The Complete Works. William Butler Yeats
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THE HARP OF AENGUS
APPENDIX I ACTING VERSION OF THE SHADOWY WATERS
APPENDIX II. A different Version of Deirdre’s Entrance.
APPENDIX III. The Legendary and Mythological Foundation of the Plays.
APPENDIX IV. The Dates and Places of Performance of Plays.
The friends that have it I do wrong
When ever I remake a song,
Should know what issue is at stake:
It is myself that I remake.
THE KING’S THRESHOLD
To Frank Fay BECAUSE OF HIS BEAUTIFUL SPEAKING IN THE CHARACTER OF SEANCHAN
PERSONS IN THE PLAY
King Guaire
Seanchan (pronounced Shanahan)
His Pupils
The Mayor of Kinvara
Two Cripples
Brian (an old servant)
The Lord High Chamberlain
A Soldier
A Monk
Court Ladies
Two Princesses
Fedelm
THE KING’S THRESHOLD.
Steps before the Palace of KING GUAIRE at Gort. A table in front of steps at one side, with food on it, and a bench by table. Seanchan lying on steps. PUPILS before steps. KING on the upper step before a curtained door.
KING.
I welcome you that have the mastery
Of the two kinds of Music: the one kind
Being like a woman, the other like a man.
Both you that understand stringed instruments,
And how to mingle words and notes together
So artfully, that all the Art’s but Speech
Delighted with its own music; and you that carry
The long twisted horn, and understand
The heady notes that, being without words,
Can hurry beyond Time and Fate and Change.
For the high angels that drive the horse of Time—
The golden one by day, by night the silver—
Are not more welcome to one that loves the world
For some fair woman’s sake.
I have called you hither
To save the life of your great master, Seanchan,
For all day long it has flamed up or flickered
To the fast cooling hearth.
OLDEST PUPIL.
When did he sicken?
Is it a fever that is wasting him?
KING.
No fever or sickness. He has chosen death:
Refusing to eat or drink, that he may bring
Disgrace upon me; for there is a custom,
An old and foolish custom, that if a man
Be wronged, or think that he is wronged, and starve
Upon another’s threshold till he die,
The common people, for all time to come,
Will raise a heavy cry against that threshold,
Even though it be the King’s.
OLDEST PUPIL.
My head whirls round;
I do not know what I am to think or say.
I owe you all obedience, and yet
How can I give it, when the man I have loved
More than all others, thinks that he is wronged
So bitterly, that he will starve and die
Rather than bear it? Is there any man
Will throw his life away for a light issue?
KING.
It is but fitting that you take his side
Until you understand how light an issue
Has put us by the ears. Three days ago
I yielded to the outcry of my courtiers—
Bishops, Soldiers, and Makers of the Law—
Who long had thought it against their dignity
For a mere man of words to sit amongst them
At my own table. When the meal was spread,
I ordered Seanchan to a lower table;
And when he pleaded for the poets’ right,
Established at the establishment of the world,
I said that I was King, and that all rights
Had their original fountain in some king,
And that it was the men who ruled the world,
And not the men who sang to it, who should sit
Where there was the most honour. My courtiers—
Bishops, Soldiers, and Makers of the Law—
Shouted approval; and amid that noise
Seanchan went out, and from that hour to this,
Although there is good food and drink beside him,
Has eaten nothing.
OLDEST PUPIL.
I can breathe again.
You have taken a great burden from my mind,
For that old custom’s not worth dying for.
KING.
Persuade him to eat or drink. Till yesterday
I thought that hunger and weakness had been enough;
But finding them too trifling and too light
To hold his mouth from biting at the grave,
I called you hither, and all my hope’s in you,
And certain of his neighbours and good friends
That