A Wanderer in Florence. E. V. Lucas
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of Utrecht, as Adrian VI, a good, sincere man who, had he lived, might have enormously changed the course not only of Italian but of English history. He survived, however, for less than two years, and then came Giulio's chance, and he was elected Pope Clement VII.
Clement's first duty was to make Florence secure, and he therefore sent his son Alessandro, then about thirteen, to join the others at the Medici palace, which thus now contained a resident cardinal, watchful of Medici interests; a legitimate daughter of Lorenzo, Duke of Urbino (but owing to quarrels she was removed to a convent); an illegitimate son of Giuliano, Duke of Nemours, the nominal heir and already a member of the Government; and the Pope's illegitimate son, of whose origin, however, nothing was said, although it was implied that Lorenzo, Duke of Nemours, was his father.
This was the state of affairs during Clement's war with the Emperor Charles V, [2] which ended with the siege of Rome and the imprisonment of the Pope in the Castle of S. Angelo for some months until he contrived to escape to Orvieto; and meanwhile Florence, realizing his powerlessness, uttered a decree again banishing the Medici family, and in 1527 they were sent forth from the city for the third time. But even now, when the move was so safe, Florence lacked courage to carry it out until a member of the Medici family, furious at the presence of the base-born Medici in the palace, and a professed hater of her base-born uncle Clement VII and all his ways—Clarice Strozzi, née Clarice de' Medici, granddaughter of Lorenzo the Magnificent—came herself to this house and drove the usurpers from it with her extremely capable tongue.
To explain clearly the position of the Florentine Republic at this time would be too deeply to delve into history, but it may briefly be said that by means of humiliating surrenders and much crafty diplomacy, Clement VII was able to bring about in 1529 peace between the Emperor Charles V and Francis I of France, by which Charles was left master of Italy, while his partner and ally in these transactions, Clement, expected for his own share certain benefits in which the humiliation of Florence and the exaltation of Alessandro came first. Florence, having taken sides with Francis, found herself in any case very badly left, with the result that at the end of 1529 Charles V's army, with the papal forces to assist, laid siege to her. The siege lasted for ten months, in which the city was most ably defended by Ferrucci, that gallant soldier whose portrait by Piero di Cosimo is in our National Gallery—No. 895—and then came a decisive battle in which the Emperor and Pope were conquerors, a thousand brave Florentines were put to death and others were imprisoned.
Alessandro de' Medici arrived at the Medici palace in 1531, and in 1532 the glorious Florentine Republic of so many years' growth, for the establishment of which so much good blood had been spilt, was declared to be at an end. Alessandro being proclaimed Duke, his first act was to order the demolition of the great bell of the Signoria which had so often called the citizens to arms or meetings of independence.
Meanwhile Ippolito, the natural son of Giuliano, Duke of Nemours, and therefore the rightful heir, after having been sent on various missions by Clement VII, to keep him out of the way, settled at Bologna and took to poetry. He was a kindly, melancholy man with a deep sense of human injustice; and in 1535, when, after Clement VII's very welcome demise, the Florentine exiles who either had been banished from Florence by Alessandro or had left of their own volition rather than live in the city under such a contemptible ruler, sent an embassy to the Emperor Charles V to help them against this new tyrant, Ippolito headed it; but Alessandro prudently arranged for his assassination en route.
It is unlikely, however, that the Emperor would have done anything, for in the following year he allowed his daughter Margaret to become Alessandro's wife. That was in 1536. In January, 1537, Lorenzino de' Medici, a cousin, one of the younger branch of the family, assuming the mantle of Brutus, or liberator, stabbed Alessandro to death while he was keeping an assignation in the house that then adjoined this palace. Thus died, at the age of twenty-six, one of the most worthless of men, and, although illegitimate, the last of the direct line of Cosimo de' Medici, the Father of his Country, to govern Florence.
