Christianity as Mystical Fact, and the Mysteries of Antiquity. Rudolf Steiner

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Christianity as Mystical Fact, and the Mysteries of Antiquity - Rudolf Steiner


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please us, how could we love and hate, admire and blame opposite things, how could we speak differently and give ourselves up to different passions, unless we were endowed with a different shape, form, and different senses? For no one can rightly come into a different state without change, and one who is changed is no longer the same; but if he is not the same, he no longer exists and is changed from what he was, becoming something else. Sense-perception only led us astray, because we do not know real being, and mistook for it that which is only an appearance."[2]

      Plutarch often describes himself as an initiate. What he portrays here is a condition of the life of the Mystic. Man acquires a kind of wisdom by means of which his spirit sees through the illusive character of sense-life. What the senses regard as being, or reality, is plunged into the stream of "becoming"; and man is subject to the same conditions in this respect as all other things in the world. Before the eyes of his spirit he himself dissolves, the sum-total of his being is broken up into parts, into fleeting phenomena. Birth and death lose their distinctive meaning, and become moments of appearing and disappearing, just as much as any other happenings in the world. The Highest cannot be found in the connection between development and decay. It can only be sought in what is really abiding, in what looks back to the past and forward to the future.

      To find that which looks (i.e. the spirit) backwards and forwards is the first stage of knowledge. This is the spirit, which is manifesting in and through the physical. It has nothing to do with physical growth. It does not come into being and again decay as do sense-phenomena. One who lives entirely in the world of sense carries the spirit latent within him. One who has pierced through the illusion of the world of sense has the spirit within him as a manifest reality. The man who attains to this insight has developed a new principle within him. Something has happened within him as in a plant when it adds a coloured flower to its green leaves. It is true the forces causing the flower to grow were already latent in the plant before the blossom appeared, but they only became effective when this took place. Divine, spiritual forces are latent in the man who lives merely through his senses, but they only become a manifest reality in the initiate. Such is the transformation which takes place in the Mystic. By his development he has added a new element to the world. The world of sense made him a human being endowed with senses, and then left him to himself. Nature had thus fulfilled her mission. What she is able to do with the powers operative in man is exhausted; not so the forces themselves. They lie as though spellbound in the merely natural man and await their release. They cannot release themselves. They fade away to nothing unless man seizes upon them and develops them, unless he calls into actual being what is latent within him.

      Nature evolves from the imperfect to the perfect. She leads beings, through a long series of stages, from inanimate matter, through all living forms up to physical man. Man looks around and finds himself a changing being with physical reality, but he also perceives within him the forces from which the physical reality arose. These forces are not what change, for they have given birth to the changing world. They are within man as a sign that there is more life within him than he can physically perceive. What they may make man is not yet there. He feels something flash up within him which created everything, including himself, and he feels that this will inspire him to higher creative activity. This something is within him, it existed before his manifestation in the flesh, and will exist afterwards. By means of it he became, but he may lay hold of it and take part in its creative activity.

      Such are the feelings animating the Mystic after initiation. He feels the Eternal and Divine. His activity is to become a part of that divine creative activity. He may say to himself: "I have discovered a higher ego within me, but that ego extends beyond the bounds of my sense-existence. It existed before my birth and will exist after my death. This ego has created from all eternity, it will go on creating in all eternity. My physical personality is a creation of this ego. But it has incorporated me within it, it works within me, I am a part of it. What I henceforth create will be higher than the physical. My personality is only a means for this creative power, for this Divine is within me." Thus did the Mystic experience his birth into the Divine.

      The Mystic called the power that flashed up within him a daimon. He was himself the product of this daimon. It seemed to him as though another being had entered him and taken possession of his organs, a being standing between his physical personality and the all-ruling cosmic power, the divinity.

      The Mystic sought this—his daimon. He said to himself: "I have become a human being in mighty Nature, but Nature did not complete her task. This completion I must take in hand myself. But I cannot accomplish it in the gross kingdom of nature to which my physical personality belongs. What it is possible to develop in that realm has already been developed. Therefore I must leave this kingdom and take up the building in the realm of the spirit at the point where nature left off. I must create an atmosphere of life not to be found in outer nature."

      This atmosphere of life was prepared for the Mystic in the Mystery temples. There the forces slumbering within him were awakened, there he was changed into a higher creative spirit-nature. This transformation was a delicate process. It could not bear the untempered atmosphere of everyday life. But when once it was completed, its result was that the initiate stood as a rock, rising from the eternal and able to defy all storms. But it was impossible for him to reveal his experiences to any one unprepared to receive them.

      Plutarch says that the Mysteries gave deep understanding of the true nature of the daimons. And Cicero tells us that from the Mysteries, "When they are explained and traced back to their meaning, we learn the nature of things rather than that of the gods."[3] From such statements we see clearly that there were higher revelations for the Mystics about the nature of things than that which popular religion was able to impart. Indeed we see that the daimons, i.e., spiritual beings, and the gods themselves, needed explaining. Therefore initiates went back to beings of a higher nature than daimons or gods, and this was characteristic of the essence of the wisdom of the Mysteries.

      The people represented the gods and daimons in images borrowed from the world of sense-reality. Would not one who had penetrated into the nature of the Eternal doubt about the eternal nature of such gods as these? How could the Zeus of popular imagination be eternal if he bore within him the qualities of a perishable being? One thing was clear to the Mystics, that man arrives at a conception of the gods in a different way from the conception of other things. An object belonging to the outer world compels us to form a very definite idea of it. In contrast to this, we form our conception of the gods in a freer and somewhat arbitrary manner. The control of the outer world is absent. Reflection teaches us that what we conceive as gods is not subject to outer control. This places us in logical uncertainty; we begin to feel that we ourselves are the creators of our gods. Indeed, we ask ourselves how we have arrived at a conception of the universe that goes beyond physical reality. The initiate was obliged to ask himself such questions; his doubts were justified. "Look at all representations of the gods," he might think to himself. "Are they not like the beings we meet in the world of sense? Did not man create them for himself, by giving or withholding from them, in his thought, some quality belonging to beings of the sense-world? The savage lover of the chase creates a heaven in which the gods themselves take part in glorious hunting, and the Greek peopled his Olympus with divine beings whose models were taken from his own surroundings."

      The philosopher Xenophanes (B.C. 575–480) drew attention to this fact with a crude logic. We know that the older Greek philosophers were entirely dependent on the wisdom of the Mysteries. We will afterwards prove this in detail, beginning with Heraclitus. What Xenophanes says may at once be taken as the conviction of a Mystic. It runs thus:

      "Men who picture the gods as created in their own human forms, give them human senses, voices, and bodies. But if cattle and lions had hands, and knew how to use them, like men, in painting and working, they would paint the forms of the gods and shape their bodies as their own bodies were constituted. Horses would create gods in horse-form, and cattle would make gods like bulls."

      Through insight of this kind, man may begin to doubt the existence of anything divine. He may reject all mythology, and only recognise as reality what is forced upon him by his sense-perception. But the Mystic did not become a doubter


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