The Mother of Washington and Her Times. Sara Agnes Rice Pryor

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The Mother of Washington and Her Times - Sara Agnes Rice Pryor


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said the great Englishman who lived in her time, "should never be given by an historian unless he knew the people whom he describes, or copies from those who knew them." "A hard saying for picturesque writers of history," says Mr. Augustine Birrell, who knows so well how to be picturesque and yet faithful to the truth. Even he laments how little we can know of a dead man we never saw. "His books, if he wrote books, will tell us something; his letters, if he wrote any, and they are preserved, may perchance fling a shadow on the sheet for a moment or two; a portrait if painted in a lucky hour may lend a show of substance to our dim surmisings; the things he did must carefully be taken into account, but as a man is much more than the mere sum of his actions even these cannot be relied upon with great confidence. For the purpose, therefore, of getting at any one's character, the testimony of those who knew the living man is of all the material likely to be within our reach the most useful."

      How truly the words of this brilliant writer apply to the ensuing pages will be apparent to every intelligent reader. No temptation has availed with the compiler to accept any, the most attractive, theory or tradition. The testimony of those who knew Mary Washington is the groundwork of the picture, and controls its every detail.

      A few years ago an episode of interest was awakened in Mary Washington's life. There was a decided Mary Washington Renaissance. She passed this way—as Joan of Arc—as Napoleon Bonaparte, Burns, Emerson, and others pass. A society of women banded themselves together into a Mary Washington Memorial Association. Silver and gold medals bearing her gentle, imagined face were struck off, and when the demand for them was at its height, their number was restricted to six hundred, to be bequeathed for all time from mother to daughter, the pledge being a perpetual vigil over the tomb of Mary Washington, thus forming a Guard of Honor of six hundred American women. The Princess Eulalia of Spain, and Maria Pilar Colon, a descendant of Christopher Columbus, were admitted into this Guard of Honor, and wear its insignia.

      This "Renaissance" grew out of an advertisement in the Washington papers to the effect that the "Grave of Mary, the Mother of General Washington," was to be "sold at Public Auction, the same to be offered at Public Outcry," under the shadow of the monument erected in her son's honor, and in the city planned by him and bearing his name.

      A number of the descendants of Mary Washington's old Fredericksburg neighbors assembled the next summer at the White Sulphur Springs in Virginia. It was decided that a ball be given at the watering-place to aid the noble efforts of the widow of Chief Justice Waite to avert the disaster, purchase the park, and erect a monument over the ashes of the mother of Washington. One of the guests was selected to personate her: General Fitzhugh Lee to represent her son George.

      A thousand patrons assured the success of the ball. They wore Mary Washington's colors—blue and white—and assumed the picturesque garb of pre-Revolutionary days. The bachelor governor of New York, learning what was toward with these fair ladies, sent his own state flag to grace the occasion, and its snow-white folds mingled with the blue of the state banner contributed by the governor of Virginia.

      The gowns of the Virginia beauties were yellow with age, and wrinkled from having been hastily exhumed from the lavender-scented chests; for when lovely Juliet Carter chose the identical gown of her great, great grandmother—blue brocade, looped over a white satin quilted petticoat—the genuine example was followed by all the rest. The Madam Washington of the hour was strictly taken in hand by the Fredericksburg contingent. Her kerchief had been worn at the Fredericksburg Peace Ball, her mob cap was cut by a pattern preserved by Mary Washington's old neighbors. There were mittens, a reticule, and a fan made of the bronze feathers of the wild turkey of Virginia. Standing with her son George in the midst of the old-time assembly, old-time music in the air, old-time pictures on the walls, Madam Washington received her guests and presented them to her son, whose miniature she wore on her bosom. "I am glad to meet your son, Madam Washington!" said pretty Ellen Lee, as she dropped her courtesy; "I always heard he was a truthful child!"

      The lawn and cloister-like corridors of the large hotel were crowded at an early hour with the country people, arriving on foot, on horseback, and in every vehicle known to the mountain roads. These rustic folk—weather-beaten, unkempt old trappers and huntsmen, with their sons and daughters, wives and little children—gathered in the verandas and filled the windows of the ball-room. When the procession made the rounds of the room the comments of the holders of the window-boxes were not altogether flattering. The quaint dress of "the tea-cup time of hoop and hood" was disappointing. They had expected a glimpse of the latest fashions of the metropolis.

      "I don't think much of that Mrs. Washington," said one.

      "Well," drawled another, a wiry old graybeard, "she looks quiet and peaceable! The ole one was a turrible ole woman! My grandfather's father used to live close to ole Mrs. Washington. The ole man used to say she would mount a stool to rap her man on the head with the smoke-'ouse key! She was that little, an' hot-tempered."

      "That was Martha Washington, grandfather," corrected a girl who had been to school in Lewisburg. "She was the short one."

      "Well, Martha or Mary, it makes no differ," grimly answered the graybeard. "They was much of a muchness to my thinkin'," and this was the first of the irreverent traditions which caught the ear of the writer, and led to investigation. They cropped up fast enough from many a dark corner!

      About this time many balls and costume entertainments were given to aid the monument fund. There were charming garden parties to

      "Bring back the hour

       Of glory in the grass and splendor in the flower,"

      when the Mother of Washington was beautiful, young, and happy. A notable theatrical entertainment, the "Mary Washington matinée," was arranged by Mrs. Charles Avery Doremus, the clever New York playwright. The theatre was hung with colors lent by the Secretary of the Navy, the order therefor signed by "George Dewey." Everybody wore the Mary Washington colors—as did Adelina Patti, who flashed from her box the perennial smile we are yet to see again. Despite the hydra-headed traditions the Mother of Washington had her apotheosis.

      Brought face to face with my reader, and devoutly praying I may hold his interest to the end, I wish I could spare him every twice-told tale—every dull word.

      But "we are made of the shreds and patches of many ancestors." What we are we owe to them. God forbid we should inherit and repeat all their actions! The courage, the fortitude, the persistence, are what we inherit—not the deeds through which they were expressed. A successful housebreaker's courage may blossom in the valor of a descendant on the field who has been trained in a better school than his ancestor.

      Dull as the public is prone to regard genealogical data, the faithful biographer is bound to give them.

      And therefore the reader must submit to an introduction to the Ball family, otherwise he cannot understand the Mother of Washington or Washington himself. One of them, perhaps the one most deserving eminence through her own beneficence, we cannot place exactly in our records. She was an English "Dinah Morris," and her name was Hannah Ball. She was the originator of Sunday-schools, holding her own school in 1772, twelve years before the reputed founder, Robert Raikes, established Sunday-schools in England.

       Table of Contents

       Table of Contents

      The family of Ball from which Mary, the mother of Washington, descended, can be traced in direct line only as far back as the year 1480. They came originally from "Barkham, anciently 'Boercham'; noted as the spot at which William the Conqueror paused on his devastating march from the bloody field of Hastings:[1] 'wasting ye land, burning ye towns and sleaing (sic) ye people till he came to Boerchum where he stayed his ruthless hand.'"


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