The Greatest Works of P. G. Wodehouse. P. G. Wodehouse
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asking his advice, and he would raise Cain automatically. He's always done it."
I strained the old bean to meet this emergency.
"You want to work it so that he makes Miss Singer's acquaintance without knowing that you know her. Then you come along——"
"But how can I work it that way?"
I saw his point. That was the catch.
"There's only one thing to do," I said.
"What's that?"
"Leave it to Jeeves."
And I rang the bell.
"Sir?" said Jeeves, kind of manifesting himself. One of the rummy things about Jeeves is that, unless you watch like a hawk, you very seldom see him come into a room. He's like one of those weird chappies in India who dissolve themselves into thin air and nip through space in a sort of disembodied way and assemble the parts again just where they want them. I've got a cousin who's what they call a Theosophist, and he says he's often nearly worked the thing himself, but couldn't quite bring it off, probably owing to having fed in his boyhood on the flesh of animals slain in anger and pie.
The moment I saw the man standing there, registering respectful attention, a weight seemed to roll off my mind. I felt like a lost child who spots his father in the offing. There was something about him that gave me confidence.
Jeeves is a tallish man, with one of those dark, shrewd faces. His eye gleams with the light of pure intelligence.
"Jeeves, we want your advice."
"Very good, sir."
I boiled down Corky's painful case into a few well-chosen words.
"So you see what it amount to, Jeeves. We want you to suggest some way by which Mr. Worple can make Miss Singer's acquaintance without getting on to the fact that Mr. Corcoran already knows her. Understand?"
"Perfectly, sir."
"Well, try to think of something."
"I have thought of something already, sir."
"You have!"
"The scheme I would suggest cannot fail of success, but it has what may seem to you a drawback, sir, in that it requires a certain financial outlay."
"He means," I translated to Corky, "that he has got a pippin of an idea, but it's going to cost a bit."
Naturally the poor chap's face dropped, for this seemed to dish the whole thing. But I was still under the influence of the girl's melting gaze, and I saw that this was where I started in as a knight-errant.
"You can count on me for all that sort of thing, Corky," I said. "Only too glad. Carry on, Jeeves."
"I would suggest, sir, that Mr. Corcoran take advantage of Mr. Worple's attachment to ornithology."
"How on earth did you know that he was fond of birds?"
"It is the way these New York apartments are constructed, sir. Quite unlike our London houses. The partitions between the rooms are of the flimsiest nature. With no wish to overhear, I have sometimes heard Mr. Corcoran expressing himself with a generous strength on the subject I have mentioned."
"Oh! Well?"
"Why should not the young lady write a small volume, to be entitled—let us say—The Children's Book of American Birds, and dedicate it to Mr. Worple! A limited edition could be published at your expense, sir, and a great deal of the book would, of course, be given over to eulogistic remarks concerning Mr. Worple's own larger treatise on the same subject. I should recommend the dispatching of a presentation copy to Mr. Worple, immediately on publication, accompanied by a letter in which the young lady asks to be allowed to make the acquaintance of one to whom she owes so much. This would, I fancy, produce the desired result, but as I say, the expense involved would be considerable."
I felt like the proprietor of a performing dog on the vaudeville stage when the tyke has just pulled off his trick without a hitch. I had betted on Jeeves all along, and I had known that he wouldn't let me down. It beats me sometimes why a man with his genius is satisfied to hang around pressing my clothes and what-not. If I had half Jeeves's brain, I should have a stab at being Prime Minister or something.
"Jeeves," I said, "that is absolutely ripping! One of your very best efforts."
"Thank you, sir."
The girl made an objection.
"But I'm sure I couldn't write a book about anything. I can't even write good letters."
"Muriel's talents," said Corky, with a little cough "lie more in the direction of the drama, Bertie. I didn't mention it before, but one of our reasons for being a trifle nervous as to how Uncle Alexander will receive the news is that Muriel is in the chorus of that show Choose your Exit at the Manhattan. It's absurdly unreasonable, but we both feel that that fact might increase Uncle Alexander's natural tendency to kick like a steer."
I saw what he meant. Goodness knows there was fuss enough in our family when I tried to marry into musical comedy a few years ago. And the recollection of my Aunt Agatha's attitude in the matter of Gussie and the vaudeville girl was still fresh in my mind. I don't know why it is—one of these psychology sharps could explain it, I suppose—but uncles and aunts, as a class, are always dead against the drama, legitimate or otherwise. They don't seem able to stick it at any price.
But Jeeves had a solution, of course.
"I fancy it would be a simple matter, sir, to find some impecunious author who would be glad to do the actual composition of the volume for a small fee. It is only necessary that the young lady's name should appear on the title page."
"That's true," said Corky. "Sam Patterson would do it for a hundred dollars. He writes a novelette, three short stories, and ten thousand words of a serial for one of the all-fiction magazines under different names every month. A little thing like this would be nothing to him. I'll get after him right away."
"Fine!"
"Will that be all, sir?" said Jeeves. "Very good, sir. Thank you, sir."
I always used to think that publishers had to be devilish intelligent fellows, loaded down with the grey matter; but I've got their number now. All a publisher has to do is to write cheques at intervals, while a lot of deserving and industrious chappies rally round and do the real work. I know, because I've been one myself. I simply sat tight in the old apartment with a fountain-pen, and in due season a topping, shiny book came along.
I happened to be down at Corky's place when the first copies of The Children's Book of American Birds bobbed up. Muriel Singer was there, and we were talking of things in general when there was a bang at the door and the parcel was delivered.
It was certainly some book. It had a red cover with a fowl of some species on it, and underneath the girl's name in gold letters. I opened a copy at random.
"Often of a spring morning," it said at the top of page twenty-one, "as you wander through the fields, you will hear the sweet-toned, carelessly flowing warble of the purple finch linnet. When you are older you must read all about him in Mr. Alexander Worple's wonderful book—American Birds."
You see. A boost for the uncle right away. And only a few pages later there he was in the limelight again in connection with the yellow-billed cuckoo. It was great stuff. The more I read, the more I admired the chap who had written it and Jeeves's genius in putting us on to the wheeze. I didn't see how the uncle could fail to drop. You can't call a chap the world's greatest authority on the yellow-billed cuckoo without rousing a certain disposition towards chumminess in him.
"It's a cert!" I said.
"An absolute cinch!" said Corky.
And a day or two later he meandered up the Avenue to my apartment to tell me that all was well. The uncle had written Muriel a letter so dripping with the milk of human kindness that if he hadn't known Mr. Worple's handwriting Corky would have refused to believe him the author of it. Any time it suited Miss