Poetry. Alexander Pope
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crutch forego,
And leap exulting like the bounding roe.
No sigh, no murmur the wide world shall hear,
From every face he wipes off every tear.
In adamantine chains shall Death be bound,
And Hell's grim tyrant feel th' eternal wound.
As the good shepherd tends his fleecy care,
Seeks freshest pasture and the purest air, 50
Explores the lost, the wandering sheep directs,
By day o'ersees them, and by night protects,
The tender lambs he raises in his arms,
Feeds from his hand, and in his bosom warms;
Thus shall mankind his guardian care engage,
The promised Father of the future age.
No more shall nation against nation rise,
Nor ardent warriors meet with hateful eyes,
Nor fields with gleaming steel be cover'd o'er,
The brazen trumpets kindle rage no more; 60
But useless lances into scythes shall bend,
And the broad falchion in a ploughshare end.
Then palaces shall rise; the joyful son
Shall finish what his short-lived sire begun;
Their vines a shadow to their race shall yield,
And the same hand that sow'd, shall reap the field;
The swain in barren deserts with surprise
See lilies spring, and sudden verdure rise;
And start, amidst the thirsty wilds, to hear
New falls of water murmuring in his ear. 70
On rifted rocks, the dragons' late abodes,
The green reed trembles, and the bulrush nods,
Waste sandy valleys, once perplex'd with thorn,
The spiry fir, and shapely box adorn:
To leafless shrubs the flowering palms succeed,
And odorous myrtle to the noisome weed.
The lambs with wolves shall graze the verdant mead,
And boys in flowery bands the tiger lead;
The steer and lion at one crib shall meet,
And harmless serpents lick the pilgrim's feet. 80
The smiling infant in his hand shall take
The crested basilisk and speckled snake,
Pleased, the green lustre of the scales survey,
And with their forky tongue shall innocently play.
Rise, crown'd with light, imperial Salem, rise!
Exalt thy towery head, and lift thy eyes!
See, a long race thy spacious courts adorn;
See future sons, and daughters yet unborn,
In crowding ranks on every side arise,
Demanding life, impatient for the skies! 90
See barbarous nations at thy gates attend,
Walk in thy light and in thy temple bend;
See thy bright altars throng'd with prostrate kings,
And heap'd with products of Sabean springs!
For thee Idumè's spicy forests blow,
And seeds of gold in Ophir's mountains glow.
See Heaven its sparkling portals wide display,
And break upon thee in a flood of day!
No more the rising sun shall gild the morn,
Nor evening Cynthia fill her silver horn; 100
But lost, dissolved in thy superior rays,
One tide of glory, one unclouded blaze
O'erflow thy courts: The Light himself shall shine
Reveal'd, and God's eternal day be thine!
The seas shall waste, the skies in smoke decay,
Rocks fall to dust, and mountains melt away;
But fix'd his word, his saving power remains;
Thy realm for ever lasts, thy own MESSIAH reigns!
AN ESSAY ON CRITICISM.
WRITTEN IN THE YEAR MDCCIX.
PART I.
Introduction.—That 'tis as great a fault to judge ill, as to write ill,
and a more dangerous one to the public, ver. 1. That a true taste is as rare to be found as a true genius, ver. 9–18. That most men are born with some taste, but spoiled by false education, ver. 19–25. The multitude of critics, and causes of them, ver. 26–45. That we are to study our own taste, and know the limits of it, ver. 46–67. Nature the best guide of judgment, ver. 68–87. Improved by art and rules, which are but methodised nature, ver. 88. Rules derived from the practice of the ancient poets, ver. 88–110. That therefore the ancients are necessary to be studied by a critic, particularly Homer and Virgil, ver. 120–138. Of licences, and the use of them by the ancients, ver. 140–180. Reverence due to the ancients, and praise of them, ver. 181, &c.
PART II.
Causes hindering a true judgment—(1.) pride, ver. 208; (2.) imperfect learning, ver. 215; (3.) judging by parts and not by the whole, ver. 233–288.—Critics in wit, language, versification only, ver. 288, 305, 339, &c.; (4.) being too hard to please, or too apt to admire, ver. 384; (5.) partiality—too much love to a sect—to the ancients or moderns, ver. 394; (6.) prejudice or prevention, ver. 408; (7.) singularity, ver. 424; (8.) in constancy, ver. 430; (9.) party spirit, ver. 452, &c.; (10.) envy, ver. 466; against envy, and in praise of good-nature, ver. 508, &c. When severity is chiefly to be used by critics, ver. 526, &c.
PART III.
Rules for the conduct of manners in a critic—(1.) candour, ver. 503; modesty, ver. 566; good-breeding, ver. 572; sincerity, and freedom of advice, ver. 578; (2.) when one's counsel is to be restrained, ver. 584. Character of an incorrigible poet, ver. 600. And of an impertinent critic, ver. 610, &c. Character of a good critic, ver. 629. The history of criticism, and characters