The Greatest Novels & Novellas of Gustave Flaubert. Gustave Flaubert
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waste of time,” said Emma.
“That is true,” replied Rodolphe. “To think that not one of these people is capable of understanding even the cut of a coat!”
Then they talked about provincial mediocrity, of the lives it crushed, the illusions lost there.
“And I too,” said Rodolphe, “am drifting into depression.”
“You!” she said in astonishment; “I thought you very light-hearted.”
“Ah! yes. I seem so, because in the midst of the world I know how to wear the mask of a scoffer upon my face; and yet, how many a time at the sight of a cemetery by moonlight have I not asked myself whether it were not better to join those sleeping there!”
“Oh! and your friends?” she said. “You do not think of them.”
“My friends! What friends? Have I any? Who cares for me?” And he accompanied the last words with a kind of whistling of the lips.
But they were obliged to separate from each other because of a great pile of chairs that a man was carrying behind them. He was so overladen with them that one could only see the tips of his wooden shoes and the ends of his two outstretched arms. It was Lestiboudois, the gravedigger, who was carrying the church chairs about amongst the people. Alive to all that concerned his interests, he had hit upon this means of turning the show to account; and his idea was succeeding, for he no longer knew which way to turn. In fact, the villagers, who were hot, quarreled for these seats, whose straw smelt of incense, and they leant against the thick backs, stained with the wax of candles, with a certain veneration.
Madame Bovary again took Rodolphe’s arm; he went on as if speaking to himself —
“Yes, I have missed so many things. Always alone! Ah! if I had some aim in life, if I had met some love, if I had found someone! Oh, how I would have spent all the energy of which I am capable, surmounted everything, overcome everything!”
“Yet it seems to me,” said Emma, “that you are not to be pitied.”
“Ah! you think so?” said Rodolphe.
“For, after all,” she went on, “you are free — ” she hesitated, “rich — ”
“Do not mock me,” he replied.
And she protested that she was not mocking him, when the report of a cannon resounded. Immediately all began hustling one another pellmell towards the village.
It was a false alarm. The prefect seemed not to be coming, and the members of the jury felt much embarrassed, not knowing if they ought to begin the meeting or still wait.
At last at the end of the Place a large hired landau appeared, drawn by two thin horses, which a coachman in a white hat was whipping lustily. Binet had only just time to shout, “Present arms!” and the colonel to imitate him. All ran towards the enclosure; everyone pushed forward. A few even forgot their collars; but the equipage of the prefect seemed to anticipate the crowd, and the two yoked jades, trapesing in their harness, came up at a little trot in front of the peristyle of the town hall at the very moment when the National Guard and firemen deployed, beating drums and marking time.
“Present!” shouted Binet.
“Halt!” shouted the colonel. “Left about, march.”
And after presenting arms, during which the clang of the band, letting loose, rang out like a brass kettle rolling downstairs, all the guns were lowered. Then was seen stepping down from the carriage a gentleman in a short coat with silver braiding, with bald brow, and wearing a tuft of hair at the back of his head, of a sallow complexion and the most benign appearance. His eyes, very large and covered by heavy lids, were half-closed to look at the crowd, while at the same time he raised his sharp nose, and forced a smile upon his sunken mouth. He recognised the mayor by his scarf, and explained to him that the prefect was not able to come. He himself was a councillor at the prefecture; then he added a few apologies. Monsieur Tuvache answered them with compliments; the other confessed himself nervous; and they remained thus, face to face, their foreheads almost touching, with the members of the jury all round, the municipal council, the notable personages, the National Guard and the crowd. The councillor pressing his little cocked hat to his breast repeated his bows, while Tuvache, bent like a bow, also smiled, stammered, tried to say something, protested his devotion to the monarchy and the honour that was being done to Yonville.
Hippolyte, the groom from the inn, took the head of the horses from the coachman, and, limping along with his clubfoot, led them to the door of the “Lion d’Or”, where a number of peasants collected to look at the carriage. The drum beat, the howitzer thundered, and the gentlemen one by one mounted the platform, where they sat down in red utrecht velvet armchairs that had been lent by Madame Tuvache.
All these people looked alike. Their fair flabby faces, somewhat tanned by the sun, were the colour of sweet cider, and their puffy whiskers emerged from stiff collars, kept up by white cravats with broad bows. All the waistcoats were of velvet, double-breasted; all the watches had, at the end of a long ribbon, an oval cornelian seal; everyone rested his two hands on his thighs, carefully stretching the stride of their trousers, whose unsponged glossy cloth shone more brilliantly than the leather of their heavy boots.
The ladies of the company stood at the back under the vestibule between the pillars while the common herd was opposite, standing up or sitting on chairs. As a matter of fact, Lestiboudois had brought thither all those that he had moved from the field, and he even kept running back every minute to fetch others from the church. He caused such confusion with this piece of business that one had great difficulty in getting to the small steps of the platform.
“I think,” said Monsieur Lheureux to the chemist, who was passing to his place, “that they ought to have put up two Venetian masts with something rather severe and rich for ornaments; it would have been a very pretty effect.”
“To be sure,” replied Homais; “but what can you expect? The mayor took everything on his own shoulders. He hasn’t much taste. Poor Tuvache! and he is even completely destitute of what is called the genius of art.”
Rodolphe, meanwhile, with Madame Bovary, had gone up to the first floor of the town hall, to the “council-room,” and, as it was empty, he declared that they could enjoy the sight there more comfortably. He fetched three stools from the round table under the bust of the monarch, and having carried them to one of the windows, they sat down by each other.
There was commotion on the platform, long whisperings, much parleying. At last the councillor got up. They knew now that his name was Lieuvain, and in the crowd the name was passed from one to the other. After he had collated a few pages, and bent over them to see better, he began —
“Gentlemen! May I be permitted first of all (before addressing you on the object of our meeting to-day, and this sentiment will, I am sure, be shared by you all), may I be permitted, I say, to pay a tribute to the higher administration, to the government to the monarch, gentle men, our sovereign, to that beloved king, to whom no branch of public or private prosperity is a matter of indifference, and who directs with a hand at once so firm and wise the chariot of the state amid the incessant perils of a stormy sea, knowing, moreover, how to make peace respected as well as war, industry, commerce, agriculture, and the fine arts?”
“I ought,” said Rodolphe, “to get back a little further.”
“Why?” said Emma.
But at this moment the voice of the councillor rose to an extraordinary pitch. He declaimed —
“This is no longer the time, gentlemen, when civil discord ensanguined our public places, when the landlord, the business-man, the working-man himself, falling asleep at night, lying down to peaceful sleep, trembled lest he should be awakened suddenly by the noise of incendiary tocsins, when the most subversive doctrines audaciously sapped foundations.”
“Well, someone down there might see me,” Rodolphe resumed, “then I should have to invent excuses for a fortnight; and with my bad reputation — ”