The Paris Sketch Book of Mr. M. A. Titmarsh. William Makepeace Thackeray
Читать онлайн книгу.
soon as the fireworks were over, formed themselves into a line, three or four abreast, and so marched singing home. As for the fireworks, squibs and crackers are very hard to describe, and very little was to be seen of them: to me, the prettiest sight was the vast, orderly, happy crowd, the number of children, and the extraordinary care and kindness of the parents towards these little creatures. It does one good to see honest, heavy épiciers, fathers of families, playing with them in the Tuileries, or, as to-night, bearing them stoutly on their shoulders, through many long hours, in order that the little ones too may have their share of the fun. John Bull, I fear, is more selfish: he does not take Mrs. Bull to the public-house; but leaves her, for the most part, to take care of the children at home.
The fête, then, is over; the pompous black pyramid at the Louvre is only a skeleton now; all the flags have been miraculously whisked away during the night, and the fine chandeliers which glittered down the Champs Elysées for full half a mile, have been consigned to their dens and darkness. Will they ever be reproduced for other celebrations of the glorious 29th of July?—I think not; the Government which vowed that there should be no more persecutions of the press, was, on that very 29th, seizing a Legitimist paper, for some real or fancied offence against it: it had seized, and was seizing daily, numbers of persons merely suspected of being disaffected (and you may fancy how liberty is understood, when some of these prisoners, the other day, on coming to trial, were found guilty and sentenced to ONE day's imprisonment, after THIRTY-SIX DAYS' DETENTION ON SUSPICION). I think the Government which follows such a system, cannot be very anxious about any farther revolutionary fêtes, and that the Chamber may reasonably refuse to vote more money for them. Why should men be so mighty proud of having, on a certain day, cut a certain number of their fellow-countrymen's throats? The Guards and the Line employed this time nine years did no more than those who cannonaded the starving Lyonnese, or bayoneted the luckless inhabitants of the Rue Transnounain:—they did but fulfil the soldier's honorable duty:—his superiors bid him kill and he killeth:—perhaps, had he gone to his work with a little more heart, the result would have been different, and then—would the conquering party have been justified in annually rejoicing over the conquered? Would we have thought Charles X. justified in causing fireworks to be blazed, and concerts to be sung, and speeches to be spouted, in commemoration of his victory over his slaughtered countrymen?—I wish for my part they would allow the people to go about their business as on the other 362 days of the year, and leave the Champs Elysées free for the omnibuses to run, and the Tuileries' in quiet, so that the nurse-maids might come as usual, and the newspapers be read for a halfpenny apiece.
Shall I trouble you with an account of the speculations of these latter, and the state of the parties which they represent? The complication is not a little curious, and may form, perhaps, a subject of graver disquisition. The July fêtes occupy, as you may imagine, a considerable part of their columns just now, and it is amusing to follow them one by one; to read Tweedledum's praise, and Tweedledee's indignation—to read, in the Débats how the King was received with shouts and loyal vivats—in the Nation, how not a tongue was wagged in his praise, but, on the instant of his departure, how the people called for the “Marseillaise” and applauded THAT.—But best say no more about the fête. The Legitimists were always indignant at it. The high Philippist party sneers at and despises it; the Republicans hate it: it seems a joke against THEM. Why continue it?—If there be anything sacred in the name and idea of loyalty, why renew this fête? It only shows how a rightful monarch was hurled from his throne, and a dexterous usurper stole his precious diadem. If there be anything noble in the memory of a day, when citizens, unused to war, rose against practised veterans, and, armed with the strength of their cause, overthrew them, why speak of it now? or renew the bitter recollections of the bootless struggle and victory? O Lafayette! O hero of two worlds! O accomplished Cromwell Grandison! you have to answer for more than any mortal man who has played a part in history: two republics and one monarchy does the world owe to you; and especially grateful should your country be to you. Did you not, in '90, make clear the path for honest Robespierre, and in '30, prepare the way for—
… …
[The Editor of the Bungay Beacon would insert no more of this letter, which is, therefore, for ever lost to the public.]
ON THE FRENCH SCHOOL OF PAINTING:
WITH APPROPRIATE ANECDOTES, ILLUSTRATIONS, AND PHILOSOPHICAL DISQUISITIONS.
IN A LETTER TO MR. MACGILP, OF LONDON.
The three collections of pictures at the Louvre, the Luxembourg, and the Ecole des Beaux Arts, contain a number of specimens of French art, since its commencement almost, and give the stranger a pretty fair opportunity to study and appreciate the school. The French list of painters contains some very good names—no very great ones, except Poussin (unless the admirers of Claude choose to rank him among great painters)—and I think the school was never in so flourishing a condition as it is at the present day. They say there are three thousand artists in this town alone: of these a handsome minority paint not merely tolerably, but well understand their business: draw the figure accurately; sketch with cleverness; and paint portraits, churches, or restaurateurs' shops, in a decent manner.
To account for a superiority over England which, I think, as regards art, is incontestable—it must be remembered that the painter's trade, in France, is a very good one; better appreciated, better understood, and, generally, far better paid than with us. There are a dozen excellent schools which a lad may enter here, and, under the eye of a practised master, learn the apprenticeship of his art at an expense of about ten pounds a year. In England there is no school except the Academy, unless the student can afford to pay a very large sum, and place himself under the tuition of some particular artist. Here, a young man, for his ten pounds, has all sorts of accessory instruction, models, &c.; and has further, and for nothing, numberless incitements to study his profession which are not to be found in England:—the streets are filled with picture-shops, the people themselves are pictures walking about; the churches, theatres, eating-houses, concert-rooms are covered with pictures: Nature itself is inclined more kindly to him, for the sky is a thousand times more bright and beautiful, and the sun shines for the greater part of the year. Add to this, incitements more selfish, but quite as powerful: a French artist is paid very handsomely; for five hundred a year is much where all are poor; and has a rank in society rather above his merits than below them, being caressed by hosts and hostesses in places where titles are laughed at and a baron is thought of no more account than a banker's clerk.
The life of the young artist here is the easiest, merriest, dirtiest existence possible. He comes to Paris, probably at sixteen, from his province; his parents settle forty pounds a year on him, and pay his master; he establishes himself in the Pays Latin, or in the new quarter of Notre Dame de Lorette (which is quite peopled with painters); he arrives at his atelier at a tolerably early hour, and labors among a score of companions as merry and poor as himself. Each gentleman has his favorite tobacco-pipe; and the pictures are painted in the midst of a cloud of smoke, and a din of puns and choice French slang, and a roar of choruses, of which no one can form an idea who has not been present at such an assembly.
You see here every variety of coiffure that has ever been known. Some young men of genius have ringlets hanging over their shoulders—you may smell the tobacco with which they are scented across the street; some have straight locks, black, oily, and redundant; some have toupets in the famous Louis-Philippe fashion; some are cropped close; some have adopted the present mode—which he who would follow must, in order to do so, part his hair in the middle, grease it with grease, and gum it with gum, and iron it flat down over his ears; when arrived at the ears, you take the tongs and make a couple of ranges of curls close round the whole head—such curls as you may see under a gilt three-cornered hat, and in her Britannic Majesty's coachman's state wig.
This is the last fashion. As for the beards, there is no end of them; all my friends the artists have beards who can raise them; and Nature, though she has rather stinted the bodies and limbs of the French nation, has been very liberal to them of hair, as you may see by the following specimen.