The Danger Mark. Robert W. Chambers

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The Danger Mark - Robert W. Chambers


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new arrivals, merely switching to another subject without interrupting her steady stream of outrageous talk. She was celebrated for it—and for nothing else.

      Geraldine, bewildered and a little horrified, looked at her billowy, bediamonded hostess, then at young Delancy Grandcourt, who, not perceptibly abashed by his mother's left-handed compliments, lounged beside her, apparently on the verge of a yawn.

      "My mother says things," he explained patiently; "nobody minds 'em. … Shall we exchange nonsense—or would you rather save yourself until dinner?"

      "Save myself what?" she asked nervously.

      "The nuisance of talking to me about nothing. I'm not clever."

      Geraldine reddened.

      "I don't usually talk about nothing."

      "I do," he said. "I never have much to say."

      "Is that because you don't like débutantes?" she asked coldly.

      "It's because they don't care about me. … If you would talk to me, I'd really be grateful."

      He flushed and stepped back awkwardly to allow room for a slim, handsome man to pass between them. The very ornamental man did not pass, however, but calmly turned toward Geraldine, and began to talk to her.

      She presently discovered his name to be Dysart; and she also discovered that Mr. Dysart didn't know her name; and, for a moment after she had told him, surprise and a confused sense of resentment silenced her, because she was quite certain now that they had never been properly presented.

      That negligence of conventions was not unusual in this new world she was entering, she had already noticed; and this incident was evidently another example of custom smilingly ignored. She looked up questioningly, and Dysart, instantly divining the trouble, laughed in his easy, attractive fashion—the fashion he usually affected with women.

      "You seemed so fresh and cool and sweet all alone in this hot corner that I simply couldn't help coming over to hear whether your voice matched the ensemble. And it surpasses it. Are you going to be resentful?"

      "I'm too ignorant to be—or to laugh about it as you do. … Is it because I look a simpleton that you come to see if I really am?"

      "Are you planning to punish me, Miss Seagrave?"

      "I'm afraid I don't know how."

      "Fate will, anyway, unless I am placed next you at dinner," he said with his most reassuring smile, and rose gracefully.

      "I'm going to fix it," he added, and, pushing his way toward his hostess, disappeared in the crush.

      Later young Grandcourt reappeared from the crush to take her in. Every table seated eight, and, sure enough, as she turned involuntarily to glance at her neighbour on the right, it was Dysart's pale face, cleanly cut as a cameo, that met her gaze. He nodded back to her with unfeigned satisfaction at his own success.

      "That's the way to manage," he said, "when you want a thing very much. Isn't it, Miss Seagrave?"

      "You did not ask me whether I wanted it," she said.

      "Don't you want me here? If you don't—" His features fell and he made a pretence of rising. His pale, beautifully sculptured face had become so fearfully serious that she coloured up quickly.

      "Oh, you wouldn't do such a thing—now! to embarrass me."

      "Yes, I would—I'd do anything desperate."

      But she had already caught the flash of mischief, and realising that he had been taking more or less for granted in tormenting her, looked down at her plate and presently tasted what was on it.

      "I know you are not offended," he murmured. "Are you?"

      She knew she was not, too; but she merely shrugged. "Then why do you ask me, Mr. Dysart?"

      "Because you have such pretty shoulders," he replied seriously.

      "What an idiotic reply to make!"

      "Why? Don't you think you have?"

      "What?"

      "Pretty shoulders."

      "I don't think anything about my shoulders!"

      "You would if there was anything the matter with them," he insisted.

      Once or twice he turned his handsome dark gaze on her while she was dissecting her terrapin.

      "They tip up a little—at the corners, don't they?" he inquired anxiously. "Does it hurt?"

      "Tip up? What tips up?" she demanded.

      "Your eyes."

      She swung around toward him, confused and exasperated; but no seriousness was proof against the delighted malice in Dysart's face; and she laughed a little, and laughed again when he did. And she thought that he was, perhaps, the handsomest man she had ever seen. All débutantes did.

      Young Grandcourt turned from the pretty, over-painted woman who, until that moment, had apparently held him interested when his food failed to monopolise his attention, and glanced heavily around at Geraldine.

      All he saw was the back of her head and shoulders. Evidently she was not missing him. Evidently, too, she was having a very good time with Dysart.

      "What are you laughing about?" he asked wistfully, leaning forward to see her face.

      Geraldine glanced back across her shoulder.

      "Mr. Dysart is trying to be impertinent," she replied carelessly; and returned again to the impertinent one, quite ready for more torment now that she began to understand how agreeable it was.

      But Dysart's expression had changed; there was something vaguely caressing in voice and manner as he murmured:

      "Do you know there is something almost divine in your face."

      "What did you say?" asked Geraldine, looking up from her ice in its nest of spun sugar.

      "You so strenuously reject the truthful compliments I pay you, that perhaps I'd better not repeat this one."

      "Was it really more absurd flattery?"

      "No, never mind. … " He leaned back in his chair, absently turning the curious, heavily chiselled ring on his little finger, but every few moments his expressive eyes reverted to her. She was eating her ice with all the frank enjoyment of a schoolgirl.

      "Do you know, Miss Seagrave, that you and I are really equipped for better things than talking nonsense."

      "I know that I am," she observed. … "Isn't this spun sugar delicious!"

      "Yes; and so are you."

      But she pretended not to hear.

      He laughed, then fell silent; his dreamy gaze shifted from vacancy to her—and, casually, across the room, where it settled lightly as a butterfly on his wife, and there it poised for a moment's inexpressive examination. Scott Seagrave was talking to Rosalie; she did not notice her husband.

      After that, with easy nonchalance approaching impudence, he turned to his own neglected dinner partner, Sylvia Quest, who received his tardy attentions with childish irritation. She didn't know any better. And there was now no time to patch up matters, for the signal to rise had been given and Dysart took Sylvia to the door with genuine relief. She bored him dreadfully since she had become sentimental over him. They always did.

      Lounging back through the rising haze of tobacco-smoke he encountered Peter Tappan and stopped to exchange a word.

      "Dancing?" he inquired, lighting his cigarette.

      Tappan nodded. "You, too, of course." For Dysart was one of those types known in society as a "dancing man." He also led cotillions, and a morally blameless life as far as the more virile Commandments were concerned.

      He said: "That little Seagrave girl


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