Warlock o' Glenwarlock. George MacDonald
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had the best of it, as none knew better than she. In a minute or two the laird rose and went out, and Cosmo went with him.
Before Cosmo's mother died, old Mrs. Warlock would have been indignant at the idea of sitting in the kitchen, but things had combined to bring her to it. She found herself very lonely seated in state in the drawing-room, where, as there was no longer a daughter-in-law to go and come, she learned little or nothing of what was doing about the place, and where few that called cared to seek her out, for she had never been a favourite with the humbler neighbours. Also, as time went on, and the sight of money grew rarer and rarer, it became more desirable to economize light in the winter. They had not come to that with firing, for, as long as there were horses and intervals of less labour on the farm, peats were always to be had—though at the same time, the drawing-room could not be made so warm as the kitchen. But for light, even for train-oil to be burned in the simplest of lamps, money had to be paid—and money was of all ordinary things the seldomest seen at Castle Warlock. From these operative causes it came by degrees, that one winter, for the sake of company, of warmth, of economy, Mistress Warlock had her chair carried to the kitchen; and the thing once done, it easily and naturally grew to a custom, and extended itself to the summer as well; for she who had ceased to stand on ceremony in the winter, could hardly without additional loss of dignity reascend her pedestal only because it was summer again. To the laird it was a matter of no consequence where he sat, ate, or slept. When his wife was alive, wherever she was, that was the place for him; when she was gone, all places were the same to him. There was, besides, that in the disposition of the man which tended to the homely:—any one who imagines that in the least synonymous with the coarse, or discourteous, or unrefined, has yet to understand the essentials of good breeding. Hence it came that the other rooms of the house were by degrees almost neglected. Both the dining-room and drawing-room grew very cold, cold as with the coldness of what is dead; and though he slept in the same part of the house by choice, not often did the young laird enter either. But he had concerning them, the latter in particular, a notion of vastness and grandeur; and along with that, a vague sense of sanctity, which it is not quite easy to define or account for. It seems however to have the same root with all veneration for place—for if there were not a natural inclination to venerate place, would any external reason make men capable of it? I think we shall come at length to feel all places, as all times and all spaces, venerable, because they are the outcome of the eternal nature and the eternal thought. When we have God, all is holy, and we are at home.
CHAPTER III.
THE DRAWING-ROOM.
As soon as they were out of the kitchen-door, the boy pushed his hand into his father's; the father grasped it, and without a word spoken, they walked on together. They would often be half a day together without a word passing between them. To be near, each to the other, seemed enough for each.
Cosmo had thought his father was going somewhere about the farm, to see how things were getting on; but, instead of crossing to the other side of the court, where lay the sheds and stables, etc., or leaving it by the gate, the laird turned to the left, and led the way to the next block of building, where he stopped at a door at the farther end of the front of it. It was a heavy oak door, studded with great broad iron knobs, arranged in angular patterns. It was set deep in the thick wall, but there were signs of there having been a second, doubtless still stronger, flush with the external surface, for the great hooks of the hinges remained, with the deep hole in the stone on the opposite side for the bolt. The key was in the lock, for, except to open the windows, and do other necessary pieces of occasional tendance, it was seldom anybody entered the place, and Grizzie generally turned the key, and left it in the lock. She would have been indignant at the assertion, but I am positive it was not ALWAYS taken out at night. In this part of the castle were the dining and drawing rooms, and immediately over the latter, a state bedroom in which nobody had slept for many years.
It was into a narrow passage, no wider than itself, the door led. From this passage a good-sized hall opened to the left—very barely furnished, but with a huge fireplace, and a great old table, that often had feasted jubilant companies. The walls were only plastered, and were stained with damp. Against them were fixed a few mouldering heads of wild animals—the stag and the fox and the otter—one ancient wolf's-head also, wherever that had been killed. But it was not into this room the laird led his son. The passage ended in a stone stair that went up between containing walls. It was much worn, and had so little head-room that the laird could not ascend without stooping. Cosmo was short enough as yet to go erect, but it gave him always a feeling of imprisonment and choking, a brief agony of the imagination, to pass through the narrow curve, though he did so at least twice every day. It was the oldest-looking thing about the place—that staircase.
At the top of it, the laird turned to the right, and lifted the latch—all the doors were latched—of a dark-looking door. It screaked dismally as it opened. He entered and undid a shutter, letting an abiding flash of the ever young light of the summer day into the ancient room. It was long since Cosmo had been in it before. The aspect of it affected him like a withered wall-flower.
It was a well-furnished room. A lady with taste must at one time at least have presided in it—but then withering does so much for beauty—and that not of stuffs and THINGS only! The furniture of it was very modern compared with the house, but not much of it was younger than the last James, or Queen Anne, and it had all a stately old-maidish look. Such venerable rooms have been described, and painted, and put on the stage, and dreamed about, tens of thousands of times, yet they always draw me afresh as if they were as young as the new children who keep the world from growing old. They haunt me, and if I miss them in heaven, I shall have one given me. On the floor was an old, old carpet, wondrously darned and skilfully patched, with all its colours faded into a sweet faint ghost-like harmony. Several spider-legged, inlaid tables stood about the room, but most of the chairs were of a sturdier make, one or two of rich carved work of India, no doubt a great rarity when first brought to Glenwarlock. The walls had once had colour, but it was so retiring and indistinct in the little light that came through the one small deep-set window whose shutter had been opened, that you could not have said what it was. There were three or four cabinets—one of them old Japanese; and on a table a case of gorgeous humming birds. The scarlet cloth that covered the table was faded to a dirty orange, but the birds were almost as bright as when they darted like live jewels through the tropical sunlight. Exquisite as they were however, they had not for the boy half the interest of a faded old fire-screen, lovelily worked in silks, by hands to him unknown, long ago returned to the earth of which they were fashioned. A variety of nick-nacks and ornaments, not a few of which would have been of value in the eyes of a connoisseur, crowded the chimney-piece—which stood over an iron grate with bulging bars, and a tall brass fender. How still and solemn-quiet it all was in the middle of the great triumphant sunny day—like some far-down hollow in a rock, the matrix of a gem! It looked as if it had done with life—as much done with life as if it were a room in Egyptian rock, yet was it full of the memories of keenest life, and Cosmo knew there was treasure upon treasure of wonder and curiosity hid in those cabinets, some of which he had seen, and more he would like to see. But it was not to show him any of these that his father had now brought him to the room.
Not once yielding the right hand of the boy which was clasped to and in his own, the laird closed the door of the room, and advancing the whole length of it, stopped at a sofa covered with a rich brocade, and seating himself thereon, slowly, and with a kind of care, drew him between his thin knees, and began to talk to him. Now there was this difference between the relation of these two and that of most fathers and sons, that, thus taken into solemn solitude by his old father, the boy felt no dismay, no sense of fault to be found, no troubled expectation of admonition. Reverence and love held about equal sway in his feeling towards his father. And while the grandmother looked down on Cosmo as the son of his mother, for that very reason his father in a strange lovely way reverenced his boy: the reaction was utter devotion.
Cosmo stood and looked in his father's eyes—their eyes were of the same colour.—that bright sweet soft Norwegian blue—his right