joined him. Seppings, who was puffing respectfully in the background, didn't actually wave his fists, but he gave Gussie a pretty austere look. It was plain to the thoughtful observer that this Fink-Nottle, in getting on to that skylight, had done a mistaken thing. He couldn't have been more unpopular in the home of G.G. Simmons.

      "Go away, you crazy loon!" cried Aunt Dahlia, in that ringing voice of hers which had once caused nervous members of the Quorn to lose stirrups and take tosses from the saddle.

      Gussie's reply was to waggle his eyebrows. I could read the message he was trying to convey.

      "I think he means," I said—reasonable old Bertram, always trying to throw oil on the troubled w's——"that if he does he will fall down the side of the house and break his neck."

      "Well, why not?" said Aunt Dahlia.

      I could see her point, of course, but it seemed to me that there might be a nearer solution. This skylight happened to be the only window in the house which Uncle Tom had not festooned with his bally bars. I suppose he felt that if a burglar had the nerve to climb up as far as this, he deserved what was coming to him.

      "If you opened the skylight, he could jump in."

      The idea got across.

      "Seppings, how does this skylight open?"

      "With a pole, madam."

      "Then get a pole. Get two poles. Ten."

      And presently Gussie was mixing with the company, Like one of those chaps you read about in the papers, the wretched man seemed deeply conscious of his position.

      I must say Aunt Dahlia's bearing and demeanour did nothing to assist toward a restored composure. Of the amiability which she had exhibited when discussing this unhappy chump's activities with me over the fruit salad, no trace remained, and I was not surprised that speech more or less froze on the Fink-Nottle lips. It isn't often that Aunt Dahlia, normally as genial a bird as ever encouraged a gaggle of hounds to get their noses down to it, lets her angry passions rise, but when she does, strong men climb trees and pull them up after them.

      "Well?" she said.

      In answer to this, all that Gussie could produce was a sort of strangled hiccough.

      "Well?"

      Aunt Dahlia's face grew darker. Hunting, if indulged in regularly over a period of years, is a pastime that seldom fails to lend a fairly deepish tinge to the patient's complexion, and her best friends could not have denied that even at normal times the relative's map tended a little toward the crushed strawberry. But never had I seen it take on so pronounced a richness as now. She looked like a tomato struggling for self-expression.

      "Well?"

      Gussie tried hard. And for a moment it seemed as if something was going to come through. But in the end it turned out nothing more than a sort of death-rattle.

      "Oh, take him away, Bertie, and put ice on his head," said Aunt Dahlia, giving the thing up. And she turned to tackle what looked like the rather man's size job of soothing Anatole, who was now carrying on a muttered conversation with himself in a rapid sort of way.

      Seeming to feel that the situation was one to which he could not do justice in Bingo-cum-Maloney Anglo-American, he had fallen back on his native tongue. Words like "marmiton de Domange," "pignouf," "hurluberlu" and "roustisseur" were fluttering from him like bats out of a barn. Lost on me, of course, because, though I sweated a bit at the Gallic language during that Cannes visit, I'm still more or less in the Esker-vous-avez stage. I regretted this, for they sounded good.

      I assisted Gussie down the stairs. A cooler thinker than Aunt Dahlia, I had already guessed the hidden springs and motives which had led him to the roof. Where she had seen only a cockeyed reveller indulging himself in a drunken prank or whimsy, I had spotted the hunted fawn.

      "Was Tuppy after you?" I asked sympathetically.

      What I believe is called a frisson shook him.

      "He nearly got me on the top landing. I shinned out through a passage window and scrambled along a sort of ledge."

      "That baffled him, what?"

      "Yes. But then I found I had stuck. The roof sloped down in all directions. I couldn't go back. I had to go on, crawling along this ledge. And then I found myself looking down the skylight. Who was that chap?"

      "That was Anatole, Aunt Dahlia's chef."

      "French?"

      "To the core."

      "That explains why I couldn't make him understand. What asses these Frenchmen are. They don't seem able to grasp the simplest thing. You'd have thought if a chap saw a chap on a skylight, the chap would realize the chap wanted to be let in. But no, he just stood there."

      "Waving a few fists."

      "Yes. Silly idiot. Still, here I am."

      "Here you are, yes—for the moment."

      "Eh?"

      "I was thinking that Tuppy is probably lurking somewhere."

      He leaped like a lamb in springtime.

      "What shall I do?"

      I considered this.

      "Sneak back to your room and barricade the door. That is the manly policy."

      "Suppose that's where he's lurking?"

      "In that case, move elsewhere."

      But on arrival at the room, it transpired that Tuppy, if anywhere, was infesting some other portion of the house. Gussie shot in, and I heard the key turn. And feeling that there was no more that I could do in that quarter, I returned to the dining-room for further fruit salad and a quiet think. And I had barely filled my plate when the door opened and Aunt Dahlia came in. She sank into a chair, looking a bit shopworn.

      "Give me a drink, Bertie."

      "What sort?"

      "Any sort, so long as it's strong."

      Approach Bertram Wooster along these lines, and you catch him at his best. St. Bernard dogs doing the square thing


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