My Lady's Money. Уилки Коллинз
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said to him, in her small, clear voice, “If you please, sir, are you Mr. Hardyman?”
The gravity of the great horse-breeder deserted him at her first question. He smiled as he acknowledged that he was “Mr. Hardyman”—he smiled as he offered her a chair.
“No, thank you, sir,” she said, with a quaintly pretty inclination of her head. “I am only sent here to make her Ladyship’s apologies. She has put the poor dear dog into a warm bath, and she can’t leave him. And Mr. Moody can’t come instead of me, because I was too frightened to be of any use, and so he had to hold the dog. That’s all. We are very anxious sir, to know if the warm bath is the right thing. Please come into the room and tell us.”
She led the way back to the door. Hardyman, naturally enough, was slow to follow her. When a man is fascinated by the charm of youth and beauty, he is in no hurry to transfer his attention to a sick animal in a bath. Hardyman seized on the first excuse that he could devise for keeping Isabel to himself—that is to say, for keeping her in the drawing-room.
“I think I shall be better able to help you,” he said, “if you will tell me something about the dog first.”
Even his accent in speaking had altered to a certain degree. The quiet, dreary monotone in which he habitually spoke quickened a little under his present excitement. As for Isabel, she was too deeply interested in Tommie’s welfare to suspect that she was being made the victim of a stratagem. She left the door and returned to Hardyman with eager eyes. “What can I tell you, sir?” she asked innocently.
Hardyman pressed his advantage without mercy.
“You can tell me what sort of dog he is?”
“Yes, sir.”
“How old he is?”
“Yes, sir.”
“What his name is?—what his temper is?—what his illness is? what diseases his father and mother had?—what—”
Isabel’s head began to turn giddy. “One thing at a time, sir!” she interposed, with a gesture of entreaty. “The dog sleeps on my bed, and I had a bad night with him, he disturbed me so, and I am afraid I am very stupid this morning. His name is Tommie. We are obliged to call him by it, because he won’t answer to any other than the name he had when my Lady bought him. But we spell it with an i e at the end, which makes it less vulgar than Tommy with a y. I am very sorry, sir—I forget what else you wanted to know. Please to come in here and my Lady will tell you everything.”
She tried to get back to the door of the boudoir. Hardyman, feasting his eyes on the pretty, changeful face that looked up at him with such innocent confidence in his authority, drew her away from the door by the one means at his disposal. He returned to his questions about Tommie.
“Wait a little, please. What sort of dog is he?”
Isabel turned back again from the door. To describe Tommie was a labor of love. “He is the most beautiful dog in the world!” the girl began, with kindling eyes. “He has the most exquisite white curly hair and two light brown patches on his back—and, oh! such lovely dark eyes! They call him a Scotch terrier. When he is well his appetite is truly wonderful—nothing comes amiss to him, sir, from pate de foie gras to potatoes. He has his enemies, poor dear, though you wouldn’t think it. People who won’t put up with being bitten by him (what shocking tempers one does meet with, to be sure!) call him a mongrel. Isn’t it a shame? Please come in and see him, sir; my Lady will be tired of waiting.”
Another journey to the door followed those words, checked instantly by a serious objection.
“Stop a minute! You must tell me what his temper is, or I can do nothing for him.”
Isabel returned once more, feeling that it was really serious this time. Her gravity was even more charming than her gayety. As she lifted her face to him, with large solemn eyes, expressive of her sense of responsibility, Hardyman would have given every horse in his stables to have had the privilege of taking her in his arms and kissing her.
“Tommie has the temper of an angel with the people he likes,” she said. “When he bites, it generally means that he objects to strangers. He loves my Lady, and he loves Mr. Moody, and he loves me, and—and I think that’s all. This way, sir, if you please, I am sure I heard my Lady call.”
“No,” said Hardyman, in his immovably obstinate way. “Nobody called. About this dog’s temper? Doesn’t he take to any strangers? What sort of people does he bite in general?”
Isabel’s pretty lips began to curl upward at the corners in a quaint smile. Hardyman’s last imbecile question had opened her eyes to the true state of the case. Still, Tommie’s future was in this strange gentleman’s hands; she felt bound to consider that. And, moreover, it was no everyday event, in Isabel’s experience, to fascinate a famous personage, who was also a magnificent and perfectly dressed man. She ran the risk of wasting another minute or two, and went on with the memoirs of Tommie.
“I must own, sir,” she resumed, “that he behaves a little ungratefully—even to strangers who take an interest in him. When he gets lost in the streets (which is very often), he sits down on the pavement and howls till he collects a pitying crowd round him; and when they try to read his name and address on his collar he snaps at them. The servants generally find him and bring him back; and as soon as he gets home he turns round on the doorstep and snaps at the servants. I think it must be his fun. You should see him sitting up in his chair at dinner-time, waiting to be helped, with his fore paws on the edge of the table, like the hands of a gentleman at a public dinner making a speech. But, oh!” cried Isabel, checking herself, with the tears in her eyes, “how can I talk of him in this way when he is so dreadfully ill! Some of them say it’s bronchitis, and some say it’s his liver. Only yesterday I took him to the front door to give him a little air, and he stood still on the pavement, quite stupefied. For the first time in his life, he snapped at nobody who went by; and, oh, dear, he hadn’t even the heart to smell a lamp-post!”
Isabel had barely stated this last afflicting circumstance when the memoirs of Tommie were suddenly cut short by the voice of Lady Lydiard—really calling this time—from the inner room.
“Isabel! Isabel!” cried her Ladyship, “what are you about?”
Isabel ran to the door of the boudoir and threw it open. “Go in, sir! Pray go in!” she said.
“Without you?” Hardyman asked.
“I will follow you, sir. I have something to do for her Ladyship first.”
She still held the door open, and pointed entreatingly to the passage which led to the boudoir “I shall be blamed, sir,” she said, “if you don’t go in.”
This statement of the case left Hardyman no alternative. He presented himself to Lady Lydiard without another moment of delay.
Having closed the drawing-room door on him, Isabel waited a little, absorbed in her own thoughts.
She was now perfectly well aware of the effect which she had produced on Hardyman. Her vanity, it is not to be denied, was flattered by his admiration—he was so grand and so tall, and he had such fine large eyes. The girl looked prettier than ever as she stood with her head down and her color heightened, smiling to herself. A clock on the chimney-piece striking the half-hour roused her. She cast one look at the glass, as she passed it, and went to the table at which Lady Lydiard had been writing.
Methodical Mr. Moody, in submitting to be employed as bath-attendant upon Tommie, had not forgotten the interests of his mistress. He reminded her Ladyship that she had left her letter, with a bank-note inclosed in it, unsealed. Absorbed in the dog, Lady Lydiard answered, “Isabel is doing nothing, let Isabel seal it. Show Mr. Hardyman in here,” she continued, turning to Isabel, “and then seal a letter of mine which you will find on the table.” “And when you have sealed it,” careful Mr. Moody added, “put it back on the table; I will take charge of it when her Ladyship has done with me.”
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