The Patrician. John Galsworthy
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At Monkland, that same hour, in the little whitewashed 'withdrawing-room' of a thatched, whitewashed cottage, two men sat talking, one on either side of the hearth; and in a low chair between them a dark-eyed woman leaned back, watching, the tips of her delicate thin fingers pressed together, or held out transparent towards the fire. A log, dropping now and then, turned up its glowing underside; and the firelight and the lamplight seemed so to have soaked into the white walls that a wan warmth exuded. Silvery dun moths, fluttering in from the dark garden, kept vibrating, like spun shillings, over a jade-green bowl of crimson roses; and there was a scent, as ever in that old thatched cottage, of woodsmoke, flowers, and sweetbriar.
The man on the left was perhaps forty, rather above middle height, vigorous, active, straight, with blue eyes and a sanguine face that glowed on small provocation. His hair was very bright, almost red, and his fiery moustaches which descended to the level of his chin, like Don Quixote's seemed bristling and charging.
The man on the right was nearer thirty, evidently tall, wiry, and very thin. He sat rather crumpled, in his low armchair, with hands clasped round a knee; and a little crucified smile haunted the lips of his lean face, which, with its parchmenty, tanned, shaven cheeks, and deep-set, very living eyes, had a certain beauty.
These two men, so extravagantly unlike, looked at each other like neighbouring dogs, who, having long decided that they are better apart, suddenly find that they have met at some spot where they cannot possibly have a fight. And the woman watched; the owner, as it were, of one, but who, from sheer love of dogs, had always stroked and patted the other.
“So, Mr. Courtier,” said the younger man, whose dry, ironic voice, like his smile, seemed defending the fervid spirit in his eyes; “all you say only amounts, you see, to a defence of the so-called Liberal spirit; and, forgive my candour, that spirit, being an importation from the realms of philosophy and art, withers the moment it touches practical affairs.”
The man with the red moustaches laughed; the sound was queer—at once so genial and so sardonic.
“Well put!” he said: “And far be it from me to gainsay. But since compromise is the very essence of politics, high-priests of caste and authority, like you, Lord Miltoun, are every bit as much out of it as any Liberal professor.”
“I don't agree!”
“Agree or not, your position towards public affairs is very like the Church's attitude towards marriage and divorce; as remote from the realities of life as the attitude of the believer in Free Love, and not more likely to catch on. The death of your point of view lies in itself—it's too dried-up and far from things ever to understand them. If you don't understand you can never rule. You might just as well keep your hands in your pockets, as go into politics with your notions!”
“I fear we must continue to agree to differ.”
“Well; perhaps I do pay you too high a compliment. After all, you are a patrician.”
“You speak in riddles, Mr. Courtier.”
The dark-eyed woman stirred; her hands gave a sort of flutter, as though in deprecation of acerbity.
Rising at once, and speaking in a deferential voice, the elder man said:
“We're tiring Mrs. Noel. Good-night, Audrey, It's high time I was off.” Against the darkness of the open French window, he turned round to fire a parting shot.
“What I meant, Lord Miltoun, was that your class is the driest and most practical in the State—it's odd if it doesn't save you from a poet's dreams. Good-night!” He passed out on to the lawn, and vanished.
The young man sat unmoving; the glow of the fire had caught his face, so that a spirit seemed clinging round his lips, gleaming out of his eyes. Suddenly he said:
“Do you believe that, Mrs. Noel?”
For answer Audrey Noel smiled, then rose and went over to the window.
“Look at my dear toad! It comes here every evening!” On a flagstone of the verandah, in the centre of the stream of lamplight, sat a little golden toad. As Miltoun came to look, it waddled to one side, and vanished.
“How peaceful your garden is!” he said; then taking her hand, he very gently raised it to his lips, and followed his opponent out into the darkness.
Truly peace brooded over that garden. The Night seemed listening—all lights out, all hearts at rest. It watched, with a little white star for every tree, and roof, and slumbering tired flower, as a mother watches her sleeping child, leaning above him and counting with her love every hair of his head, and all his tiny tremors.
Argument seemed child's babble indeed under the smile of Night. And the face of the woman, left alone at her window, was a little like the face of this warm, sweet night. It was sensitive, harmonious; and its harmony was not, as in some faces, cold—but seemed to tremble and glow and flutter, as though it were a spirit which had found its place of resting.
In her garden,—all velvety grey, with black shadows beneath the yew-trees, the white flowers alone seemed to be awake, and to look at her wistfully. The trees stood dark and still. Not even the night birds stirred. Alone, the little stream down in the bottom raised its voice, privileged when day voices were hushed.
It was not in Audrey Noel to deny herself to any spirit that was abroad; to repel was an art she did not practise. But this night, though the Spirit of Peace hovered so near, she did not seem to know it. Her hands trembled, her cheeks were burning; her breast heaved, and sighs fluttered from her lips, just parted.
CHAPTER V
Eustace Cardoc, Viscount Miltoun, had lived a very lonely life, since he first began to understand the peculiarities of existence. With the exception of Clifton, his grandmother's 'majordomo,' he made, as a small child, no intimate friend. His nurses, governesses, tutors, by their own confession did not understand him, finding that he took himself with unnecessary seriousness; a little afraid, too, of one whom they discovered to be capable of pushing things to the point of enduring pain in silence. Much of that early time was passed at Ravensham, for he had always been Lady Casterley's favourite grandchild. She recognized in him the purposeful austerity which had somehow been omitted from the composition of her daughter. But only to Clifton, then a man of fifty with a great gravity and long black whiskers, did Eustace relieve his soul. “I tell you this, Clifton,” he would say, sitting on the sideboard, or the arm of the big chair in Clifton's room, or wandering amongst the raspberries, “because you are my friend.”
And Clifton, with his head a little on one side, and a sort of wise concern at his 'friend's' confidences, which were sometimes of an embarrassing description, would answer now and then: “Of course, my lord,” but more often: “Of course, my dear.”
There was in this friendship something fine and suitable, neither of these 'friends' taking or suffering liberties, and both being interested in pigeons, which they would stand watching with a remarkable attention.
In course of time, following the tradition of his family, Eustace went to Harrow. He was there five years—always one of those boys a little out at wrists and ankles, who may be seen slouching, solitary, along the pavement to their own haunts, rather dusty, and with one shoulder slightly raised above the other, from the habit of carrying something beneath one arm. Saved from being thought a 'smug,' by his title, his lack of any conspicuous scholastic ability, his obvious independence of what was thought of him, and a sarcastic tongue, which no one was eager to encounter, he remained the ugly duckling who refused to paddle properly in the green ponds of Public School tradition. He played games so badly that in sheer self-defence his fellows permitted him to play without them. Of 'fives' they made an exception, for in this he attained much proficiency, owing to a certain windmill-like quality of limb. He was