The next ruler came from the younger branch, to which we now turn. Old Giovanni di Bicci had two sons, Cosimo and Lorenzo. Lorenzo's son, Pier Francesco de' Medici, had a son Giovanni de' Medici. This Giovanni, who married Caterina Sforza of Milan, had also a son named Giovanni, born in 1498, and it was he who was the rightful heir when Lorenzo, Duke of Urbino, died in 1519. He was connected with both sides of the family, for his father, as I have said, was the great grandson of the first Medici on our list, and his wife was Maria Salviati, daughter of Lucrezia de' Medici—herself a daughter of Lorenzo the Magnificent—and Jacopo Salviati, a wealthy Florentine. When, however, Lorenzo, Duke of Urbino, died in 1519, Giovanni was a young man of twenty-one with an absorbing passion for fighting, which Clement VII (then Giulio) was only too keen to foster, since he wished him out of the way in order that his own projects for the ultimate advancement of the base-born Alessandro, and meanwhile of the catspaw, the base-born Ippolito, might be furthered. Giovanni had already done some good service in the field, was becoming famous as the head of his company of Black Bands, and was known as Giovanni delle Bande Nere; and his marriage to his cousin Maria Salviati and the birth of his only son Cosimo in 1519 made no difference to his delight in warfare. He was happy only when in the field of battle, and the struggle between Francis and Charles gave him ample opportunities, fighting on the side of Charles and the Pope and doing many brave and dashing things. He died at an early age, only twenty-eight, in 1526, the idol of his men, leaving a widow and child in poverty.
Almost immediately afterwards came the third banishment of the Medici family from Florence. Giovanni's widow and their son Cosimo got along as best they could until the murder of Alessandro in 1537, when Cosimo was nearly eighteen. He was a quiet, reserved youth, who had apparently taken but little interest in public affairs, and had spent his time in the country with his mother, chiefly in field sports. But no sooner was Alessandro dead, and his slayer Lorenzino had escaped, than Cosimo approached the Florentine council and claimed to be appointed to his rightful place as head of the State, and this claim he put, or suggested, with so much humility that his wish was granted. Instantly one of the most remarkable transitions in history occurred: the youth grew up almost in a day and at once began to exert unsuspected reserves of power and authority. In despair a number of the chief Florentines made an effort to depose him, and a battle was fought at Montemurlo, a few miles from Florence, between Cosimo's troops, fortified by some French allies, and the insurgents. That was in 1537; the victory fell to Cosimo; and his long and remarkable reign began with the imprisonment and execution of the chief rebels.
Although Cosimo made so bloody a beginning he was the first imaginative and thoughtful administrator that Florence had had since Lorenzo the Magnificent. He set himself grimly to build upon the ruins which the past forty and more years had produced; and by the end of his reign he had worked wonders. As first he lived in the Medici palace, but after marrying a wealthy wife, Eleanora of Toledo, he transferred his home to the Signoria, now called the Palazzo Vecchio, as a safer spot, and established a bodyguard of Swiss lancers in Orcagna's loggia, close by. [3] Later he bought the unfinished Pitti palace with his wife's money, finished it, and moved there. Meanwhile he was strengthening his position in every way by alliances and treaties, and also by the convenient murder of Lorenzino, the Brutus who had rid Florence of Alessandro ten years earlier, and whose presence in the flesh could not but be a cause of anxiety since Lorenzino derived from an elder son of the Medici, and Cosimo from a younger. In 1555 the ancient republic of Siena fell to Cosimo's troops after a cruel and barbarous siege and was thereafter merged in Tuscany, and in 1570 Cosimo assumed the title of Cosimo I, Grand Duke of Tuscany, and was crowned at Rome.
Whether or not the common accusation against the Medici as a family, that they had but one motive—mercenary ambition and self-aggrandisement—is true, the fact remains that the crown did not reach their brows until one hundred and seventy years from the first appearance of old Giovanni di Bicci in Florentine affairs. The statue of Cosimo I in the Piazza della Signoria has a bas-relief of his coronation. He was then fifty-one; he lived but four more years, and when he died he left a dukedom flourishing in every way: rich, powerful, busy, and enlightened. He had developed and encouraged the arts, capriciously, as Cellini's "Autobiography" tells us, but genuinely too, as we can see at the Uffizi and the Pitti. The arts, however, were not what they had been, for the great period had passed and Florence was in the trough of the wave. Yet