The Essential Works of Tagore. Rabindranath Tagore
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sight. Pass them by, stopping at some chance joy, that like a sudden wonder of sunset illumines, yet eludes.
For love’s gift is shy, it never tells its name, it flits across the shade, spreading a shiver of joy along the dust. Overtake it or miss it for ever. But a gift that can be grasped is merely a frail flower, or a lamp with a flame that will flicker.
3
The fruits come in crowds into my orchard, they jostle each other. They surge up in the light in an anguish of fullness.
Proudly step into my orchard, my queen, sit there in the shade, pluck the ripe fruits from their stems, and let them yield, to the utmost, their burden of sweetness at your lips.
In my orchard the butterflies shake their wings in the sun, the leaves tremble, the fruits clamour to come to completion.
4
She is near to my heart as the meadow-flower to the earth; she is sweet to me as sleep is to tired limbs. My love for her is my life flowing in its fullness, like a river in autumn flood, running with serene abandonment.. My songs are one with my love, like the murmur of a stream, that sings with all its waves and currents.
5
I would ask for still more, if I had the sky with all its stars, and the world with its endless riches; but I would be content with the smallest corner of this earth if only she were mine.
6
In the light of this thriftless day of spring, my poet, sing of those who pass by and do not linger, who laugh as they run and never look back, who blossom in an hour of unreasoning delight, and fade in a moment without regret.
Do not sit down silently, to tell the beads of your past tears and smiles,—do not stop to pick up the dropped petals from the flowers of overnight, do not go to seek things that evade you, to know the meaning that is not plain,—leave the gaps in your life where they are, for the music to come out of their depths.
7
It is little that remains now, the rest was spent in one careless summer. It is just enough to put in a song and sing to you; to weave in a flowerchain gently clasping your wrist; to hang in your ear like a round pink pearl, like a blushing whisper; to risk in a game one evening and utterly lose.
My boat is a frail small thing, not fit for crossing wild waves in the rain. If you but lightly step on it I shall gently row you by the shelter of the shore, where the dark water in ripples are like a dream-ruffled sleep; where the dove’s cooing from the drooping branches makes the noon-day shadows plaintive. At the day’s end, when you are tired, I shall pluck a dripping lily to put in your hair and take rny leave.
8
There is room for you. You are alone with your few sheaves of rice. My boat is crowded, it is heavily laden, but how can I turn you away? your young body is slim and swaying; there is a twinkling smile in the edge of your eyes, and your robe is coloured like the rain-cloud.
The travellers will land for different roads and homes. You will sit for a while on the prow of my boat, and at the journey’s end none will keep you back.
Where do you go, and to what home, to garner your sheaves? I will not question you, but when I fold my sails and moor my boat, I shall sit and wonder in the evening,—Where do you go, and to what home, to garner your sheaves?
9
Woman, your basket is heavy, your limbs are tired. For what distance have you set out, with what hunger of profit? The way is long and the dust is hot in the sun.
Sec, the lake is deep and full, its water dark like a crow’s eye. The banks are sloping and tender with grass.
Dip your tired feet into the water. The noontide wind will pass its fingers through your hair; the pigeons will croon their sleep songs, the leaves will murmur the secrets that nestle in the shadows.
What matters it if the hours pass and the sun sets; if the way through the desolate land be lost in the waning light.
Yonder is my house, by the hedge of flowering henna; I will guide you. I will make a bed for you, and light a lamp. In the morning when the birds are roused by the stir of milking the cows, I will waken you.
10
What is it that drives these bees from their home; these followers of unseen trails? What cry is this in their eager wings? How can they hear the music that sleeps in the flower soul? How can they find their way to the chamber where the honey lies shy and silent?
11
It was only the budding of leaves in the summer, the summer that came into the garden by the sea. It was only a stir and rustle in the south wind, a few lazy snatches of songs, and then the day was done.
But let there be flowering of love in the summer to come in the garden by the sea. Let my joy take its birth and clap its hands and dance with the surging songs, and make the morning open its eyes wide in sweet amazement.
12
Ages ago when you opened the south gate of the garden of gods, and came down upon the first youth of the earth, O Spring; men and women rushed out of their houses, laughing and dancing, and pelting each other with flower-dust in a sudden madness of mirth
Year after year you bring the same flowers that you scattered in your path in that earliest April. Therefore, to-day, in their pervading perfume, they breathe the sigh of the days that are now dreams,—the clinging sadness of vanished worlds. Your breeze is laden with love-legends that have faded from all human language.
One day, with fresh wonder, you came into my life that was fluttered with its first love. Since then the tender timidness of that inexperienced joy comes hidden every year in the early green buds of your lemon flowers; your red roses carry in their burning silence all that was unutterable in me; the memory of lyric hours, those days of May, rustles in the thrill of your new leaves born again and again.
13
Last night in the garden I offered you my youth’s foaming wine. You lifted the cup to your lips, you shut your eyes and smiled while I raised your veil, unbound your tresses, drawing down upon my breast your face sweet with its silence, last night when the moon’s dream overflowed the world of slumber.
To-day in the dew-cooled calm of the dawn you are walking to Clod’s temple, bathed and robed white, with a basketful of flowers in your hand. I stand aside in the shade under the tree, with my head bent, in the calm of the dawn by the lonely road to the temple.
14
If I am impatient to-day, forgive me, my love. It is the first summer rain, and the riverside forest is aflutter, and the blossoming lcadam trees, are tempting the passing winds with wine-cups of perfume. See, from all corners of the sky lightnings are darting their glances, and winds are rampant in your hair.
If to-day I bring my homage to you, forgive me, my love. The everyday world is hidden in the dimness of the rain, all work has stopped in the village, the meadows are desolate. In your dark eyes the coming of the rain finds its music, and it is at your door that July waits with jasmines for your hair in its blue skirt.
15
Her neighbours call her dark in the village— but she is a lily to my heart, yes, a lily though not fair. Light came muffled with clouds, when first I saw her in the field; her head was bare, her veil was off, her braided hair hanging loose on her neck. She may be dark as they say in the village, but I have seen her black eyes and am glad.
The pulse of the air boded storm. She rushed out of the hut, when she heard her dappled cow low in dismay. For a moment she turned her large eyes to the clouds, and felt a stir of the coming rain in the sky. I stood at the corner of the ricefield,—if she noticed me, it was known only to her (and perhaps I know it). She is dark as the message of shower in summer, dark as the shade of flowering woodland; she is dark as the longing for unknown love in the wistful night of May
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