Одноэтажная Америка / Little Golden America. Илья Ильф
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is not known in his native Italy by his surname. There he has a nickname: “Il Gigante”. “Il Gigante” is an exceedingly rangy and long-armed person. If he were a conductor of a Moscow street-car, he would very easily collect fares from people all over the car while standing on the front platform. “Il Gigante’’ threw off a bright-coloured robe and displayed himself in all his beauty – long, bony, looking like an unfinished Gothiccathedral. His opponent was a sturdy blond German of middle height.
The signal sounded, the managers ran out of the ring, and Camera quietly began to beat up the German. And he did not so much beat him as thrash him. The peasant Camera seemed to be performing the agricultural work customary to him. His two-metre-long arms rose and fell with the regularity of flails. Most frequently they struck the air, but on those rare occasions when they fell on the German the New York public shouted: “Carnera, boo!” The inequality of strength between the opponents was altogether too evident. Camera was much taller and heavier than the German.
The audience was excited, nevertheless, and yelled as if the issue of this fight had not been predetermined. Americans make a very noisy audience. At times it seems that they come to boxing and football matches not to look on, but to yell. The roar was constant throughout the match. Whenever the fans did not like something or thought that one of the boxers was not fighting fairly, was being cowardly or dishonest, they yelled in chorus: “Boo, boo!” and the auditorium was transformed into a drove of nice bisons in soft hats. The onlookers helped the fighters with their outcries. For the three and a half rounds of the fight between Camera and the German the fans expended so much energy, made so many motions, that had this potential been properly utilized, it would have sufficed to build a six-story house with a flat sun roof and a cafeteria on the first floor.
In the third round the German finished almost blind. His eye had been badly hurt. In the middle of the fourth round he suddenly swung out his arms like a card player who was losing and walked out of the ring, refusing to continue the fight.
A frightful “Boo! boo!” filled the vast spaces of the Garden. It was not considered sporting to walk out of the ring. Boxers must be carried out of the ring; which is exactly what the audience expects for its money.
But the German was evidently so nauseated by the prospect of being knocked out in another minute or two that he decided to stop fighting.
The onlookers booed all the time that the unfortunate boxer was making his way back-stage. They were so indignant at the behaviour of the German that they did not even bother to cheer the victor. “Il Gigante” clasped his hands overhead, then put on his beautiful silken robe, befitting a courtesan, dived under the ropes of the ring, and in a dignified manner returned to the dressing-room, walking like an old work horse returning to the stable to shove its long muzzle into a bag of oats.
The last pair presented no special interest, and soon with others we were walking out. At the exit the news vendors were selling the night editions of Daily News and Daily Mirror, on the first pages of which in large letters was printed the news that Camera won over his opponent in the fourth round. Between the minute this event occurred and the moment we bought the newspaper containing the news about the match no more than ‘half an hour had elapsed.
In the nocturnal sky flamed the electric sign “Jack Dempsey”. Having finished his career in the ring, the great boxing champion opened near Madison Square Garden a bar and restaurant where sport fans gather. It would never occur to any American to blame Dempsey for turning from a sportsman into a barman. The man is making money, he is doing business. Does it make any difference how he earns his money? That money is best of which there is most!
Boxing may be liked or disliked. That is the private affair of every man. Boxing is a sport, perhaps a rough and even an unnecessary sport, but still a sport. As for the American wrestling match, that is a spectacle which is in no way sporting, however astounding it may be.
We saw such a wrestling match in the same Madison Square Garden.
According to the rules of American wrestling… As a matter of fact, why speak of rules, when the peculiarity of this combat consists precisely in that it has no rules whatever? You may do anything you like: break your opponent’s arm; shove fingers into his mouth in an effort to tear it, while at the same time the opponent tries to bite off the fingers; pull the hair; simply beat him up; tear the face with finger-nails, pull off ears; choke his throat – everything is permitted. This form of combat is called wrestling, and there are actually people who evince a genuine interest in it.
The fighters roll in the ring, pressing against each other, and lie like that for ten minutes at a stretch. They weep in anguish and anger, they snort, spit, scream, and in general carry on in a disgusting and shameless manner – like sinners in hell.
The disgust is increased when a half-hour later you begin to understand that all this is the silliest kind of sham, that it is not even a street light between two drunken hooligans. When one strong man really wants to break the arm of another he can do it at any time with a certain twist. In wrestling, however, despite all the frightful gestures, there is never any harm done to the parts of the body. But Americans, like children, believe this naive deception and are frantic with delight.
Even if wrestling were carried on seriously it would merit nothing but contempt.
Certainly, this vulgar spectacle cannot compare with the competition of the cowboys! In this same rectangular arena, sullied by wrestling, we once saw a rodeo, a competition of Western cowherds.
This time there was no ring and there were no chairs. Clean sand lay from one end to the other of the huge arena. On a stand sat musicians in cowboy hats and blew for all they were worth into their horns and fifes. The gates opened into the wooden enclosure, and out came the parade of the participants.
On fine little horses rode the representatives of the romantic states of America, cowboys and cowgirls from Texas, Arizona, Nevada. The brims of the heroic hats swayed. The girls greeted the public by raising their arms in a mannish salute. There were already several hundred riders in the arena, yet more cowboys continued to ride in.
When the gala part of the performance was over, the artistic part began.
The cowboys took their turns in riding out of the gates atop short, but wildly jumping, steers. In all probability these steers had been hurt before and were brought into the arena because they bucked with incredible persistence. The task of the rider was to stay on the back of the animal as long as possible, without catching on with his hands and while holding his hat in his right hand. From the ceiling hung a huge stop clock which the entire hall could watch. One cowboy held on to an infuriated bull for seventeen seconds, another for twenty-five. Some riders were thrown to the ground after two or three seconds. The winner managed to hang on for something like forty seconds. The cowboys had the intent, bashful faces of country lads who did not want to disgrace themselves before their guests.
Later, one after the other, the cowboys rode out on their horses, swinging a lasso wound in a circle. In front of the horse, its little tail up, a calf hopped around in an exhilarating gallop. Again the stop clock went into action. Unexpectedly the rope flew out from the hands of the cowboys. The loop hung in the air like something alive. For a second the calf lay on the ground, and the cowboy hurried to it in order as quickly as possible to bind it according to all the rules of the Texas science and to transform it into a well-tied, although a desperately bellowing, bundle.
The rodeo fans yelled and put down in their little books the seconds and fractions of seconds.
The most difficult feat was left to the end. Here the cowboys had something to work on. An angry, bucking cow was led out of the gates. She dashed over the arena with a speed one would never expect of any domesticated animal. The mounted cowboy pursued the cow, jumped on her neck at full gallop, and, seizing her by the horns, forced her to the ground. The most important and the most difficult part was to throw the cow to the ground. Many did not succeed in that. Having felled the cow, it was necessary to bind all her four legs and to milk a little milk into a little bottle, which the cowboy hurriedly pulled out of his pocket. He was allowed only one minute for all this. Having milked the cow, the cowboy triumphantly lifted the little bottle over his head and cheerily ran behind the barrier.
The brilliant exercises of the