Macaulay's Life of Samuel Johnson, with a Selection from his Essay on Johnson. Baron Thomas Babington Macaulay Macaulay
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will be equally profitable, at this point, to test the coherence of half a dozen paragraphs. Does each sentence lead up naturally to the next? Can the order of sentences be changed to advantage? When the sentences in a paragraph hold together firmly, we should point out the cause; when coherence is lacking, we should try to discover to what its absence is due.
Then comes the question of emphasis. Let us see whether we can find two or three paragraphs in which Macaulay succeeds particularly well in emphasizing the main point. If we find three, let us see whether he accomplishes his purpose in the same way each time.
For those of us who are still willing to learn something from Macaulay's style, it is worth while to study the sentences. Selecting two or three of the most interesting paragraphs, we may make the three tests: (1) Is each sentence a unit? (2) Is the relation of every word to the adjoining words absolutely clear? (3) Does the construction emphasize what is important?
Then there is the vocabulary. Who does not enjoy the feeling that he is enlarging his vocabulary? An easy way of doing it is to read two or three times such a paragraph as the nineteenth, and then, with the book closed, to write as much of it as possible from memory. As it is not merely a large vocabulary that we wish, but a well chosen one, we shall do well to compare our version with Macaulay's and see in how many cases his word is better than ours. Have we, for example, equaled "winning affability," or "London mud," or "inhospitable door"? Is his word more effective than ours because it is more specific, or what is the reason?
Before taking farewell of the Life of Johnson there is another use to which we may put the topics. We may use them as tests of our knowledge of the essay. If we can write or talk fully and definitely on each of the more important ones, we are sure to carry much food for thought away with us. The value of a review of this sort is evident from a glance at the following topics: Literary Life in London in Johnson's Time, Johnson's Love Affair, The Dictionary, The Turning Point in Johnson's Life, The Rambler, Rasselas, The Idler, His Shakspere, The Club [His Conversation], Boswell, The Thrales, His Fleet Street Establishment, The Lives of the Poets.
As we read Macaulay we should be particularly careful to think for ourselves. Mr. Gladstone has said: "Wherever and whenever read, he will be read with fascination, with delight, with wonder. And with copious instruction too; but also with copious reserve, with questioning scrutiny, with liberty to reject, and with much exercise of that liberty."18
This means that we must follow him up, find out where he got his information, see whether in his enthusiasm he has exaggerated. Then, even if the critics do assure us that he is not one of the deep thinkers, one of the very great writers, we may go on committing his Lays to heart, studying his Essays, and admiring those wonderfully faithful pictures in his History. More than all else, as the years go by, we are likely to find ourselves indebted to him for arousing interest, for leading us to further reading.
IV. MACAULAY ON JOHNSON
Among the "hasty and imperfect articles" which Macaulay wrote for the Edinburgh Review was one on Croker's Edition of Boswell's Life of Johnson. It appeared in 1831 and gave the writer a welcome opportunity to show the inaccuracy and unreliability of Croker, one of his political opponents. Nearly one half of his space he gave to criticising the editor, and that part it seems wise to omit in this edition; for we care more about Boswell and Johnson. Twenty-five years later, in 1856, when Macaulay had ceased to write for reviews, but sent an occasional article to the Encyclopædia Britannica, he wrote what is generally called the Life of Samuel Johnson. The publisher of the encyclopædia writes that it was entirely to Macaulay's friendly feeling that he was "indebted for those literary gems, which could not have been purchased with money"; that "he made it a stipulation of his contributing that remuneration should not be so much as mentioned." The other articles referred to are those on Atterbury, Bunyan, Goldsmith, and William Pitt. One writer calls them "perfect models of artistic condensation."
It is interesting to compare the later work with the earlier: to see whether there is any evidence of improvement in Macaulay's use of English, and whether he gives us a better notion of Boswell and Johnson.
V. REFERENCE BOOKS
The book to which we naturally turn first to see whether Macaulay knows his subject is Boswell's Life of Johnson; not the edition in six volumes by Dr. George B. Hill, scholarly as it is, but some such edition as Mr. Mowbray Morris's, published by the Macmillan Company in one volume. When we read Boswell the first time, to get his conception of his hero, we do not care to loiter on every page for notes, interesting and instructive as they may be after the first rapid reading. This single volume is so cheap that no one need hesitate to buy it; then he may mark it up as much as he pleases and enjoy his own book. The conscientious student need not feel obliged to read every word of every episode, but may feel perfectly free to skip whatever does not appeal to him, perfectly certain that before he has turned ten pages he will stumble on something worth while.
The book which will do more than all others to illuminate the life and character of Macaulay is The Life and Letters of Lord Macaulay, written by his nephew, G. Otto Trevelyan. Harper & Brothers, the publishers, have bound the two volumes in one which is so inexpensive that every school library may easily afford it. Some critics think this Life ranks with Boswell's Johnson. It certainly is one of the most readable biographies in the English language. Other useful books are numerous, but among them all Carlyle's essay in reply to Macaulay's Essay on Boswell's Life of Johnson stands out first.
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